Added support for zoom control using front dial for Sony FX3, A7S3, A7C, A7M3, A7M4, A7R3, A7R4, A9 II, ZV-1, A6400 and A6600 cameras when connecting the gimbal via Bluetooth. DJI RS 3 Mini can connect to only one camera at a time. When connecting to another camera, it will automatically disconnect from the previously connected camera. Then there’s the weight; once loaded, the Ronin RS3 Pro, while small, isn’t as lightweight as some of its competition. Attaching the optional side arm does help to add to the comfort, but again compared to the wrist supports and grip design of some other gimbals, the RS3 isn’t quite there. What I also really like is the expandability of the system. For myself, I don’t need the optional High Bright Remote Screen, but it’s nice to think that one day I may be running a production that requires more than just myself monitoring what’s going on!

Due to the camera and gimbal size, there is far more of a feeling of oneness between the two devices. While I have been using either the 24-70mm or fixed focal length lenses, you can see how beneficial this rig would be with the Sony motorised zoom lenses. The big feature of the RS 3 Mini is that it’s small and lightweight, over 40% less than the RS 3 and 50% lighter than the RS 3 Pro. This means it is an ideal solution for anyone who finds those larger gimbals too heavy to use comfortably or wants a nice compact gimbal stabiliser for their mirrorless camera. The size and weight also lend the gimbal for travel, documentary or any scenario where you need to be agile and travel light. The DJI RS3 Pro, however, is a very different device from most other gimbals on the market. Sure, it has accessories that enable wireless video transmission and control, but it’s part of an eco-system with the DJI RS3 Pro at the core. Pro level stabilisation at an affordable price Once the camera balance has been found, a cable can be plugged into the camera’s USB-C port and directly into the side of the gimbal. The shutter can easily be activated from the direct control button on the grip.

RS3 PRO

DJI RS 3 Mini supports Bluetooth shutter connection and camera control cable connection. Detailed operations are as follows. Looking at the features of the Ronin RS3 Pro and the first thing you notice is the enhancements in design. The longer carbon arms and large touch screen OLED make mounting the camera and navigating settings that much easier. Fewer wires with Bluetooth shutter control Staying with the axis and the carbon arms, these have been extended slightly to enable the mounting of some of the new midweight professional cameras, such as the Sony FX6 and Canon EOS C70. For a gimbal of this size to take the weight of either of these cameras is impressive. While I don’t have access to either of these cameras, a Canon C100 MKII comfortably sat on the DJI Ronin RS3 Pro without issue and with plenty of clearance.

The RS3 Pro is all about saving effort for the filmmakers; in use, it’s there to assist and make difficult shots easy, as well as having wide camera compatibility. To that end, DJI has extended the carbon fibre arms to give more space to the mounted cameras. This means that professional bodies and lenses such as the Sony FX6 and Canon C70 with 24-70mm f/2.8 lens can now be fitted. The payload limit is still 4.5kg which is quite substantial. The next feature worth noting is the wireless connectivity to compatible cameras. For most modern cameras like the Canon R7, you can connect through the BlueTooth wireless link to activate the shutter, meaning that no wires are required. You can go a step further for Sony users if you have a compatible lens, where you can control the lenses zoom with the front dial on the gimbal. This makes using and balancing the RS 3 easier than many other single-handed gimbal stabilisers. The issue with compact, single-handed gimbal stabilisers is they can often outshine their larger siblings. The ZHIYUN Weebill 3 is a great gimbal with plenty of scope for upgrades and, at the same price, is also a direct competitor to the RS 3 Mini.Added photo capture, video recording, camera settings, autofocus, and focus pull support for Panasonic Lumix S5 II cameras with supported L-mount lens using a Multi-Camera Control Cable (USB-C). To use autofocus on the Panasonic Lumix S5 II, half press the camera control button on the gimbal.