You really won’t regret getting your hands on any of these pedals, but if you want to use your bass octave pedal in a certain way or you’re looking for a specific sound, here’s what to consider: Versatility It’s not hard to conclude that this pedal is designed for those with a thin wallet. Of course, beginners are the first group that comes to mind and they definitely won’t be disappointed, as well as those more experienced who prefer straightforward layouts. Given the price tag, the overall quality seems pretty good.

Which controls can you change with the knobs on the octave pedal? Both the Nano POG and the Micro POG include the following 3 knob controls: Original pitch volume, one octave up, and sub-octave. This allows you to change the pitch fairly easily, as well as adjusting the pitch volume that you’re changing from. Overall, the Nano POG and the Micro POG have minute differences that set them apart from each other. The size and power settings are different, and each will appeal to certain types of players. If you often take your setup with you to performances or different venues, the Micro POG may be for you. It’s bigger but can run on battery power where the Nano POG cannot. The Micro POG is a leaner and meaner version of the classic EHX Polyphonic Octave Generator, redesigned with buttons instead of the eight sliders featured on the original. It allows you to create new tones by mixing together your original dry signal with two different octaves, one above and one below your original pitch. If you want a snarling fuzz beast that adds another dimension to your riff with the Octave Up is engaged, look no further than the JOYO JF-12 Vodoo Octave Fuzz. This is a versatile pedal that was made for those that prefer a more vintage sound but that can be used in modern settings as well. Features EHX took a cue from their previous pedals and stompboxes with the chassis material here. Where previous pedals may have been less durable, the Nano POG and Micro POG both have die-cast metal chassis to help keep them performing at their best. Both are durable so you can take them everywhere you need your setup without worrying about damaging them. Current Draw

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Octave and pitch shift pedals don't get much better than this. The EHX Pitch Fork lets you select between 11 pitch shift intervals, and you can shift up & down independently or at the same time. Whether you need it for multi-part harmonies, turning your guitar into a bass, and much more, it's got you covered. On the other hand, the Nano POG only draws about 25mA while it’s working, giving you more room to add more effects pedals to your chains. Dimensions

With modern technology, it's now possible to get much cleaner-sounding pitch shifting without the digital artifacts, but some players prefer the glitchier sound for artistic reasons.

The pedal is designed in a pretty minimalist fashion. The housing is pretty compact, with dimensions and design that are typical for all pedals from this manufacturer. The controls are pretty basic as well. There are just three knobs, with octave-typical controls, such as Dry, Up and Sub. Another thing good to know is that the pedal features true bypass.

This pedal also offers a wider range and greater polyphonic capabilities than the previous OC-2 and OC-3, while covering your octave needs in full. With the TC Electronic Sub ‘N’ Up Octaver you can turn your guitar tone into a ringing 12-string or just go crazy with a gigantic synth-style tone. All of this in a very compact unit that will take very little space in your pedalboard, but give you big sounds and options. FeaturesMessing around with different options like the two examples above is how you will get the most out of the Micro POG. Alternatives to the Micro POG The very high-quality pedal produces a clean organic sound—something other pedals can struggle with. It’s great at giving that big orchestral roar, and that’s the most important thing. It is very easy to operate ( with only three knobs) and allows you the flexibility needed for just doubling lines all the way to creating your very own experimental sounds. Features The Micro POG hits you first with its brilliant red design. This pedal is gorgeous. Plug it in, and it hits you again. In this case, it’s okay to judge a book by its cover. The Micro POG is beautiful in body and sound and easily one of the best quality bass octave pedals on the market. A near perfect clone of the EHX Micro POG for one third the price. It's built well and sounds excellent, so if you just need an inexpensive octave pedal or can forgo the "name brand" aspect of owning a POG, this is the one to get.

For a bass octave pedal, you’re generally only looking for one that can play an octave down and maybe an octave up. Too low, and the sound starts to disappear. Too high, and you might as well get a guitar. If an item can not be repaired, a similar alternative product or cash discount (as defined in this policy) will be offered The Micro POG is still one of the best octave pedals on the market, mostly because Electro Harmonix knows what they’re doing. Years of experience have condensed into this one pedal, and it’s well worth a try. Verdict Every manufacturer's pitch shifting technology has a different character and different artifacts that make up its tone or timbre. Both POG pedals have both dry and effect outputs. This means that there is a dedicated output for the effect (which is what you will chain into), and a dry output (which outputs a buffered version of the input signal). Having both means you have a greater variety of choices when it comes to how your guitar sounds. It also allows you to control the signal that passes down the line to your other effects pedals. True Bypass

Electro Harmonix Micro POG Polyphonic Octave Generator Overview

Boss OC-3 Super Octave Pedal » If your focus is getting deep, fat bass tones at 1 and 2 octaves below your original note, nobody does it better than the Boss OC-3.