The pace of this book is slow (that ain’t no problem) and the impact of the words are undeniable. I have a lot of thoughts I’m still parsing through but basically, I think I just like the way Nelson’s writing makes me feel, even when my heart is breaking. Like….ouch???? As for London I have relatives there (coincidentally the south-east) and that was where I spent my summers so those parts scratched a specific itch in my brain. At the end of the book, I feel that I would definitely like to read more novels by this author, but I would recommend his debut above this one. I'm making a bit of a habit of 3.5* books at the moment where I have to decide whether to round up or down - here the decision is based solely on the fact that I preferred Open Water and gave that 4 stars. C.A. Nelson weaved a wonderful mosaic of rhythm and blues suffused with a vibrating excitement between memory and present. That said, the story didn’t have the punch of his previous work ( Open Water). Perhaps I was expecting something even more penetrating on immigrant struggle , ethnic diversity, or racial issues. The last section tied most of the story together but unfortunately felt hurried. The narrative although expressive, at times was crumbling and repetitive (poetic license?), and the prose seemed forced, convoluted in an maze of words that tried to dazzle but in the end missed the point. His purposeful inclusion of the phrase "small worlds" throughout the story perfectly encapsulates that feeling of pure unadulterated joy from that spark of connection you feel with another person or group during a moment of intimacy over a shared experience. It moved me in a way I wasn't expecting and made me appreciate the small worlds I've built and continue to build with the ones I hold close to me.

When I wrote my review of Open Water, I said it was like listening to a song and feeling all kinds of emotions without hearing the words. And precisely the same happened to me while reading Small Worlds. Music is a significant theme in this story, and the words and sentences in Small Worlds dance together in a harmonious rhythm in highs and lows. I love this kind of writing, and I can completely drown in it, but to be honest, I need a little bit more to love a story fully. In this case, I found the pacing too slow, and too little happened on my journey through Stephen’s life while, at the same time, I gobbled up those beautiful sentences. I want him to be more open, to allow me the space to say, I feel broken, and I’m slowly taking myself apart, so I might build myself up once more"

Select a format:

Be sure to give this one a read, friends. Congrats to Caleb Azumah Nelson on another great release, and thanks to Grove Atlantic for my copy!

rounded downwards. I enjoyed this slightly less than Nelson's debut novel Open Water, from which Small Worlds felt like a natural progression. It's clear that he's growing as a novelist while maintaining the core features of what worked so well for him last time, but he threw in too many discordant elements this time, signaling his wider and deeper ambitions. Small worlds follows Stephen as he journeys through summers in London and Ghana, relationships blossoming and unravelling, faith, trauma, grief and rhythm. This novel was one that I adored for so many reasons. A love story that expands beyond two people, the familial exploration of trauma and expectation and the art of dance and music as a reflection of the rhythm of life, loss and emotion. Words simply do not suffice for the rawness of Small Worlds and the exploration of how we find pleasure and joy in the simplicity of our own tiny universes and how at times that is, and isn't enough for us. ALSO, I can't wait for the TV series, I know it's going to be amazing. But in the meantime, everyone go and get yourself a copy of this book, that I just finished and immediately want to reread. Yes, it's one of those. Now run, don't walk. Every word is like a song, so if you can imagine a book that's like a whole album full of them, it would be this. All that being said, I didn’t find this book as compelling as Open Water. As I’ve already said, I found myself being distracted by repeating phrases and the very fact of that distraction indicates that I wasn’t fully engaged in the book: in a different context I would have noticed the repetition but I wouldn’t have felt the desire to count it. And the main story arc is fairly conventional and unsurprising which means the novel really stands or falls on the writing, which I simultaneously managed to admire and be slightly disengaged by.I heard that Nelson wrote this novel in the space of three months. And while that’s super-impressive, it might also prove that it needed more work. Reading this felt like a gift because I’ve felt so many of Stephen feelings before, and I’ve been where he has been and would never be able to put it into words. Stephen might only know himself in song, but Caleb certainly knows in words. Stephen has only ever known himself in song. But what becomes of him when the music fades? When his father begins to speak of shame and sacrifice, when his home is no longer his own? How will he find space for himself: a place where he can feel beautiful, a place he might feel free? Your support changes lives. Find out how you can help us help more people by signing up for a subscription

Now that could make for interesting concept: A young protagonist torn between his own world - a relatable position, as we all try to build a place where we can thrive with the ones we love and feel ourselves - and the world around him. But nothing here is worked through in a stringent manner, it's a text heavily reliant on moody writing and heavy-handed plot points that treat small and big tragedies alike. Let's take Stephen's attempt to go to university: He feels lonely and out of place, and it's depicted like a Shakespearean plight. So the reader wonders: Why doesn't he act and try to make friends? Why the self-pity? And plot holes abound: When Stephen is so passionate about music, why do we hardly hear that he plays the trumpet, that he works towards performing, that he hangs out with bands, etc.?

Retailers:

SMALL WORLDS is a miracle of observation, of attention and attunement. Caleb Azumah Nelson writes prose that is unmatched in its musicality and sensitivity. A gorgeous, rhapsodic, wise novel.' KATIE KITAMURA, author of INTIMACIES Thank you to Grove Atlantic and NetGalley for providing this ARC in exchange for my honest opinion. I couldn't be more grateful that I got to be one of the first reviewers. My first Caleb Azumah Nelson book, and I'm blown away by the prose. Wow. I knew it would be good, but THIS GOOD?