Paisley Cotton Bandana 3 pack Red White Black

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Baker, Lindsay. "Paisley: The story of a classic bohemian print". www.bbc.com. Archived from the original on 3 December 2019 . Retrieved 5 December 2019. Local manufacturers in Marseille began to mass-produce the patterns via early textile printing processes in 1640. England, circa 1670, and Holland, in 1678, soon followed. This in turn provided Europe's weavers with more competition than they could bear, and the production and import of printed paisley was forbidden in France by royal decree from 1686 to 1759. However, enforcement near the end of that period was lax, and France had its own printed textile manufacturing industry in place as early at 1746 in some locales. Paisley was not the only design produced by French textile printers; the demand for paisley which created the industry there also made possible production of native patterns such as toile de Jouy. [18] a b Novin, Guity. "A History of Graphic Design: Chapter 92 - A history of Paisley or Boteh Jegheh Design". A History of Graphic Design. Archived from the original on 27 February 2020 . Retrieved 19 December 2019. Boteh (Botteh, Paisley). Aryan Silk & Trade". www.heritageinstitute.com. Archived from the original on 24 May 2019 . Retrieved 4 June 2019.

The mango house". 24 July 2008. Archived from the original on 7 February 2016 . Retrieved 9 January 2016. a b Ringer, Monica (13 December 2011). Pious Citizens: Reforming Zoroastrianism in India and Iran. Syracuse University Press. ISBN 978-0-8156-5060-7. Archived from the original on 10 September 2020 . Retrieved 24 December 2019. Paisley: The story of a classic bohemian print". Archived from the original on 27 May 2018 . Retrieved 31 May 2018. Green bandanas have become a symbol of the abortion rights movement. [28] In other languages [ edit ] Dusenbury, Mary M. and Bier, Carol, Flowers, Dragons & Pine Trees: Asian Textiles in the Spencer Museum of Art, 2004, Hudson Hills, ISBN 1555952380, 9781555952389, p. 48INDULEKHA» GREEN | colours: MANGO MANIA by Laurie Baker» 1". Archived from the original on 2 October 2008 . Retrieved 9 January 2016. a b c Karpinski, Caroline (November 1963). "Kashmir to Paisley". The Metropolitan Museum of Art Bulletin. 22 (3): 116–123. doi: 10.2307/3258212. JSTOR 3258212. In Asia the paisley shawls were primarily worn by males often in formal or ceremonial contexts, but in Europe the shawls were primarily worn by women instead of men. While still holding an accurate resemblance to its original influence, the paisley design would begin to change once it began to be produced in western culture, with different towns in the United Kingdom applying their own spin to the design. [16] The peak period of paisley as a fashionable design ended in the 1870s, [17] perhaps as so many cheap versions were on the market. Paisley Museum and Art Gallery", About Britain, archived from the original on 5 March 2008 , retrieved 3 February 2008 .

Fender Paisley Telecaster and Telecaster Bass". 14 June 2011. Archived from the original on 27 October 2019 . Retrieved 10 June 2018. Vancouver 2010: The Olympics of the Silly Pants", Tonic, archived from the original on 23 February 2010 , retrieved 21 May 2010 .

Paisley or paisley pattern is an ornamental textile design using the boteh ( Persian: بته) or buta, a teardrop-shaped motif with a curved upper end. Of Persian origin, paisley designs became popular in the West in the 18th and 19th centuries, following imports of post– Mughal Empire versions of the design from India, especially in the form of Kashmir shawls, and were then replicated locally. [1] Paisley — благородный орнамент, "слеза Аллаха", турецкий боб или просто "огурец" ". Archived from the original on 5 January 2017 . Retrieved 5 January 2017. a b Indian Hand Woven Jacquard Jamavar Shawls, Zanzibar Trading, archived from the original on 18 January 2012 , retrieved 7 February 2012 . There is significant speculation as to the origins and symbolism of Boteh Jegheh, or "ancient motif", known in English as paisley. [7] With experts contesting different time periods for its emergence, to understand the proliferation in the popularity of Boteh Jegheh design and eventually Paisley, it is important to understand South Asian history. The early Indo-Iranian people flourished in South Asia, where they eventually exchanged linguistic, cultural, and even religious similarities. [8] The ancient Indo-Iranian people shared a religion called Zoroastrianism. [9] Zoroastrianism, some experts [ who?] argue, served as one of the earliest influences for Boteh Jegheh's design with the shape representing the cypress tree, an ancient Zoroastrian religious symbol. [9] Others [ who?] contest that the earliest representation of the patterns shape comes from the later Sassanid dynasty. [10] The design was representative of a tear drop. [10] Some [ who?] will argue that Boteh Jegheh's origins stem from old religious beliefs and its meaning could symbolize the sun, a phoenix, or even an ancient Iranian religious sign for an eagle. [7] Around the same time, a pattern called Boteh was gaining popularity in Iran; the pattern was a floral design, and was used as a high class decoration, mostly serving to decorate royal items that belonged to those of high status. [10] It was said [ weaselwords] to have been a pattern worn to represent elite social status, such as that of nobility. The pattern was traditionally woven onto silk clothing using silver and gold material. [10] The earliest evidence of the design being traded with other cultures was found at the Red Sea, with both Egyptian and Greek peoples trading from the 1400s. [ citation needed] Introduction of Boteh Jegheh to Western culture [ edit ]

