However, with the Drift Ghost XL Pro, you know that you have one of the best action cameras on the market. It doesn’t try to please everyone or cram in all the features you can think of; it just provides you with the core, and there’s a lot to say. Out on trial, and the mounting options are well beyond the GoPro or, for that matter, any other action camera; want to put it on your bike forks? Not a problem; attach and rotate the lens. Connecting the Drift to a Nexus 5 and an iPhone 5s via Wi-Fi was painless, and the well-designed app lets you remotely operate the camera and change its settings. The iOS version's video stream of what the camera is looking at was fairly immediate, but the same can't be said about the Android version; it shows a two-second lag.

Ghost 4K – Drift Innovation

Video quality is improved from the Drift HD Ghost, especially when it comes to detail. Everything looks more crisp, and I saw fewer artifacts when using the camera's high-bit-rate setting. Using that setting will eat into the battery life and the files use up more storage, but it's worth using if you plan to view the video at large sizes. As you’d expect from an action camera, the Ghost XL Pro is IPX7 waterproof, so there are no worries about dropping it in a puddle or mounting it on a surfboard. Built-in Wi-Fi allows you to connect a smartphone or tablet to the HD Ghost using the free iOS or Android app. From there you can use your device as a viewfinder, trigger recording, or upload shots to the Web. Battery life was better than the GoPro with Wi-Fi enabled, but couldn't match the Action Cam's longevity. The Drift Ghost XL Pro beats the ease of use and mount options of any other camera on the market by a long stretch. Drift has also added new scene modes: Normal, Vivid, or Low Light. Normal gives you more natural colors that are easier to work with if you want to adjust color to your liking when editing. Vivid pumps up colors so they pop, while Low Light seems to increase noise reduction, though not so much that subjects turn to mush.

The HD Ghost can also be used for burst-shooting 5-, 8-, or 11-megapixel photos at up to 10fps as well as time-lapse photos, snapping off shots at 0.5-, 1-, 2-, 3-, 5-, 10-, 30-, or 60-second intervals. Keeping with the waterproof features, a waterproof adapter enables you to connect to accessories such as a mic or external power source. This I like as it means that you can mount and essentially not have to worry about the power going to the camera or record a voice-over through the action if required, perfect if you’re thinking about a bit of rally driving! There were also aliasing artifacts and there's a fair amount of chromatic aberration (purple fringing) in high-contrast areas. And if you're shooting in low light, you'll notice an increase in noise/artifacts. That's not unusual, though, and well-lit indoor video was still watchable.

DRIFT HD GHOST USER MANUAL Pdf Download | ManualsLib DRIFT HD GHOST USER MANUAL Pdf Download | ManualsLib

The battery is integral, but at 3000mAH, it’s considerably larger than most other action cameras and, with the right setting, will last up to 7 hours, which is impressive. The Ghost-S lets you record 1080p video at25, 30, 50, and up to 60fps withfields of view ranging from 90, 127, and 160 degrees. Setting the camera to 960p adds the option to record at 48fps, and if you want to shoot footage that you can slow down in editing, you'll have to step down to 720p, which the Ghost-S records at the same fps as 1080p, but with additional 100 and 120fps options. For both 960p and 720p settings, you're limited to the 160-degree angleof view. The remote, which you can strap onto your wrist using the included wrist strap, pairs easily with the Ghost-S, and you can use it to start and stop recording as well as take still, time-lapse, and burst photos. It also indicates recording status, which is useful when the camera is mounted on, say, a helmet. The two buttons are large, which makes it easy to operate the camera when wearing gloves.Like the Contour Roam2, the Drift HD Ghost looks fantastic. The camera has a tough exterior and is waterproof to 3m down out of the box, without requiring a separate housing. The small screen and direct control buttons are only used to start and stop recording, and if you want to change any settings, then the fastest route is through the App. One of the most impressive features is the internal battery that can provide up to 7 hours of battery life when recording at 1080p or 4.5 hours at 4K. To put this into context, that’s over double that of the standard GoPro battery. Still image quality is on par with the Hero3, which is to say good, but not great. The HD Ghost shoots images at 11-, 8-, or 5-megapixels. You're still dealing with a good deal of distortion introduced by the wide angle lens, but images look sharp and colors really pop. I noticed the HD Ghost had the tendency to blow-out highlighted areas, but otherwise the images looked crisp and generally noise free.

Drift Innovation Cameras – Drift Innovation

There are also no in-built story modes or many other fancy features or modules that we have come to expect from GoPro or Insta360; the Drift Ghost XL Pro is just a pure no-fuss action camera. The Ghost-S takes quite good pictures, and you can shoot in time-lapse mode at 0.5-, 1-, 2-, 3-, 5-, and 10-second intervals. You can also shoot in burst mode in five or 10 shots per second. When it comes to using the Drift Ghost, XL Pro is one of the easiest action cameras to use. It’s been designed to be as simple as possible, even when using gloves or underwater. The large button closest to the lens starts and stops recording with the light changing to indicate that the recording has started; another press to finish.The Ghost-S's best and most differentiating feature is Drift's signature lens, which swivels up to 300 degrees by simply twisting the lens itself by hand. With the up-facing arrow to indicate the lens's upright orientation, and as long the camera is pointing in the direction you want to record, it lets you mount the camera at almost any angle while keeping a perfect orientation. By comparison, action cameras without the swiveling lens must be mounted in their upright position if you want to shoot properly oriented footage. For motorcyclists, this is the camera of choice; its sleek, low-profile design sits easily on the side of a helmet. For motorsports, the ability to rotate the lens to get a level horizon is a godsend when attached to a roll cage.

Drift Innovation Firmware – Drift Innovation

While many now offer intelligent horizon levelling, the quality of the video footage cannot match that of the Drift Ghost XL Pro, which can shoot a level horizon natively. Besides the build quality and the design being minimalistic and sleek, there’s little else to comment about the camera’s build. While the Ghost XL Pro offers plenty of mounting options, it doesn’t offer quite so many advanced features. There is a screen, although it’s a mono LCD rather than a full-blown colour touch screen. In the box, you'll find the camera itself, a remote, the battery, a non-waterproof connector hatch that gives easy access to the mini USB and mic out ports, a universal clip, two mount clips, a wrist strap, a mini USB cable, a microphone extension cable, and a goggle mount.Drift action cameras are one of the original manufacturers and are known for an innovative design approach that enables you to capture a level horizon; however, the camera is mounted. Audio quality is fine, but for action videos you're probably going to want to turn the mic off anyway, or you'll be capturing a lot of wind noise. For still subjects, the built-in mic did a decent job, and it offers three levels of sensitivity adjustment. And you can always directly plug in a better external mic, which you can't do with many other cameras. At the end of the test, the Drift Ghost XL Pro put in a solid performance; being able to mount the camera in ways that would usually be impossible gives you plenty more options when it comes to filming and enables plenty of fun. In use, it performs well with the large buttons and beep, enabling you to easily operate the camera even if you can’t directly see it. Dropping the resolution definitely costs you some detail, but the 720p/60 video is still very good. In the end, the results are above average, especially considering the flexibility of the camera and all it can do. Mounts are always an important factor with any action camera, and here the Drift utilises its style of clip mount. While this isn’t the GoPro three-prong style universally used by many manufacturers in practical use, it offers a far more rigid connection with anything it’s mounted to. In the past, before decent EIS, this mount proved itself for its robust build and reduction in vibration when compared with the GoPro equivalent.