The designs in these books are pretty unique: not exactly your everyday garments! The approach is definitely creative. It opens your mind to a completely different way of constructing patterns. It’s mostly flat-patternmaking, although many times it looks like one would have to drape to get such results.

The design of the Keio deletions was based on annotations that are now outdated. Of 4288 ORFs targeted, mutants were obtained for 3985 ( Baba et al, 2006). Re-annotation based on highly accurate sequencing of E. coli K-12 ( Hayashi et al, 2006) led to changing many coding regions and the total number of ORFs to 4296, including pseudogenes ( Riley et al, 2006) ( Supplementary Table I). The recent E. coli K-12 MG1655 GenBank record (U0096, released in December 2008) has an additional 97 ORFs (exclusive of the ORFs in IS elements, Supplementary Table II) that were not targeted. Of these 4214 annotated ORFs, 4186 were targeted for deletion and 28 were not ( Supplementary Table III), which resulted in the isolation of two independent mutants for 3864 targeted ORFs. No deletion was found for 299 ORFs, which are candidates for essential genes. Deletions were also isolated for 23 other ORFs; however, re-annotation led to re-classification of these ORFs as ‘split ORFs', because their coding regions are interrupted by an IS element or some other mutation ( Supplementary Table IV).

The Keio collection ( Baba et al, 2006) has been established as a set of single-gene deletion mutants of Escherichia coli K-12. These mutants have a precisely designed deletion from the second codon from the seventh to the last codon of each predicted ORF. Further information is available at http://sal.cs.purdue.edu:8097/GB7/index.jsp or http://ecoli.naist.jp/. The distribution is now being handled by the National Institute of Genetics of Japan ( http://www.shigen.nig.ac.jp/ecoli/pec/index.jsp). To date more than 4 million samples have been distributed worldwide. As we described earlier ( Baba et al, 2006), gene amplification during construction is likely to have led to a small number of mutants with genetic duplications. There isn’t much information to be found about the author Tomoko Nakamichi. I searched on the internet, but I could only find the same information that’s also written in the Pattern Magic -books: She was a professor at Bunka Fashion College in Tokyo and now delivers lectures and holds courses both in Japan and internationally. All the garments in the pictures are actually in half-scale. Nakamichi created them with trial-and-error approach and they served to help her students understand better how patterns work. Basics bFraction of correct single-gene deletion candidates upon Keio collection construction ( Baba et al, 2006). Access-restricted-item true Addeddate 2023-01-04 02:01:12 Autocrop_version 0.0.14_books-20220331-0.2 Boxid IA40812102 Camera USB PTP Class Camera Collection_set printdisabled External-identifier

A basicjabot-style frill A gorgeousdecorativeeffectfor the front of a blouse. The connectionbetweenthe sectionthat is visiblefrom the front and the sectionconcealedunderneathis important. I’ve tried almost every design in this book and then I made my own versions of some of them by changing aEssentiality from PEC (Profiling of E. coli chromosome database, http://www.shigen.nig.ac.jp/ecoli/pec/index.jsp). Here’s a picture of a vanishing tie I made with some changes to the pattern. I think this way the pattern became more simple. I added stripes as well. Vanishing tie with stripes urn:oclc:record:1359080886 Foldoutcount 0 Identifier patternmagic20000naka Identifier-ark ark:/13960/s2cq6tmqwb4 Invoice 1652 Isbn 9781856697064Then there’s a design called ” Like a jungle” where the bodice front is separated with stylelines into slices that overlap each other. I had an idea that I wanted the overlapping area to create a flower-shape in the middle by leaving little holes in between the slices. Well, I’m not too happy with the result, but probably I could make it work by editing the pattern some more. Jungle-flower

Ocr tesseract 5.2.0-1-gc42a Ocr_detected_lang en Ocr_detected_lang_conf 1.0000 Ocr_detected_script Latin Ocr_detected_script_conf 1.0000 Ocr_module_version 0.0.18 Ocr_parameters -l eng Old_pallet IA-NS-0001590 Openlibrary_edition As you can see, the second book has inspired quite a few designs for me! And to be honest, now that I was leafing through it, I started planning a couple of new ones, too…

Ffareconceafed in a curve Thisdesignmakesyou wonderhow the flarehas beenconcealed. The foldedand layeredlook that hasso much depth is structurallybeautifuland exciting.With that ideain mind, I beganby drawing somecomplexcuryes. by cutting and opening out the pattern, but a flare that is subtly concealed on the underside of the fabric. Making a pattern Íor the kakurenbo design with a drawing is easier than you think.