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Master Of Reality

Master Of Reality

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Bill Ward breaks out some insanely unfitting and gross cowbell work over some of the transition portions before the solos, but this is one minor complaint on an otherwise fantastic track. Latter prints still had incorrect timings on the booklet, but the CD itself was properly spaced out. The original UK pressing on Vertigo is a relatively straight forward, simple design, but this record certainly has the most alterations and variations in comparison to any other Sabbath LP cover. Kinda like the Rock of Gibraltar,in a thousand years it will be just as monolithic as it was in 1971. The godfathers of metal themselves have had a lengthy discography with many hits, and even some of their weaker releases still have something special in them that makes them memorable.

Master Of Reality is the best album about being a Black Master Of Reality is the best album about being a Black

Beginning with the song "Sweet Leaf", it starts with Tony Iommi coughing before we are immediately thrown into some heavy riffs. One of the first uses of down-tuning in rock, though far from being an aesthetic choice, this was out of necessity. This led to guitar playing being painful, especially because he occupied the bottom two strings most of all for lower, chunkier riffs.The guitars are easily the best part of the album, as they contain some heavy distortion, which is amplified by the slow-paced playing. Even if you want to just isolate the Ozzy era, in terms of pure heaviness, "Sabotage" probably beats this one out, too. Today Iommi uses the Chicago Iron Parachute wah, which is a precise replication of the Parapedal circuit and housing. Sure, you get louder songs and about more gruesome subject matter, but it doesn't get any better than the closing minute and a half of Iommi riffage. Out of nowhere there is a minute long jam session, which I concede is not half bad but why is it here?

Black Sabbath - Master of Reality - Reviews - Encyclopaedia Black Sabbath - Master of Reality - Reviews - Encyclopaedia

The music has the rumbling quality of the rocket in the song, and Ozzy's echoed vocals sounds like he is far from Earth, about to make the "final suicide".Not all of this, incidentally, was rendered in La Brea sinks of lugubrious bass blasts — several of the songs had high wailing solos and interesting changes of tempo, and “Paranoid” really moved. I always did wonder what that would sound like if Tony c



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