Arriving at the area where they were to serve us the free food with a couple of friends, we found ourselves disappointed. Cold hamburgers, greened hot dogs, placid buns, and sour macaroni and cheese was to be our diet until we opted to spend money on expensive park food later (which, to my distaste, was quite unsatisfying). There was at least an hour before they would allow us to enter the actual park, so we traversed around through the City Walk area. Restaurants and coffeehouses appealed to us, but they appeared to be barricaded off, as if a message that we had no choice but to go by what park administration said we, teenagers of Florida, should be consuming. The few places we did bide our time with until the park opening were loud, smokey clubs with nothing but Top 40 songs playing. I can't even begin to count how many times I heard "Poker Face", "Down", and "I Got a Feelin'" than on this one evening. Even the Karaoke Bar was replaced with lame, teen club music. Stelfox, Dave (13 November 2007). "Burial's Untrue: Dreamlike dubstep, anonymous but optimistic". The Village Voice. New York. Archived from the original on 12 October 2013 . Retrieved 18 August 2013. The 20 Best Albums Of 2007". Fact. London. Archived from the original on 14 December 2007 . Retrieved 2 April 2018.

British album certifications – Burial – Untrue". British Phonographic Industry . Retrieved 6 May 2016. There is barely a day that goes by when this little number doesn't get played in the shop. Of all the artists past and present who claim to let their music do the talking for them, Burial is one of the elite band of whom this truly is the case. In fact, so reluctant is he to engage with the cult-of-personality hoopla that surrounds almost every modern producer and musician of merit, that he remains a genuine recluse; he has never appeared live, only one obliquely-angled publicity photograph is known to exist, and the number of interviews he has given can be counted on the fingers of one hand.Tunes 2011 to 2019 lays out this Burial multiverse, telling conflicting stories of a sound that has increasingly functioned as a Rorschach test for listeners. Some saw the turn on Rival Dealer toward big drums, unadulterated human voices, and major-key chord progressions as a sign that he was going soft. Others point to pupil-dilating warpers like “Claustro” and “Rough Sleeper” as a sign that Burial, who professed in early interviews to be a non-raver in spite of how well he captured rave culture’s integral spirit, had since donned Balenciaga, hit an off-location party, and hammered it until daybreak. Beaumont-Thomas, Ben; Snapes, Laura; Curtin, April (13 September 2019). "The 100 best albums of the 21st century". The Guardian. London . Retrieved 18 September 2019.

The 100 Best Albums of the Aughts". Slant Magazine. 1 February 2010. Archived from the original on 18 June 2013 . Retrieved 18 August 2013. RA Poll: Top 100 albums of the '00s". Resident Advisor. 25 January 2010. Archived from the original on 14 August 2013 . Retrieved 18 August 2013. Untrue is the second and most recent studio album by British electronic music producer Burial. Released on 5 November 2007 by Hyperdub, the album was produced by Burial in 2007 using the digital audio editing software Sound Forge. Untrue builds on the sound established by Burial on his eponymous debut album from the previous year, notably through its more prominent use of pitch-shifted and time-stretched vocal samples. The album, like Burial's previous work, also draws on influences from UK garage, ambient, and hardcore music. a b c Lynskey, Dorian (2 November 2007). "CD: Burial, Untrue". The Guardian. London. Archived from the original on 27 February 2014 . Retrieved 10 November 2007. Self-indulgent is me. I've just explained to you a night that I experienced only a couple of weeks ago. One might wonder why people would decide to write about such unnecessary things in place of where a review for an album should be. But to be frank, not a single word or thought expressed here is off-topic; for you see, it was at the moment that I had this beautiful and wondrous senior year memory that I yearned to hear Untrue. A certain user once said that Burial isn't a band that you listen to while partying, but rather is a gem that you should reserve for the ride home after the party. Quite personally, I was reminded of his words when I realized my present state, and I made a date with myself to have it turned on as soon as I would get into bed. I only prayed that the feeling wouldn't be diminished from the hours inbetween.

Versions

Burial: Melancholic Electronic Dub". NPR. 17 December 2007. Archived from the original on 15 December 2013 . Retrieved 18 August 2013. a b c Rosenberg, Tal (13 December 2007). "Burial: Untrue". PopMatters. Archived from the original on 15 December 2012 . Retrieved 2 March 2008. King, Tom (14 November 2007). "Album Review: Burial – Untrue". Drowned in Sound. Archived from the original on 7 April 2013 . Retrieved 2 April 2014.

Battaglia, Andy; Matos, Michaelangelo (17 November 2009). "The best electronic music of the '00s". The A.V. Club. Archived from the original on 16 January 2016 . Retrieved 16 August 2015. a b c d e f Hancox, Dan (26 October 2007). "Only five people know I make tunes". The Guardian. London. Archived from the original on 5 October 2014 . Retrieved 18 August 2013.

Track List

Complete List of Finalists 2001–2007". Shortlist Music Prize. Archived from the original on 12 February 2013 . Retrieved 18 August 2013. Now all they needed was to be brought to vivid screaming life on record. Enter Mr Jim Sclavunos, the multi talented Grinderman and Bad Seed, not to mention the superbaaad connoisseur of the mixing console, fresh from producing the storming second Jim Jones Revue album. One of their shows was all it took.