You can sense Bridgers building a community through her work, and it’s evident in Punisher’s credits list, featuring her tour manager (Jeroen Vrijhoef, the deep voice in “Garden Song”) and her bandmates in other projects ( Conor Oberst from Better Oblivion Community Center, Lucy Dacus and Julien Baker from Boygenius). She also worked with Blake Mills, Christian Lee Hutson, whose album she produced earlier this year, and Marshall Vore, her drummer and frequent writing partner. Hers is the rare voice that grows more singular through each collaboration, lending her discography the feeling of a continuous narrative—one with increasing depth and a growing cast. While the songs on Punisher might detail the lonesome drudgery of touring (“Why would somebody do this on purpose?”) or the awkwardness of being approached by strangers at bars (“I swear I’m not angry/That’s just my face”), her music never sounds alone. Punisher is a masterclass in songwriting, vulnerability and transcending the restrictions of 'genre', solidifying her position as one of the most important and exciting artists around." - Jez Also sold by Recordstore.co.uk as part of their 'Albums of the Year' list along w/ a bonus exclusive print. Bridgers also writes about this very sensation: the way we hear music, how we devote ourselves to it and form identities around it. On Punisher, these relationships are mostly fraught, from a fan being murdered outside Dodger Stadium to a couple channeling deeper issues through a fight about John Lennon. If music was a pathway toward spiritual catharsis in earlier songs like “Smoke Signals” and “Me & My Dog,” the same drugs don’t work here. Ironically, the most upbeat songs house her bleakest thoughts. “Chinese Satellite,” buoyed by a rushing string arrangement, finds her adrift, desperate for a sign, singing the “same three songs over and over.” And in “ Kyoto,” she undercuts a breezy horn section and her most festival-ready chorus by refusing to play along: “I’m a liar,” she sings in its closing line, holding out the syllables so she can’t be misunderstood.