In the 1800s, European production of paisley increased, particularly in the Scottish town from which the pattern takes its modern name. Soldiers returning from the colonies brought home cashmere wool shawls from India, and the East India Company imported more. The design was copied from the costly silk and wool Kashmir shawls and adapted first for use on handlooms, and, after 1820, [19] on Jacquard looms. How the green bandanna became a symbol of the abortion rights movement". The Seattle Times. 7 July 2022 . Retrieved 19 June 2023.Zaman Niaz (1993). The Art of KANTHA Embroidery (Second Reviseded.). Dhaka, Bangladesh: The University Press Limited. p.82. ISBN 978-984-05-1228-7. Dani, Ahmad Hasan; Masson, Vadim Mikhaĭlovich (1999). History of Civilizations of Central Asia. Motilal Banarsidass Publ. ISBN 978-81-208-1407-3. Archived from the original on 10 September 2020 . Retrieved 24 December 2019. The Prohibition Years, 1686–1759", Le Musée de l'Impression sur Etoffes[ The Museum of Printed Textiles], archived from the original on 21 February 2008 , retrieved 3 February 2008 . a b Masoumeh, Bagheri Hasankiadeh (January 2016). "SID.ir | A GLANCE AT THE FIGURE OF BOTEH JEGHEH (ANCIENT MOTIF)". www.sid.ir (1). Archived from the original on 10 September 2020 . Retrieved 5 December 2019. Welters, Linda; Beasley, Elizabeth; Dee-Collins, Nicole; Gilcrease, Sallie; Lukens, Catherine (1 January 2017). "Second Chances for Paisley Shawls". International Textile and Apparel Association (ITAA) Annual Conference Proceedings. Archived from the original on 5 December 2019 . Retrieved 19 December 2019.

Paisley bandanas are not only fashionable but also highly functional. They provide protection from the sun, wind, or dust, making them ideal for outdoor activities, festivals, or simply adding flair to everyday wear. In addition, the versatility of these bandanas allows them to seamlessly transition from casual to formal settings, making them a favorite accessory for individuals seeking a touch of individuality and flair in their style. Printed 'Paisley' in the 19th Century", Le Musée de l'Impression sur Etoffes[ The Museum of Printed Textiles], archived from the original on 5 March 2015 , retrieved 3 February 2008 . a b Maskiell, Michelle (2002). "Consuming Kashmir: Shawls and Empires, 1500-2000". Journal of World History. 13: 27–65. doi: 10.1353/jwh.2002.0019. S2CID 144868279. This section contains weasel words: vague phrasing that often accompanies biased or unverifiable information. Such statements should be clarified or removed. ( December 2020) a b Magazine, Smithsonian; Hilgers, Laura. "The Global History of the Bandana". Smithsonian Magazine . Retrieved 19 June 2023.The modern French words for paisley are boteh, cachemire (" cashmere"; not capitalized, which would mean " Kashmir, the region") and palme (" palm", which – along with the pine and the cypress – is one of the traditional botanical motifs thought to have influenced the shape of the paisley element as it is now known). [6] [29] [ failed verification] Although the pine cone or almond-like form is of Persian origin, and the textile designs cramming many of them into a rich pattern are originally Indian, the English name for the patterns derives from the town of Paisley, in the west of Scotland, a centre for textiles where paisley designs were produced. [2] English paisley shirts, 1960s or later a b c d McGuire, Brian (24 January 2013). "Roots of the Paisley Pattern". Paisley Scotland. Archived from the original on 5 December 2019 . Retrieved 4 December 2019. While today some people associate bandanas with cowboys or Cholo culture, paisley bandanas were popular during the late 1700s and their popularity in the United States coincides with the American revolution. Snuff users liked colored and patterned handkerchiefs because they hid the tobacco stains when they blew their noses. [23] In the late 18th and early 19th centuries, paisley bandanas began to appear with political and military advertisements printed on them. [23] Such printed bandanas were common during the early and mid- 1900s when World War I and World War II were being fought. It was thought that by purchasing and sporting a pro-war paisley bandana the buyer was helping to support their country in winning the war. [ citation needed] The paisley bandana started to feature in Western movies and thus became a symbol of the American West. [ citation needed]