Adventures in Modern Recording: From ABC to ZTT

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Adventures in Modern Recording: From ABC to ZTT

Adventures in Modern Recording: From ABC to ZTT

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Montague, A (31 August 2007). "The band with 200 hits behind them". The Jewish Chronicle. Archived from the original on 24 February 2014 . Retrieved 21 February 2014. Webb, Rob. "From The Basement On A Television: DiS talks to Nigel Godrich". DrownedInSound.com. Archived from the original on 13 September 2017 . Retrieved 13 September 2017. While active with the original Asia, he has also finished three albums with Wetton on their side project Icon, and recorded a live DVD in 2009 to promote the release of their third studio album. The project included guitarist Dave Kilminster, Pete Riley, and Hugh McDowell. In addition, Downes is also working on television, film and production music for a London West End film production company, Original Production Music Ltd. a b Greene, Andy (28 November 2022). "The 50 Worst Decisions in Music History". Rolling Stone . Retrieved 18 April 2023.

Trevor Charles Horn was born on 15 July 1949 to John and Elizabeth Horn in Hetton-le-Hole, England, and grew up in Durham City. [4] [5] [6] The second of four children, he has two sisters, including the novelist Marjorie DeLuca, [7] and a brother, the television producer Ken Horn. [4] [8] His father was a maintenance engineer at the neighbouring dairy [9] and a professional musician who played the double bass in the Joe Clarke Big Band during the week. [4] [10] [11] Horn attended Johnston Grammar School in Durham. [4] Born in Hertfordshire, England on July 15th 1949, music artist and producer Trevor Horn made up one half of the duo the Buggles from 1979-1982. Playing guitar, bass guitar, and singing for the duo, Trevor was instrumental in their fame, with their song Video Killed The Radio Star being the first-ever video to be played on MTV, as well as being No. 1 on the charts in 16 different countries. Geoff Downes – Asia Interview". 19 April 2008. Archived from the original on 19 April 2008 . Retrieved 29 June 2014.Bryan Adams and Hans Zimmer – Spirit: Stallion of the Cimarron, (co-writer, "Sound the Bugle") (2002) He rejects the notion that the 1980s was awash with drugs. “It made me laugh when people used to talk about music-business debauchery. Get out of it! Go down to the City if you want to see all that stuff. In the studio, we were too busy trying to earn a living.”

a b "Trevor Horn: 'My wife's death hit us hard but the family is still together' ". TheGuardian.com. 12 August 2016. Archived from the original on 10 October 2016 . Retrieved 25 August 2016. On 11 November 2004, a Prince's Trust charity concert celebrating Horn's 25 years as a record producer took place at Wembley Arena, featuring performances from Horn and many acts he produced. [47] It was released on DVD as Produced By Trevor Horn: A Concert For The Prince's Trust - Live At Wembley Arena London 2004 (2005) and Trevor Horn and Friends: Slaves to the Rhythm (2008), [48] and accompanied by a compilation album, Produced by Trevor Horn (2004). [49] Horn performing with the Producers in 2007 By the late 1970s, Horn had a sideline helping other musicians write songs and arrange demos, eventually forming The Buggles with keyboard player Geoff Downes. Powered by a new Prophet-5 synthesiser owned by their friend (and future Oscar-winning film composer) Hans Zimmer, their debut single, Video Killed the Radio Star, reached number one in 1979 and propelled Horn onto a new path, aged 30. Potton, Ed (1 October 2013). "And now it's farewell to the pleasuredome". The Australian . Retrieved 2 June 2018.Horn’s father worked in a dairy, and was a semi-professional musician in dance bands. It was the remnants of that scene that gave Horn his entry into music, the future architect of 1980s electropop spending over 10 years as a jobbing musician around the ballrooms and supper clubs of Britain. Not that it holds much affection for him. “You could go insane with boredom playing those old songs,” he says. One night, I was out at Giles Fish & Chip Shop when I happened to look across the room and saw the actor Ian McShane. He had been a Yes fan, and in return I loved his work, so I went straight over and said, "What are you doing? Do you want to come down to the studio?" He remembers is slightly differently, saying that I opened proceedings by saying, "Ian, Orson Welles is dead, so only you will do," but either way, he came down and he did it in one take, all of it, "Ladies and gentlemen, Miss Grace Jones, Slave to the Rhythm," and off he went again. I told him, "I’ll send you a crate of champagne," but I never did although I think he’d stopped drinking by then anyway. Garbo talks, Danny Elfman sings". Latimesblogs.latimes.com. 10 June 2008 . Retrieved 26 March 2014.



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