A Thousand Miles Up the Nile

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A Thousand Miles Up the Nile

A Thousand Miles Up the Nile

RRP: £99
Price: £9.9
£9.9 FREE Shipping

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Edwards was looking at statues that were thousands of years old - it was amazing that any vivid colors remained at all! This was the leader of the little band — an old man who played the Kemengeh, 55 or cocoa-nut fiddle. These battered colossi represent the king in the character of Osiris, and are in fact on a huge scale precisely what the ordinary funerary statuettes are upon a small scale. Because some editions are complete and lavishly illustrated, but others have been violently abridged (with only a third as many pages as the original), or are nothing but a lone orphan volume of a two-volume set. He looked himself in the last stage of consumption, and spoke and moved like one that had done with life.

At such times one could see that he was weaving some romance in his thoughts, and translating it into sounds.We had already seen these dancers at two previous fantasias, and we admired them no more the third time than the first. Next come plantations of tobacco, cotton, hemp, linseed, maize and lentils, so closely set, so rich in promise, that the country looks as if it were laid out in allotment grounds for miles together.

It would indeed be scarcely too much to say that this one fragment, if all the rest had perished, would alone place the decorative sculpture of ancient Egypt in a rank second only to that of Greece. Here he lived while amassing the materials for his Manners and Customs of the Ancient Egyptians; and here Lepsius and his company of artists put up while at work on the western bank. Cairo and the Great Pyramid -- Cairo and the Mecca pilgrimage -- Cairo to Bedreshayn -- Sakkârah and Memphis -- Bedreshayn to Minieh -- Minieh to Siût -- Siût to Denderah -- Thebes and Karnak -- Thebes to Assûan -- Assûan and Elephantine -- The cataract and the desert -- Philæ -- Philæ to Korosko -- Korosko to Abou Simbel -- Rameses the Great -- Abou Simbel -- The second cataract -- Discoveries at Abou Simbel -- Back through Nubia -- Silsilis and Edfu -- Thebes -- Abydus and Cairo.They follow your wet brush along the paper, leave their legs in the yellow ocher, and plunge with avidity into every little pool of cobalt as it is mixed ready for use. Desde las famosas pirámides de Giza y Saqqara, Abu Simbel o Kom Ombo hasta el conocido Templo de Debod en Madrid o el Templo de Dendur en Nueva York, que la autora conoció en sus emplazamientos originales en Egipto. They have long been supposed to represent Rameses III in his hareem, entertained and waited upon by female slaves. At the upper end of the nave, some eighteen or twenty feet in advance of the apse, there stands a very beautiful screen inlaid in the old Coptic style with cedar, ebony, rosewood, ivory, and mother-of-pearl. Where the rice crop has been gathered, clusters of temporary huts have sprung up in the clearings; for the fellahîn come out from their crowded villages in "the sweet o' the year," and live in the midst of the crops which now they guard, and which presently they will reap.

It happens, however, though the table is missing, that the block next above it contained the pawns, which can still be discerned from below by the help of a glass. The weird rocks stand like sentinels to right and left as one enters the mouth of the valley, and take strange shapes as of obelisks and sphinxes.The art of keeping a travel diary is mostly lost in the modern age of Facebook and Instagram, where you can live update and share photos, rather than having to use beautifully eloquent language to describe what you saw and experienced, and how that made you feel. The royal tombs consist of only tunnelled passages and sepulchral vaults; the entrances to which were closed for ever as soon as the sarcophagus was occupied; hence it may be concluded that each memorial temple played to the tomb of its tutelary saint and sovereign that part which is played by the external oratory attached to the tomb of a private individual. The artists of Egyptian Renaissance, always great in profile-portraiture, are nowhere seen to better advantage than in this interesting series. The performances of the Ghawâzi — which are very ungraceful and almost wholly pantomimic — have been too often described to need description here. Leaving to the left a fine sitting statue of Khons in green basalt, and to the right his prostrate fellow, we pass under the gateway, cross a space of desolate crude-brick mounds, and see before us the ruins of the first pylon of the Great Temple of Khem.



  • Fruugo ID: 258392218-563234582
  • EAN: 764486781913
  • Sold by: Fruugo

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