If you already have everything you need for making music, you have recorded your set and you are ready for the big stage, KAM studio, DJ and audio equipment will likely be next on your list. DETAILS The Kam RZ12A is a 12-inch portable PA speaker system that boasts a powerful output with a great bass response; perfect for a range of live sound applications. Explore our range of KAM active PAs speakers and haze machines, and more. With a commitment to the customer in mind, you can enjoy KAM products for less without having to worry about compromising on quality. If you’re looking for easy set-up options that don’t mean breaking the bank, look no further than the KAM range from Prebeat. On delivery you must inspect the goods carefully for damage as Audio Volt is unable to accept responsibility for damage in transit, shortage of delivery or loss of products unless the customer advises Audio Volt of such within three working days from the date of delivery. EU Import Tax

Seeger, A. (2008) Theories Forged in the Crucible of Action: The Joys, Dangers and Potentials of Advocacy and Fieldwork. In Barz, G.F. and Cooley, T.J. (eds.) Shadows in the Field: New Perspectives for Fieldwork in Ethnomusicology. New York & Oxford: Oxford University Press, pp. 271–288 Other Destinations - Price will be dependant on your location and number of boxes. Please get in touch for more details. Delivery Notes DETAILS Unleash powerful sound with the Kam RZ15A—a versatile PA speaker featuring a 15-inch woofer, 1.75-inch compression driver, and 1200W peak power. Perfect for musicians, DJs, and presenters seeking exceptional audio quality and portability.

Why Should I Choose a Kam PA Speaker?

For portable lighting effects and equipment that can easily be transported from one place to another, KAM have you covered. With a range of smart and highly developed products available, we know you will enjoy shopping from our KAM lighting, effects and lasers range. This brief discussion of three of the main challenges I encountered in utilising participation in musical ethnographic research indicates that employing such a research methodology requires consideration of many complex and interwoven factors. However, I hesitate to suggest that these challenges are necessarily “constraints.” As I have shown, it is certainly possible to overcome these and other difficulties in participatory research. Moreover, the process or result of overcoming these factors often leads to insights or actions that can be instrumental in the success of the research project. For instance, the challenge of learning to speak Kam was a process that also built positive relationships; the challenge of learning from my friends about Kam cultural norms helped me to gain a great deal of knowledge about Kam culture and language; and the challenge of positioning myself within Kam communities led to me joining with my friends and teachers in many different kinds of daily village activities, enabling the kinds of invaluable insights into Kam music-making that could only arise through direct experience and through positive, equitable and long-lasting relationships. With a peak power output of 1200 watts, the Kam RZ15A provides robust and impactful sound that can fill any venue or outdoor space. Its carefully engineered design optimizes the speaker's performance, delivering deep bass, clear midrange, and crisp highs for an immersive listening experience. Whether you're a band, DJ, or presenter, this speaker is capable of handling a wide range of audio requirements. Ingram, C. (2012) Tradition and Divergence in Southwestern China: Kam Big Song Singing in the Village and on Stage. The Asia Pacific Journal of Anthropology 13 (5): 434-453 For those of you that don't know, KAM specialise in lights, lasers and wireless systems for live stages, studios and other audio/recording environments. Included in their range are wireless microphone and studio systems, designed to enhance the performance of DJs and other performers. KAM Audio, Studio and DJ Equipment

Featuring a 12-inch woofer, the RZ12A delivers a powerful 250W RMS / 1000W Peak power output with a punchy bass response & crystal clear highs. Many of the Kam people I work with have already had extensive experience of being misquoted, misunderstood, required to explain themselves in a second language, and having their words or cultural practices appropriated by others who do not attempt to learn their language or appreciate their culture and knowledge. As Anthony Seeger points out: The RZ12AP is an active speaker featuring a 12-inch woofer that delivers a punchy low-end bass response as well as a clear high-end. Using the Bluetooth connectivity, you can stream your music directly from your smartphone or tablet; alternatively, you can play music using the media player with USB and SD cards inputs and allows you to play MP3/WMA/WAV formatted files. Trolley wheels, a telescopic handle, and an integrated battery make this speaker highly-portable and perfect for outdoor use.

