The first is that the Mooer pedals have very similar coloring to the original pedals from which they based on. You could perhaps use this on bass however I would not recommend doing so before doing more research on the topic. In my opinion, I’d recommend going for the SWEEPER pedal, also on this clone list.

Combining tremolo with other effects is a great way to add more depth to your tone. One thing to bear in mind is that due to tremolo increasing the volume of your signal, you may need to alter the levels of your pedals if you do choose to combine them. My Review: I love the aesthetics of Walrus Audio’s pedals. Each offering has a unique design that draws you to the pedal. However, these pedals are not just pretty to look at, they are sonically beautiful as well.Each of these controls plays a pivotal role in creating the overall texture of the tremolo and makes it easy for you to navigate the settings to adjust them in real-time. Despite its simplistic design, by playing around with this trio of knobs, you can conjure up some smooth-sounding tremolo tones to bathe your guitar in. When examining the tremolo side, I was able to choose between ’61 harm, ’63 tube, and ’65 photo. Alternatively, when I switched over to the reverb section, I was excited to find that it offers individual ’60s, ’70s, and ’80s presets. Once I’d selected my desired setting, I then found that you can then use the various controls to adjust how they sound. The thing which sets the Monument apart from many other tremolo pedals is its harmonic mode. Each of the independent wave settings sounds really interesting, and even the random mode is useful in some musical situations. If you set the pedal to a slow pulsating tremolo, it acts as a rhythmic, textural tool which can be a great way to build suspense in a song. The pedal offers true bypass switching and is made from a combination of high-quality analog and digital components, merging both technologies to create the best results. As I’d have expected from a TC pedal, the metal chassis are as solid as they come, which is ideal for touring musicians. The price means it’s certainly not for beginners, but if you’re looking for a no-compromises vintage amp sound on your ’board, this might well be it.

Some amps have a built-in tremolo effect, but a pedal makes this effect easier to access since you can turn it on and off from your pedalboard while playing. If you’re looking for an accessory that creates effects similar to the tremolo bar on your guitar, I recommend getting a vibrato pedal instead. Furthermore, the 3-way toggle switch will set the tonal quality of the wah. These 3 on the Mooer Funky Monkey includes: Who This is Best Suited for: Due to the multi-faceted makeup of the Source Audio Vertigo pedal, it’s well suited to every type of guitarist. You’ll be especially fond of this pedal if you strive to recreate the authentic-sounding tube-amp tremolo that has blessed so many of the best guitar recordings in the 60s and 70s.

Thankfully, tremolo pedals have made it possible to achieve the effect without having to transport a large tube amp wherever you go. There are two varieties of tremolo which are traditionally used on tube amps. First, there’s the conventional method, and second, a method known as optical tremolo.

My Review: From my personal experience, I was already aware that Fender’s range of effects pedals are exactly what you would expect based on their guitars: elegant, classy, and extremely dependable. The Tre-Verb is a multi-functional pedal, and I soon realized that it combines luscious reverb with expressive tremolo. My Review: After analyzing this pedal for a short time, I could tell that the compactly-sized Tidewater pedal by JHS offers pulsating tremolo, based on the revered sounds of vintage Vox and Fender amplifiers. Minimalistic in design, the Tidewater offers only the essential controls, so as not to overcomplicate things. I found this simplicity to be refreshing in a field where overcomplication is rife!Collection and delivery costs are included for the first 2 years in the event of an item becoming faulty Rate: as the name would suggest, controls the rate of the wah. Turn to the right and the sweet speed is increased. A little less obvious, and a little less common, is the control for ‘waveform shape’, which determines the behaviour of the LFO across a given cycle. A triangle wave will give a constant rise and decline in volume, a sine wave will accelerate and decelerate, and a square wave will sound choppy, with instantaneous jumps in volume level. Some pedals will even offer a random wave, or the ability to blend different wave shapes. Harmonic tremolo vs Amplitude tremolo: What’s the difference? In this Mooer range of mini clone pedals, there are two Fuzz pedals. This Blue Faze is a clone of the classic Arbiter Silicon Fuzz Face (Now made by Dunlop). Not to be confused with the other Fuzz pedal on this clone list, the Grey Fuzz. The Blue Faze is based on the Silicon Fuzz Face and makes use of the BC108C silicon transistor. Which, is the vintage type of transistor that would have been found in the original Fuzz Face pedals. When it comes to fuzz and distortion in general, this silicon fuzz face was one of the first to ever be created. This silicon fuzz face is what basically started the guitar pedal, as the stompboxes we know them today.