God of Vengeance

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Among other deities, Hoar was an appealing god for githyanki renegades found in the Realmspace, who did not sway too much to extremes of good nor evil. [21] Fey wild hunters were creatures who sought to exact vengeance on behalf of fellow fey. They venerated both Hoar and Silvanus. [22] Half-orcs were among less exotic non-humans who often turned to the worship of Hoar. [23] Places of Worship [ ] In stanza 17 of Grímnismál, during Odin's visions of various dwelling places of the gods, he describes Víðarr's (anglicized as "Vidar") residence: Pluskowski, Aleks. "Apocalyptic Monsters: Animal Inspirations for the Iconography of Medieval Northern Devourers" as collected in: Bildhauer, Bettina. Mills, Robert (2004). The Monstrous Middle Ages. University of Toronto Press. ISBN 0802086675 Weinberger defended several controversial clients. Aside from his years counseling Emma Goldman, he also handled the case of Grover Cleveland Bergdoll, who fled to Germany after dodging the draft during World War I. The U.S. Supreme Court considered his case, Abrams v. United States, challenging the Espionage Act of 1917. Though the majority sided against Weinberger’s clients, who had printed leaflets supporting the Russian Revolution, the case prompted a highly influential dissent by Justice Oliver Wendell Holmes supporting free speech rights.

In a four-starred review of the 2021 London production of the play at the Menier Chocolate Factory Theatre, The Guardian's reviewer, Mark Lawson, described Indecent as "a brainy play staged with the panache of a musical". [25] Awards and honors [ edit ] Year Brantley, Ben (2017-04-18). "Review: 'Indecent' Pays Heartfelt Tribute to a Stage Scandal". The New York Times. ISSN 0362-4331 . Retrieved 2017-04-30. In the Great Wheel cosmology, Hoar held his Doomcourt, as his divine realm was known, on the lawful plane of Mechanus. [5] His realm was tastefully decorated with heads of mortals on the pikes that gave it the atmosphere of crushing despair and crawling horror. The Court itself was an elegant building of frosted cold marble with spacious halls that produced intimidating echo. [12] Sword and shield, flesh and bone, I am your man, Sigurd Haraldarson. As long as the sun shines and the world endures, henceforth and for evermore.”The Living God made a vow to Israel in which He promised three times to deal with His adversaries. He used the phrase “I will . . . .” Moses echoed the same three vows in the final verse of his speech:

Thank you, Lord, for those who are on the front lines of doing justice in our world today. Protect them. Give them wisdom and strength. May their efforts be fruitful as they see victimizers brought to justice and victims set free. The avatar of the Doombringer easily swung his massive two-handed sword, Hand of Retribution, with his right hand, while dispersing javelins of lightning with his left hand. When in battle, Hoar liked to use variations of Bigby's hand, Caligarde's claw, or Geirdorn's grappling grasp. Unlike mortals, Hoar could concentrate on three similar spells simultaneously without having to drop them in close combat. [5] Halina Cygansky, the Middle, also Manke, Freida Neimann, Dorothee Nelson/Dine, Dr. Hornig, Clara Bagleman, othersAbbathor | Berronar Truesilver | Clangeddin Silverbeard | Deep Duerra | Dugmaren Brightmantle | Dumathoin | Gorm Gulthyn | Haela Brightaxe | Laduguer | Marthammor Duin | Moradin | Sharindlar | Vergadain I must confess that when I first read Psalm 94:1, I cringed. How could the Lord be a “God of vengeance”? Isn’t he a God of mercy, love, and forgiveness? Moreover, if God is truly a God of vengeance, doesn’t this lead to people seeking revenge in God’s name, fueling the cycle of violence that infects our world? How can I pray to a God of vengeance? a b Clement, Olivia (April 18, 2017). "Indecent Opens on Broadway April 18". Playbill . Retrieved 2017-04-30. James Wyatt (July 2003). “Incursion: Knights of the Lich-Queen”. In Erik Mona ed. Polyhedron #159 ( Paizo Publishing, LLC), p. 29. A part of the Gosforth Cross showing a humanoid figure tear apart the jaws of a monster. Usually interpreted to be Víðarr’s battle with Fenrir at Ragnarök. The cross itself is medieval (possibly 10th century). Is Vidar a Strong God?

