Other available sounds include organs, strings, vibraphone, and harpsichords, so there is plenty to play around with. In fact, using the dual mode to layer two different sounds at once allows you to produce an even greater variety of sounds, all of which are clean, well replicated, and generally fun to play. The NP-32 (NP-12) comes with 4 different algorithms, including a small room, a small hall, a large concert hall, and a recital stage. These can thenbe modified in depth to change how intense the effect gets. Online demos show off the superb velocity sensitivity of the NP-32, but I personally needed to pay extra attention to nail down my dynamics. The Strings sound is very balanced. It’s a large chamber orchestra sound, and while it sounds very digital, the velocity sensitive keys can be played in a way that convinces the listener that the dynamics of a real orchestra are there. I do wish Yamaha used semi-weighted keys instead, but that might have increased the price beyond the accessible range.

To close this section, I’ll give props to Yamaha for including dedicated controls for most commonly used features. Straight-off the bat, this is something that stood out to me and in my opinion makes the NP-12 a fine choice for beginners seeking a quality digital piano that isn’t too difficult to come to grips with. The interface is easy to learn, even for first-time players, and there’s no risk of getting overwhelmed by countless buttons, sliders, and knobs. Overall, the sounds are clean, well made, and varied enough to have a lot of fun. Other Key Features On the NP-12, t he Grand Piano sound is sampled from a Yamaha Grand Piano. It’s very bright, which is not surprising, as the Yamaha Grand as always been pretty boisterous. There are two types of organ sounds: the first is a kind of smaller, reed organ sound, while the second sounds more “churchy,” almost like a pipe organ.

The ultimate lightweight beginner keyboard from Yamaha

They do have some weight to them and I did like the bounce of the keys. Again, quite surprising to find how nice it played when you considered they are not weighted. A record function is also included for recording your performances, and you can opt to include the metronome if using it. It’s also possible to record and add an accompaniment over the original recording. The same principles apply to the NP-32, but you can also hear a few different samples being included. This is particularly obvious when you play intense parts at a high velocity. This enhances the feel of realism, and I’m always happy to hear that. There are a few modifiable parameters on the NP-32, and you can change these using button-key combinations. Some notable settings include: The NP-32’s limited number of controls is a blessing in disguise. For one thing, it helps reduce the top-to-bottom width, and they also avoid the unnecessary options that might be overwhelming for beginners.

We used the NP-32 as the main keyboard for testing throughout our review process, and we believe it’s the superior choice. This keyboard comes with a standard 12V power adapter, but can also run on 6 AA batteries. I always prefer to plug pianos and keyboards into the wall, but the battery option is always a nice bonus. But, a t a low price, and a fairly good design, you’re getting good value. The Yamaha NP-12 has enough features for a beginner to get started. You may find yourself needing a more in-depth keyboard down the line (especially since there are only 61 keys on this keyboard), but this is a wonderful place to start. Although there are less functions for beginners, it’s still a great keyboard to learn on (as long as you understand what you’re not getting with this keyboard—namely weighted keys). Aesthetically, I prefer the look of the NP-12 over the PSR-E353. One of the concepts behind this relatively small and extremely light digital piano is that it is easy to move and store in a room that usually wouldn’t allow a piano to be present. A lot of people struggle when it comes to space for a piano in their home, so this is why the Yamaha NP12 is a great choice.While the NP-12 and the NP-32 both have USB to Host, the NP-11 does not. Instead, it has a MIDI IN/OUT which is not easily connected to a computer, and will have a lot of difficulty connecting to apps and other computer software that requires a USB connection. If you can live without half-pedaling (which is not important for beginners), you can go with the Nektar NP-2, a cheap but well-built sustain pedal with a universal switch that works with any keyboard out there. This keyboard is wonderful for beginners, although the PSR-E353 has more options at a similar price. However, if you are looking for better design, high-quality sound, and comfort of playing, the NP-12 is a better fit for you. Sadly, Split Mode is not included, though without a dedicated bass voice, I guess it’s understandable. It would have been nice to get this as an extra though.