Contemporary is a crop-sensor lens, sold in both Sony APS-C E-mount and Micro Four Thirds varieties.

Sigma 16Mm F/1.4 Dc Dn Contemporary Lens for Sony E Mount Sigma 16Mm F/1.4 Dc Dn Contemporary Lens for Sony E Mount

In most situations I found the quality of the bokeh to be fairly nice, as this shot of pillars on a staircase shows. The wide maximum aperture of this lens only heightens a lot of people’s expectations for using this lens for astro work. This guy DOES NOT sit still, so a sharp picture of him is a testament to the lens’s AF capabilities. I was delighted to find that when I put even harsh sun in the frame the image quality held up almost perfectly, and that was true at a variety of aperture values. It’s arguably less convenient when shooting movies but enables greater precision when making adjustments for stills.

When I shot a similar scene on the a6500/Sigma 16mm and then the new a7RIII/Sony FE 24-105mm f/4 G OSS lens (at f/5. If you need portability and telephoto pulling power, the Micro Four Thirds format is an appealing option. There’s no image stabilization but the relatively ‘fast’ f/2 aperture rating makes camera-shake less of a problem. The Sigma 16mm DC DN promises very little distortion and my experience with the lens backed up the claim.

Sigma 16mm F1.4 DC DN C Review - Amateur Photographer

primes by Sigma is great news for Canon EOS M owners who want to move beyond the capabilities of the zoom lenses that they initially bought with their camera body. Still, don’t be afraid to use this lens throughout its aperture range because it will give you superb results at pretty much any setting. That puts it in the territory of being anything from a seriously wide-angle prime to an ideal lens for street photography, landscapes, architectural interiors and more besides.Wide-angle zooms can be notoriously big and heavy, but this one has the same kind of retractable design as the EF-M 15-45mm lens, shoehorning seriously wide viewing into physical dimensions of just 61x58mm.

Sigma 16mm f/1.4 DC DN | C review | Digital Camera World

This is especially true at shorter focus distances and, indeed, the lens has a very short minimum focus distance for a 50mm lens, at just 0. The lens focuses smoothly and quietly during AF-C mode, and I found face tracking to be better than typical for the Sigma DN series, with no noticeable “glitches” where my face was lost. This is a good “standard” walkaround length for typical subjects such as landscape and even street photography work. While the lens proved impressive in terms of sharpness, when we consider chromatic aberrations, the situation is not quite as good. The only downside, in my opinion, is that to achieve the clean look, anAF/MF switch had to be omitted.lens gives you an equivalent of 24mm with a DX camera, such as the Nikon Z30, Nikon Z50 or Nikon Zfc. In real world shooting I was very happy with the results, with a lot of good detail showing up at a pixel level. All DC DN lenses are available for Sony E-mount, L-Mount and FUJIFILM X systems, while our 16mm, 30mm and 56mm F1.

Sigma 16mm f/1.4 DC DN Contemporary Review Sigma 16mm f/1.4 DC DN Contemporary Review

You perhaps won’t get the ridiculous AF speed and accuracy of an OEM Sony lens, but I’ve found you can get pretty close. is slightly wider than in the standard and telephoto zooms, and this lens also goes one better in terms of build quality, with a metal rather than plastic mounting plate. lens, so sometimes, the depth of field can be pretty shallow, especially when you’re shooting closer.Certainly for landscape type work or general purpose shootings the lens will work just fine after the profile corrections are applied. The 16mm DN is the first Sigma mirrorless lens to include some moisture resistance, which I think very important on a lens that will likely be used for landscape work. This is, I imagine, one of the challenges of developing for a Sony system – the target keeps moving.