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Ingram, C. (2012) Researching Kam Minority Music in China. In Ng, N. (ed.) Encounters : musical meetings between China and Australia. Toowong, QLD: Australian Academic Press, pp. 63-80

One of the main challenges I faced throughout the research concerned linguistic barriers. I began my research with good fluency in Mandarin and some understanding of one Chinese dialect used in Hunan, but I had no experience with Kam or the local Chinese dialect spoken in Liping county. Consequently, I found it most useful to approach Mandarin speakers in Kam villages for help with learning Kam. In most cases, the best Mandarin speakers were secondary school students. With patience and a lot of time, with regular Kam song learning and discussion, and with daily involvement in many different activities where I was surrounded by people speaking Kam, I was gradually able to gain fluency in the language. Colonized peoples and other so-called subaltern populations live in an environment in which others insist on telling them what to do, rarely take the time to understand what they are already doing, and show little respect for their way of life. It is very easy for researchers to reproduce that pattern even while professing to respect the local traditions (Seeger 2008: 279)

Kam alphabet and pronunciation

Whether you're playing for a small crowd or in a huge, sold-out venue, it's important that you know that you can trust your speakers to provide you with clear and strong sound. Speakers from KAM not only transmit the sound you're making to the crowd, they also ensure that it is strong and clear, amplifying it so that everyone in the venue can clearly hear the notes you are playing. It's important that you don't sacrifice your sound quality, and when you buy speakers from KAM, you can rest easy knowing that you're doing everything you can to get the best sound during your performances. This discussion focuses on the issue of participation in relation to fieldwork in China. Drawing upon more than 24 months of musical ethnographic fieldwork in rural Kam (in Chinese, Dong 侗) minority areas of southwestern China since 2004, I describe the main participatory aspects of my research methodology. I look at three of the main challenges—linguistic barriers, cultural concerns and research positionality—that I faced while utilizing participation as part of my research, and describe some of the most effective ways in which I was able to turn these possible “constraints” into productive ends , writes Catherine Ingram. Ingram, C. (2013) Understanding Musical Participation: ‘Listening’ Participants and Big Song Singers in Kam villages, Southwestern China. In Russell, I. and Ingram, C. (eds.) Taking Part in Music: Case Studies in Ethnomusicology. Aberdeen: Aberdeen University Press, in association with the European Seminar in Ethnomusicology, pp. 53-68

Deliveries will be made subject to the terms and conditions of the courier company. djkit.com will not be held responsible for late deliveries. This Orthography is for Southern Kam as spoken in Rongjiang and was developed by the native speaker Ngo Van Lyong because he felt dissatisfied with the current system that can only be understood by a few hundred speakers and Chinese linguists. This system was also developed to represent his dialect of the language better which is why it doesn't have an exact 1 to 1 match with the Chinese official system. It is greatly inspired by the Vietnamese writing system but not all the same letters correlate to the same Vietnamese sounds. As his [ sic] perception of the configuration of events changes, a researcher realizes that the process of learning about and adapting to life in foreign cultures is as much a breaking down of the categories and concepts he has brought with him as it is a recognition and realization of the most meaningful perspectives he can establish (Chernoff 1979: 20) At DJKit, we believe in offering the best DJ equipment and supplies to our customers, and that's why we stand firm by our decision to sell speakers from KAM. You'll find that they offer clarity and volume that far exceeds anything that their competition is able to do. Although there are many imitations, nothing comes close to the quality of a KAM speaker. If you are in the market for quality lighting or wireless systems to assist you in delivering the very best performance, KAM is probably the company you are looking for. With years of experience spearheading the DJ lights and lasers industry, it's easy to see why so many people opt for KAM products over any of the other leading brands.Kam people and Kam music Location of the two provinces (Guizhou and Hunan Provinces) and one autonomous region (Guangxi Zhuang Autonomous Region) where most Kam people reside. The approximate location of Sheeam is marked with an arrow (Map by Wu Jiaping, used with permission) Finally, positioning myself in the research context and developing relationships with people presented various kinds of challenges. I had to develop ways to make my intentions and motivation understood, to convey the respect I held for my friends and their culture, and to build rapport across cultural and linguistic divides. Conveying this respect through being willing to engage in the muddy, exhausting or mundane tasks that are central to village life, learning to speak Kam, and participating in and evidently appreciating Kam culture (as illustrated through some of the footage in the Guizhou Television documentaries) was crucial to the relationships I have developed with Kam villagers and to my research positionality. Keith Ridler also notes the connection between shared tasks, friendship and ethnographic research, stating that: