My Grandmother's Hands: Racialized Trauma and the Pathway to Mending Our Hearts and Bodies

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My Grandmother's Hands: Racialized Trauma and the Pathway to Mending Our Hearts and Bodies

My Grandmother's Hands: Racialized Trauma and the Pathway to Mending Our Hearts and Bodies

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Tippett: There’s a line from you, which really is what this all comes down to — which is just so kind of [ laughs] sad to think that this is basic human reality — that “all adults need to learn how to soothe and anchor themselves rather than expect or demand that others soothe them. And all adults need to heal and grow up.” And so many of the things we’ve done in this culture, especially around the invention of whiteness, allows people to avoid developing the full range, or inhibits people from developing the full range of being a grownup. Menakem: Exactly. Flaying, whipping — here’s the thing. Land theft, enslavement, imperialism, colonialism, genocide — all of that. Krista Tippett, host: Well, I was kind of aware that I was half-thinking about what was gonna come next, but, I don’t know, I felt more settled. And there was also a feeling of — there was kind of a feeling of comfort. Sign Up and receive notification when new issues of the Deep Times Journal are available as well as updates on the Work That Reconnects Network. Tippett: And we know the narrative — they fled. They fled. We never think, these were traumatized people.

The Lilly Endowment, an Indianapolis-based, private family foundation dedicated to its founders’ interests in religion, community development, and education. Soothing: involves applying self regulation techniques to calm the body and mind (e.g. deep breathing, gentle movement, or positive self-talk). Menakem: You see it everywhere. That’s why the reps are so important, because when you get the reps in, if you get the reps in around race — Tracing the diaspora in reverse, this multicultural workshop series will take place on three continents.Menakem: So one of the things about the animal part of the body is that even though me and you are in this room — this nice place— there’s a part of the body that’s saying, “Yeah, but what else is gonna happen?” And the reason why — especially when I’m working with bodies of culture, one of the first things I have them do is orient; orient to the room, not orient in the mystical way but actually literally. Because many times the bodies of culture are waiting for danger. Even though you know nothing’s behind you, letting the body know it actually helps some pieces. Now, if you get reps in with that, not just do it one time or just when I tell you to, what you may notice is that you have a little bit more room for other — literally, for other things to happen that can’t happen when the constriction is like that. Tippett: One thing that occurred to me, reading your work, is one reason that elders are so comforting and healing — and children understand that — is because — not everybody becomes an elder; some people just get old … I'm real tempted to justify my whole two-star review by simply reporting that the author advocates police officers taking bubble baths as a significant part of the solution to police brutality. These are where the opportunities for healing lie. You’re not going to heal the Mason-Dixon line, but real, breathing, flesh-and-blood bodies can heal. My book helps to begin that healing. I am curious — I’ve read you and listened to you — I’m always curious what people’s passion and calling become. And it feels to me like it’s right here in the title of the book — your grandmother’s hands.

An extremely interesting approach and a much-needed paradigm shift in the treatment of racialized trauma.— NY Journal of Books My Grandmother's Hands is a call to action for all of us to recognize that racism is not about the head, but about the body, and introduces an alternative view of what we can do to grow beyond our entrenched racialized divide. Menakem: Exactly right. So if I’m a 13-year-old white boy, and I get on the internet, and I see symbol, I see rules of admonishment, rules of acceptance, a tone, a cadence, a dress, an understanding, a rhythm — so I’m not just talking about just the things that we see, the dress and stuff like that. I’m talking about the glue — the resonant and dissonant glue that holds things together.Paves the way for a new, body-centered understanding of white supremacy—how it is literally in our blood and our nervous system. An important concept is how trauma can spread between bodies, termed “blowing” trauma through another person, using varying degrees of abuse, control and violence. This phenomenon often occurs as a result of triggers, in a spontaneous manner, which are considered unintended, and thus may be rationalized after the act. This spread can occur in families as well as among strangers.



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