If you do nothing, you will be auto-enrolled in our premium digital monthly subscription plan and retain complete access for 65 € per month. Melissa Harrison is a dazzlingly gifted writer, and All Among the Barley confirms her as a novelist whose lyrical descriptions of nature and rural English life, harnessed to a gripping plot and varied cast of characters, deserves the widest readership. This is right up with the very best classic novels of inter-War country life - its beauties, sorrows, injustices and realities' - Amanda Craig, author of The Lie of the Land I agree that that the stubble should be wheaten. I looked up wheat growing, and whether it is planted in the spring or in the fall, wheat is harvested before September.

Where did you get your text, Amergin? It's longer than the sets I've seen, though Come ye rout is probably a mis-hearing of Come out from somewhere along the line. Change is on the way for everyone, not just the teenaged Edie, sometimes for the better, sometimes for the worse. This novel gives a stunning picture of rural life in that short period between the two wars when the old ways and the new existed side by side. It has been a real joy to immerse myself in it. Nostalgia, nationalism and superstition all play their part in an acutely observed narrative that is as pertinent to the here and now as it is evocative of its time and place.' - Mail on Sunday But her real project seems to have a rather different inspiration as the left-leaning farm worker John identifies: The increasingly political Connie describes her belief in the need for an Agricultural Bank, run mutually by farmers themselves, not by the … - well not by international financiers – and the reader, sometime ahead of Edie, realises that Connie’s increasingly expressed views on the importance of rural English traditions include a strong dose of anti-Semitism.I don't have access to the online Grove, but will try to have a look at the nearest print copy when I can. Meanwhile, there is a short entry in The Oxford Companion to Music: Edie hasn’t always been comfortable around other children, she’s a bit of a loner, bookish and imaginative. She has a fascination for the ancient stories of witches and enjoys looking for the old witch marks that can still be found around the area. Towards the beginning of the novel Edie is reading Lolly Willowes – a book I suspect helps to fuel her imagination.

I first heard the song sung at The Meadow Folk Club in Ironbridge in 1971 - just over fifty years ago, and it has never gone stale. Mind you, given the first line, it only comes out for four weeks of the year. All Among the Barley," 1871, Words by A. T., Music by Elizabeth Stirling. Published by Lee & Walker, Philadelphia. The texts for all the version I looked at show very few differences. The texts from The Church Bell (1867) and the 1871 sheet music for voice with Piano at Music For The Nation: American Sheet Music are identical and I take this as the baseline text: The Sheet music is in the Library of Congress Collection dated 1871 and giving credit to Elizabeth Stirling.

Sample our books and authors Clip Collection

This is from Living Waters - A Collection of Popular Temperance Songs, Choruses, Quartets etc and given the title All Among The Barley But "Not Among The Rye". Vom Nachwort der Autorin, wie sie zu ihrem Roman angeregt wurde, sollte man sich überraschen lassen und sich vor Spoilern hüten. The question of the prize-winning is, however, dealt with in detail. The prize was in fact for publication by Novello in a Part-Song Book. Novello provided texts to be set in an open competition (1850) and monthly prizes were awarded (seven prizes were awarded in all). The three judges originally awarded the first, second and third prizes to the same composer, Walter Macfarren. It is autumn 1933 and 14-year-old Edie is living on her family’s farm in Suffolk. Edie prefers books to the company of other children, is prone to superstition and is often chided by her parents for living in “the more vivid world inside my head”. The arrival of a glamorous Londoner, Constance, to document rural traditions is at first exciting for Edie but it gradually becomes clear that Constance has more sinister, political motivations. The novel is a beautiful evocation of the rhythms and pressures of rural life in the interwar years, as well as a powerful and lyrical coming-of-age story from a writer who is fast establishing herself as one of the best contemporary exponents of the pastoral novel. This Really Isn’t About You