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Martin Campbell’s 007 film didn’t just mark the introduction of a new actor (Daniel Craig) playing James Bond — it represented a complete reinvention of what the iconic spy character could be. After years of increasingly goofy and dated Bond films, Campbell opted to ignore the character’s campy past and bring the womanizing secret agent into the 21st century with a bang. “Casino Royale” is sleek, gritty, and yes, very sexy (making Craig’s swim shorts one of the defining examples of sexy onscreen apparel). Rather than portray Bond as some kind of comic book character, it allowed audiences to see what it might look like if one of his high stakes spy missions took place in something resembling the real world. While the Daniel Craig era saw several other acclaimed directors put their own spin on James Bond, they all owe a debt to “Casino Royale.” —CZ 44. “Of an Age” (2022) “Of an Age” Saxy Video Player - SX Video Player app is one of the most powerful and easy to use player which supports almost all types of videos. I find sex to be pretty absurd, and I wanted to show that,” Krantz told Short of the Week, which premiered “Squeegee” in late May. “I’ve also been in relationships with people where we both know there is no practical way to really be together. But when you’re having one of these ‘flings,’ I have found that it can actually be easier to express how wild you are about a person… because you both know that you can never end up together. So that’s the glass between these two characters.” “Ambrosia” Three films in, and director Mathew Puccini has pretty much covered the gamut of queer experience. With a light touch and a lyrical eye, Puccini’s shorts play like a moving triptych of quietly pivotal moments in the lives of queer men. “The Mess He Made” starred Max Jenkins as a man waiting for the results of an HIV test, and “Lavender” featured Michael Urie as half of a couple who invite a younger third into their longterm relationship. “Dirty” explores the awkwardness of a more universal folly — bottoming for the first time. As always in Puccini’s work, the characters are tender and natural; the images aglow with intimacy.Wong Kar-wai films are essentially cinematic foreplay. No filmmaker is better at capturing the beauty and sensuality of slow-burning flirtations that never have to be consummated to entrance audiences. So it’s hardly surprising that his sort-of sequel to his most beloved film (“In the Mood for Love”) would feature the same brand of agonizing sexiness. Set in 2046, nearly a century after the 1960s Hong Kong romances that took place in “Days of Being Wild” and “In the Mood for Love,” the sci-fi romance features some of Wong’s most iconic characters finally reaching the conclusion of a lifetime of unexplored desire. It’s a singular film that could have only been made by a singular filmmaker, but it’s essential viewing for fans of his work. —CZ 46. “Decision to Leave” (2022) “Decision to Leave” Courtesy Everett Collection C'mon everybody, let's say it together: sex is normal. Everyone thinks about it. Most people do it. It's not a dirty word! Identify ALL video files on your device and SD Card automatically. In addition, manage or share videos easily, Add to favorite and delete video permanently from the file manager. This is Simple and Fast video player with which you can play HD videos High Quality of almost all formats.