Took" (Episode 7) with director/actor Dominic West and editor Kate Sanford, and "-30-" (Episode 10) with creator David Simon Switching to a different part of the scene, you can see that the lady in red’s dress has less detail in the streaming version, losing some of its creases and finer detail. Colour from the Blu-ray version is better across the entire frame, with the streaming versions often looking a little drab in some areas. Audio Commentaries: The final season of The Wire offers some of the best commentaries, with both cast For the complete 4K Ultra HD experience with HDR, a 4K Ultra HD TV with HDR, an Ultra HD Blu-ray player and a high-speed HDMI (category 2) cable are required.

Daily Grindhouse | BLU-RAY REVIEW - THE FLESH AND BLOOD SHOW Daily Grindhouse | BLU-RAY REVIEW - THE FLESH AND BLOOD SHOW

Three years ago, Disney launched its streaming service with all of its major animated releases available anytime, anywhere. It seemed the era of the Disney Vault had come to a close. The shift from limited runs to perpetual availability had one unexpected negative side effect: Without fresh releases every few years, would Disney be motivated to continue restoring and re-restoring its library?recorded at PaleyFest in October 2014. Dominic West (Jimmy McNumty) and Idris Elba (Stringer Bell) aren't present, sending

The Wire - Complete Season 1-5 [Blu-ray] [Region Free]

Ultra HD Blu-ray showcases 4K resolution with High Dynamic Range (HDR) and a wider color spectrum, offering consumers brighter, deeper, more lifelike colors for a home entertainment viewing experience like never before. Just as important, we had conceived of The Wire as a single story that could stand on its own across the five seasons. To deliver the first two seasons in one template and then to switch-up and provide the remaining seasons in another format would undercut our purpose tremendously, simply by calling attention to the manipulation of the form itself. The whole story would become less real, and more obviously, a film that was suddenly being delivered in an altered aesthetic state. And story, to us, is more important than aesthetics." The next Superman movie won’t hit theaters until mid-2025 at the soonest. If you’re craving some blue-spandex-and-red-cape heroics, this collection is your best bet. The collection includes the entirety of the Christopher Reeve era: Superman 1-4, along with the alternate Richard Donner cut of Superman 2. I’m convinced Steve McQueen (the living director, not the deceased actor) would be a household name if not for some atrocious studio marketing decisions. McQueen is a true multihyphenate, winning the Turner Prize and working as an official war artist in Iraq before making his first feature film. That film, 2008’s Hunger, premiered at Cannes and won McQueen the Caméra d’Or — making him the first British director to do so. He followed with Shame and 12 Years a Slave, the latter winning the Academy Award for Best Picture.The film itself doesn’t really have much of a consistent tone, wavering between a classy piece of gothic horror during some scenes and a relatively generic (if well-lensed) slasher film during some of the murder sequences. Eggar and the rest of the ladies are in fine form, with Griffin’s Patti standing out as a genuinely interesting, charismatic character, and an early sequence with all of the potential actresses gathered around a table talking ranks as one of the best introductory interactions between characters of the films of the time, but it doesn’t make a whole lot of sense, one character simply vanishes only to show up dead randomly later, and the mask treads a line between frightening and silly that bounces into both arenas often in the same scene. The Way of Water will make you feel something. You will love it. Or hate it. Find it touching or cringe-inducing. That’s the magic of Cameron and his collaborators. They make bold choices and though you might not remember the name of a Na’vi, you won’t forget how it felt to watch them.