The Display features a 10-bit screen with a brightness of 1000 cd/m² AtomHDR technology for accurate monitoring of log gamma footage, as well as support for various log formats from Sony, ARRI, Canon, JVC, Panasonic, Nikon, RED, Sony, and Z CAM cameras. Atomos have designed their Ninja Pro Kit to bridge the gap between compact cinema and mirrorless cameras. The Atomos Ninja V+ features a robust aluminum chassis which can be powered from a single Sont type L-series battery. and above will be the only method to get updates for future ProRes RAW compatible cameras and general bug fixes.

Traditionally documented with a static collection of still images, they are now a cinematic experience. Due to various optimizations across the entire AtomOS firmware architecture, it should be noted that once updated to this latest firmware, it will not be possible to revert your Ninja V to any firmware version prior to AtomOS 10.You can monitor what’s happening on-set and look through any connected camera taking the shot, from anywhere in the world. Experienced Ninja user Keith Eccles takes a first look at the new AtomOS 11 interface and the new EL ZONE and ARRI false colour tools . Monitoring and Recording whilst outputting a RAW signal to the Ninja V in ProRes RAW mode will work as expected.

Universally popular, Ninja V ticks more boxes for more filmmakers than any other 5” monitor on the market.The sleek aluminium body of the Ninja V is crafted for maximum durability, weighing in at just 360g and measuring only 25mm thick, It’s designed to be portable and attach to any camera or rig with anti-rotation 1/4-20 screw mounts that allow for a wide variety of shoe-mounts, gimbal mounts, cages or other rig options. I Don’t have a clue if this would be possible with a non recording device but it would certainly be very useful if he Shinobi could still indicate that the camera is recording. The Nikon Z6 and Z7 cameras are now fully compatible with ProRes RAW recording on Ninja V, with other exciting camera integrations coming soon.