In December 2017, the asteroid 13975 Beatrixpotter, discovered by Belgian astronomer Eric Elst in 1992, was named in her memory. [96] In 2022, an exhibition Beatrix Potter: Drawn to Nature was held at the Victoria and Albert Museum. Research for the exhibition identified the man's court waistcoat c. 1780s, which inspired Potter's sketch in 'The Tailor of Gloucester'. [97] Analysis [ edit ] Taylor, ed., (2002) Beatrix Potter's Letters; Hunter Davies, Beatrix Potter's Lakeland; W.R. Mitchell, Potter: Her Life in the Lake District.

Judy Taylor 2002, That Naughty Rabbit: Beatrix Potter and Peter Rabbit; Lear 2007, pp. 207–247; Anne Stevenson Hobbs, ed. 1989, Beatrix Potter's Art: Paintings and Drawings.Denyer, Susan (2004). Beatrix Potter at Home in the Lake District. London: Frances Lincoln in association with the National Trust. ISBN 9780711223813. OCLC 56645528. Stein left two weeks before the infamous Newsnight interview took place, his own reputation intact.

Jay, Eileen, Mary Noble & Anne Stevenson Hobbs (1992). A Victorian Naturalist: Beatrix Potter's Drawings from the Armitt Collection. F. Warne & Co. ISBN 978-0-7232-3990-1. {{ cite book}}: CS1 maint: multiple names: authors list ( link) British Museum – Google Arts & Culture". britishmuseum.org. Archived from the original on 20 September 2016 . Retrieved 19 July 2016. Discover POLITICO Pro In-depth reporting, data and actionable intelligence for policy professionals – all in one place. Continent Latest news, analysis and comment from POLITICO’s editors and guest writers on the continent.Beatrix Potter, famous for her beautifully illustrated ‘little books’, fell in love with the Lake District as a child. In later life she moved to the area and eventually integrated into the farming community. Beatrix Potter’s childhood Beatrix Potter aged 15

Nigel and Beatrice came to the US as family outcasts, after childhoods that their children know little about.Nigel had grown up in Jamaica and Beatrice was from Trinidad. The traumatic episodes of their early life have left them telling and retelling their formative stories to themselves, each other, and their children.

It was Porter who brought him into the leadership campaign — their paths having crossed long ago as SpAds —and he knows Fullbrook well from his CTF days, Beatrix Potter's London". Londonist.com. 26 January 2016. Archived from the original on 31 October 2018 . Retrieved 19 September 2017. Potter's family on both sides were from the Manchester area. [7] They were English Unitarians, [8] associated with dissenting Protestant congregations, influential in 19th century England, that affirmed the oneness of God and that rejected the doctrine of the Trinity. Potter's paternal grandfather, Edmund Potter, from Glossop in Derbyshire, owned what was then the largest calico printing works in England, and later served as a Member of Parliament. [9] Gristwood, Sarah (2016). The Story of Beatrix Potter. National Trust. p.99. ISBN 978-1909881808 . Retrieved 8 July 2019. [ permanent dead link] The long and winding name of this assertive debut matches the magnitude of the stories within, which draw on folklore to capture the dynamic between two sisters, Zora and Sasha Porter. Their mother’s illness and their father’s violence has fractured their relationship, but their bond is reforged as an old family secret—and a surrounding cache of remarkable tales—roars to the surface." — Elle, A Most Anticipated Title of the Year

By the time you finish reading this I will be dead and you, dear reader, will have forgotten all about me. Vivid and otherworldly, this masterfully told novel brings together many threads of family history, personal memory, collective choices, sexuality, and a realm of mysteries and mythic creatures with deep origins and powers . . . A striking and imaginative debut.”— BooklistSP: Right now, I work with survivors who are being charged for resisting abuse in their relationships, so self-defense and things like that. We do advocacy and emotional support and trainings for other organizations that might interact with survivors but not know it, and criminalized survivors in particular. In some ways, it’s very different, but then also social work is a lot about human connection and hearing people’s stories, and sometimes the most that you can do for people is to show you’re there for them. It’s not always the concrete changes in terms of advocacy because that can be such an uphill battle. And of course, both are in the gender-based violence world that impacts so many of us. Rebuffed by William Thiselton-Dyer, the Director at Kew, because of her sex and her amateur status, Potter wrote up her conclusions and submitted a paper, On the Germination of the Spores of the Agaricineae, to the Linnean Society in 1897. It was introduced by Massee because, as a woman, Potter could not attend proceedings or read her paper. She subsequently withdrew it, realising that some of her samples were contaminated, but continued her microscopic studies for several more years. Her paper has only recently been rediscovered [ citation needed], along with the rich, artistic illustrations and drawings that accompanied it. Her work is only now being properly evaluated. [39] [40] [41] Potter later gave her other mycological and scientific drawings to the Armitt Museum and Library in Ambleside, where mycologists still refer to them to identify fungi. There is also a collection of her fungus paintings at the Perth Museum and Art Gallery in Perth, Scotland, donated by Charles McIntosh. In 1967, the mycologist W. P. K. Findlay included many of Potter's beautifully accurate fungus drawings in his Wayside & Woodland Fungi, thereby fulfilling her desire to one day have her fungus drawings published in a book. [42] In 1997, the Linnean Society issued a posthumous apology to Potter for the sexism displayed in its handling of her research. [43] Artistic and literary career [ edit ] First edition, 1902