Stephen Graham (best known for Snatch, Peaky Blinders and Netflix’s The Irishman) will be playing Elias Mannix described as the “central character to the story”. Yes, there is! The official trailer for the series dropped on 12 October, where we get a proper look at the genre-bending mystery thriller. And. of course, the incredible acting from the legend that is Stephen Graham.

Si Spencer - Wikipedia

Netflix’s Bodies began filming in the middle of May 2022 and is set to film until November 10th, 2022. Some reports suggest the show could be concluded as soon as September 2022, however. Si Spencer was a British comic book writer and TV dramatist and editor, with his work appearing in British comics such as Crisis, before he moved to the American comics industry.This may remind you of some beloved and equally complex streaming television mini-series - - the weird, vague ones that hold your attention in spite of it all. I loved the premise of BODIES. There’s a weird mystery here, which connects each era - - the mutilated dead body of a one-eyed man. Such a novel idea, to tell four separate tales with this linking device. Also, four artists who are completely different from each other, altering their styles to suit the tenor of the scene and time their segment takes place in. Spencer writes the segments differently, further distinguishing each by having the main characters provide some of the narration in the text boxes and revealing their idiosyncrasies (all fascinating).

Bodies ending explained: Why was Iris Maplewood in the taxi Bodies ending explained: Why was Iris Maplewood in the taxi

the ambition itself. Spencer gets a point for that from me, if not from all of the Goodreads readers who absolutely HATED this comic as merely confusing and incoherent. It IS confusing, and it MAY be incoherent, I'm not yet sure. First I need to point out this groovy cover - great right? Draws the eye, it's pin-up, pulp, fun, and blood splattered. Spencer has also written for television. After winning a 'New Voices' competition with the play Tracey and Lewis, he secured a position at the BBC as script editor on prime-time cop show City Central. He later worked as a staff writer for the BBC's EastEnders and ITV's The Bill in addition to being storyliner and series editor and contributing scripts to Grange Hill. He was credited as script editor on the 2009 Aardman pilot for CBBC show Men in Coats. It’s being filmed throughout the United Kingdom in several big cities including Hull, Leeds, Grimsby, Bradford and Rotherham. Right, first of all, I don't recall ever having read a graphic novel before and know almost nothing about the form, so forgive me if I review Si Spencer's Bodies (originally released in eight episodes but now brought together in a single volume) in completely the wrong way: the last book I read that had speech bubbles was probably a Monster Fun annual so essentially I have no other graphic novels as a reference point.There's no sense trying to do a proper review as thorough and insightful as Sam Quixote's, so read that, I'd say. I learned a lot, as usual, from him. The premise is phenomenal. The 4 time periods, brilliantly depicted by 4 different artists, giving each period its own distinct look and feel. Each artist does a tremendous job of bringing their time period to life. I was initially attracted to this book because of my interest in Tula Lotay's art, and was happy to see the contrasts and strengths of the other artists as well. This graphic novel is a multi-threaded time travel murder mystery of sorts. It has many mythological aspects and delves into the ideas of secret societies, ancient texts and even manages to rope in bog bodies. The narrative is exceptionally complex and at times, honestly, is beyond total comprehension. I was able to unravel the overarching concept of the book but many of the details simply escaped me completely. Ambitious, tense, explosive: this genre-blurring whodunnit travels time to visit four detectives investigating the same murder – in different eras. It’s exceptionally good value.”– The Guardian