American single certifications – The Prodigy – Firestarter". Recording Industry Association of America. Laurence Malice talks about his music career and clubbing history in an interview with Dj Gary H live on Gaydar Radio. Part 1: Laurence Malice interview 2008 part 1 Coleman, Jonny (2016-10-14). "In Defense of Big Beat, the Annoying 90s Music Genre That Snobs Love to Hate". Thump . Retrieved 2019-02-21.

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The Prodigy live in 2009 The Chemical Brothers performing in Barcelona, Spain in 2007 International success (1990s-early 2000s) [ edit ] CLASSIC '90s: The Prodigy - 'The Fat Of The Land' ". Thestudentplaylist.com. 29 June 2017 . Retrieved 7 January 2021.Big beat is an electronic music genre that usually uses heavy breakbeats and synthesizer-generated loops and patterns – common to acid house/ techno. The term has been used by the British music industry to describe music by artists such as The Prodigy, the Chemical Brothers, Fatboy Slim, the Crystal Method, Propellerheads, Basement Jaxx and Groove Armada. [1]

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Kangas, Chaz (6 September 2012). "The 1997 Edition Was the Best MTV Video Music Awards". LA Weekly . Retrieved 4 May 2017. The Prodigy – Chart history (The Hot 100)". Billboard. Archived from the original on 9 May 2018 . Retrieved 4 May 2017.

Gerry, Alex (9 June 1989). "Big Bang in Clubland: Could big beat be the 1989 answer to acid house?". Metropolitan (132): 9. The Little Big Beat Book by Rory Hoy, published 10/09/2018, by New Haven Publishing Ltd, ISBN 9781912587094 - The book outlines the history of Big Beat as a musical genre and contains 120 interviews with bands and musicians that helped create and produce Big Beat music. Newsday - the Long Island and New York City News Source". Archived from the original on 2016-12-20 . Retrieved 2021-05-30. In the early 1990s, in the midst of several popular musical subcultures, including the English rave scene, British hip hop, chillout or ambient, gestating subgenres such as trip hop and breakbeat, along with the emerging Britpop movement – a process of hybridisation and a taste for eclecticism was developing within English dance music generally. [14] Fatboy Slim in 2004