The Oleander Sword: sequel to the World Fantasy Award-winning sapphic fantasy The Jasmine Throne

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The Oleander Sword: sequel to the World Fantasy Award-winning sapphic fantasy The Jasmine Throne

The Oleander Sword: sequel to the World Fantasy Award-winning sapphic fantasy The Jasmine Throne

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DR: So I know we can’t talk about themtoomuch, because spoilers. But we learned a bit more about the yaksa in The Oleander Sword, with a few pretty mind-blowing twists. Was the history of the yaksa and the Age of Flowers something you laid out before working on the series? (And will we learn more about them in book 3?) I do want to mention that this is sapphic, adult, fantasy. I know some people have the label YA on this but it is Adult. There is a good amount of violence and death and one sex scene that is not explicit. This book feels darker in tone than I remember the first book being, but I have read YA books that have felt darker and more violent than this book so I think it would be appropriate for kids who read older YA books, but again I’m no expert in judging kid appropriate things. I also want to mention that this series is epic fantasy, with big sweeping casts and large books. I would also put this second book under military fantasy as the military campaign for the throne is the main part of this book. Because of this change I would now recommend this series more to fans of the first book, and fans of epic and or military fantasy. As much as I love and widely recommend the first book, I don’t know if I think the series as a whole, would be as enjoyable for someone who is newer to the fantasy genre or who is not much of a fantasy fan. You know what I know. You know our ancient enemy comes. That is the war that lies upon the horizon…..The yaksa will return. The rot heralded them. They will come, and there will be war again.” Finally, I want to mention the writing, because Suri's prose is just luminous. I don't know how she does it, but there is something about Tasha Suri's work that is always so extremely readable. Her prose is easy to read but never plain or boring. It has a real sense of grace and economy to it; it says what it needs to say, and says it well. And the magnetic, slow but inescapable, pull that Priya and Malini feel towards one another while Malini must embody an untouchable, godsent empress and they must focus on a war they have to win??? *chef’s kiss*

It begins where the first book ended, with Malini embarking on war against her brother while finding her footing as Empress. Meanwhile, Priya, now an Elder and thrice-born from the deathless waters, leads alongside Bhumika as they try to manage the rot plaguing Ahiranya’s land and people. Their chosen paths once pulled them apart. But Malini and Priya’s souls remain as entwined as their destinies. And they soon realize that coming together is the only way to save their kingdom from those who would rather see it burn – even if it will cost them. What can I say to sum up The Oleander Sword? It’s the weakest of Tasha Suri’s five books for me, but based on how it’s set up, I expect that book three will be a lot better. I will read it, definitely. Nevertheless, I’m bummed. C+.Tendrils of the rot have wormed their way across the expanse, and with it comes a new threat no one is ready for. I received this book for free from NetGalley in exchange for an honest review. This does not affect my opinion of the book or the content of my review.

My first thoughts finishing this novel were: wow. Epic. Pain. [insert a bunch of expletives] but also: “Second book syndrome nowhere to be found!!” Their chosen paths once pulled them apart. But Malini and Priya's souls remain as entwined as their destinies. And they soon realize that coming together is the only way to save their kingdom from those who would rather see it burn--even if it will cost them.Suri's incandescent feminist masterpiece hits like a steel fist inside a velvet glove."—Shelley Parker-Chan, author of She Who Became the Sun I did really enjoy the magical aspects of the novel. The magic system and the new antagonists feel original and interesting and are very entertaining. I loved the eeriness of the yaksas, that was probably my favorite aspect of the whole novel.

As much as it pains me, I fell out of love with the story, the world-building, and the characters that I had grown to care for in the first book. Suffice to say that I will no longer continue reading this series…however, this does not mean you should follow my lead. Chances are most fans of The Jasmine Throne will actually love The Oleander Sword, it just happens that I am a contrarian so this sequel and I did not hit it off.

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For sure we’ll find out that Priya being the only child born in the Hirana itself has imbued her with an ability none of the other temple elders have or have had. The prophecy of the nameless god - the words that declared Malini the rightful empress of Parijatdvipa - has proven a blessing and curse. She is determined to claim the throne that fate offered her. But even with the strength of the rage in her heart and the army of loyal men by her side, deposing her brother is going to be a brutal and bloody fight. Onto the characters, who are the beating heart of this book, and whom I ADORED. Of course, I have to start with Priya and Malini, whose dynamic just blew me away. The Oleander Sword is a much more romantic book than The Jasmine Throne, and it is so much the better for it. I say this not just because I love reading romance, but also because the romance adds a real sense of stakes and gravity to the story. Priya and Malini's romance is tender and heartfelt, extremely personal to both them, but at the same time it's inextricable from the political power dynamics that they find themselves instrumental to. Their relationship cannot exist outside their political circumstances precisely because it is very much part of shaping those circumstances. And let me tell you, it is just SO damn compelling to read about!!!!!! The intimacy! The honesty! The angst! More than anything, I found it all to be incredibly moving. Suri has such a deft hand when it comes to writing about these characters' feelings and vulnerabilities; they never feel anything more, or less, than human.



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