Vogel, although aware of Taichman’s project, didn’t expect an invitation to collaborate. “As I was on the phone, a series of images opened up,” she says, almost wonderingly. “I saw actors in dusty, ragged clothing, with suitcases in an attic. I thought: that’s [the ghetto of] Lodz. I said to Rebecca, I don’t think it’s about the obscenity trial, are you OK with that? And she immediately said yes. It was as if the troupe reached out on that phone call. When you see images like that you think, I’m never going to be able to get that out of my mind.” That startling image, of actors rising from the dust, now opens her play. Ed Greenwood, Sean K. Reynolds, Skip Williams, Rob Heinsoo (June 2001). Forgotten Realms Campaign Setting 3rd edition. ( Wizards of the Coast), p. 235. ISBN 0-7869-1836-5. Do not be afraid or discouraged because of this vast army. For the battle is not yours, but God's." The mid-11th century Gosforth Cross, located in Cumbria, England, has been described as depicting a combination of scenes from the Christian Judgement Day and the pagan Ragnarök. [15] The cross features various figures depicted in Borre style, including a man with a spear facing a monstrous head, one of whose feet is thrust into the beast's forked tongue and on its lower jaw, while a hand is placed against its upper jaw, a scene interpreted as Víðarr fighting Fenrir. [15] The depiction has also been theorized as a metaphor for Jesus' defeat of Satan. [16] Theories [ edit ] A depiction of Víðarr and Váli by Axel Kulle (1846–1908), 1892

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Bell, June D. "Sholem Asch's Yiddish drama God of Vengeance (1907)". All About Jewish Theater. Archived from the original on 2012-12-09. God takes note of every deception, exploitation, and manipulation. In due time, He will act. 2 The Bible calls Him the God of recompense, the God of vengeance, and the God who executes vengeance for me. 3 He is a God who repays exactly what is deserved. That includes rewards for faithful service and punishment on His enemies. The lyrics speak of the freedom found in Christ, emphasizing that Jesus entered hell, took the keys of death and sin, and set believers free. This powerful imagery reflects the biblical truth that through His death and resurrection, Jesus conquered sin and death, offering salvation and deliverance to all who believe in Him. He gave me oh…, I’m free indeed https://praisezion.com/wp-content/uploads/2020/11/GUC-God-Of-Vengeance.mp3 This excerpt is from the final scene of God of Vengeance, in which the young Rifkele’s father, Yekel, and mother, Sarah, confront the girl about her relationship with Manke, one of the sex-workers employed by the parents. Yekel owns the brothel underneath the family's home, and Sarah formerly worked as a sex-worker herself, before her marriage to Yekel.

Written in Yiddish in 1906, “The God of Vengeance” follows Yekel, a Jewish brothel keeper, and his wife as they strive to protect the innocence of their young daughter. Set in a brothel and featuring a lesbian relationship, the play was considered a seminal work of Jewish culture by some, while others derided it as an obscene betrayal of that same culture. If only my Yiddish-speaking grandparents were alive to enjoy today’s renaissance of Yiddish language and culture. This High-German-derived language infused with Hebrew and Aramaic, historically spoken by Ashkenazi Jews, originated during the 9th century in Central Europe. Spoken by 11 million Jews before World War II, Yiddish is currently the first language of fewer than two million people, mostly very religious (Hasidic) Jews. Yet, Yiddish is now taught in many colleges in the United States and Poland, among others, while old books written in Yiddish are collected and preserved in central repositories.

The producer, Harry Weinberger, and the 12-member cast pleaded not guilty to the crime of “unlawfully advertising, giving, presenting, and participating in an obscene, indecent, immoral, and impure drama or play.” A Psalm of David for the fourth day of the week. The Lord is a God of vengeance; the God of vengeance has declared himself. When Hoar's avatar clapped his hands or stomped his feet, it created a deafening blast of thunder, similar to the effects of the Great shout spell. [5] Possessions [ ]