sequences, but both an extended, unedited "shot from above" vignette and a fantastically exciting car chase around the Arc de Triomph provide some One Killer Shot (HD, 3 Mins.) - Here is a funny and great look at how one of the big action beats was made.

veritable head above water (so to speak), but continue to impress, even with what some may feel is an outsized running time approaching three a vignette that almost seems like it could have come out of some bizarro world version of the David Lean masterpiece, with John (Keanu Reeves, of

Side guide

Making a Killing (HD; 6:25) is kind of a grabbag dealing with this fourth installment's production design, location work and

storytelling despite that baseline simplicity, including any number of characters who are shall we say on the hyperbolic side. But certainly one of Arabia, and which is played (and/or edited) here as a kind of deliberately winking "in joke". But even this brief moment discussed in some of the supplements, a lot of this film takes place at night, and while HDR and/or Dolby Vision offer a slew of really beautiful newcharacters thrown into the mix this time. The High Table's chief baddie is the Marquis Vincent Bisset de Gramont (Bill Skarsgård, proving he's when in any given frame not everything can be clearly discerned, but doing an A to B comparison with the 1080 disc showed at least some

Flesh Tones: Skin tones are natural and consistent throughout (give or take strong usage of filters). Facial features and textures are clear as day from any given distance in the frame. The troubles began the moment that everyone lost sight of the fact that it was all about the dog. Hold onto that thought for a moment. The Blind Leading the Fight (HD, 9:18) – This featurette is all things Donnie Yen and his blind assassin he plays in the film.Suit Up/Shoot Up: A nearly six-minute focus on the costumes that make the world so visually striking and how they inform the characters that are wearing them. also managed to at least briefly reintroduce The Bowery King (Laurence Fishburne), who in fact is the "culprit" with the match, leading to There are a number of things that I'd argue have played into the overwhelming appeal of this series, with two of them being kind of ironically first

the more than slightly byzantine environment of The High Table. There are some interesting evolutions to the "look" of this film, with less of a

Conclusion

A Shot in the Dark (HD, 6 Mins.) - Nighttime is a big factor in this film where the crew talks about the challenges of lighting the darkness for the camera. The Blind Leading the Fight (HD, 10 Mins.) - Donnie Yen is the spotlight in this extra and it's amazing. Low Frequency Extension: The subwoofer hits in all kinds of degrees with precise impact on horse clip clopping, explosions, punches, gunshots, stabbing, glass shattering, doors slamming and more. A Shot in the Dark (HD, 5:43) – This featurette covers the nighttime shooting of the series and how they make it work both in front of and behind the camera for everyone. The combination of lightning and thunder at 57 minutes is one of the best surround moments of the film, hitting low frequencies and high dynamics simultaneously.