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You Love Me: The highly anticipated sequel to You and Hidden Bodies (YOU series Book 3)

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Instead of getting irritated by British snobs, Joe finds himself to barely communicate with a bunch of American, artificial intellectuals. He’s the only pure talent, joining in the pretentious, know it all circle of privileged author wannabes and he is the only one who didn’t graduate from a college! Wait a minute: he’s not the only one. A peculiar girl slurping her Chocolatta steals his thunder! Nice to meet you Wonder!

even though norhafsah’s writing style is not really my preference, the simplistic writing style makes it easy for beginners to read the book.You Love Me” is the third novel in the obsessively addicting series, “You” (now a Netflix series starring Penn Badgley) . The good thing about this series is each novel is just as addicting as its predecessor yet, at the same time, you don’t need to read the other novels to be able to follow along (although I highly recommend it!) .

After that, Mary Kay pulls away from Joe. She feels as though she pushed Phil over the edge. She blames herself for not being there, for Nomi finding him dead and for running around with another guy. You're just going to put Joe in the middle of a new town/storyline, deciding to pave over (ignore, essentially) the previous ending that he was in jail, about to have a baby. The Quinn's paid him 4 million dollars to walk away from Love and his son? REALLLLY????? giving yourself some therapy while getting paid thriller-series-contract money...that's great work if you can get it. Meanwhile, Mary Kay likes Joe, but she's also trying to repair her marriage with Phil, even after she learns of his affair. Things stall until Joe (as "Jay") convinces Phil to blow off Mary Kay one night, and Mary Kay finally demands a divorce. She starts secretly seeing Joe until Phil overdoses and dies. Phil's brother Ivan, a successful life coach, then comes into town and convinces Mary Kay to dump Joe. However, Joe finds a #MeToo accusation about Ivan online and publicizes it. More accusers come forward, and Ivan unravels. Ivan ends up in rehab, and Ivan sells off the house Mary Kay was living in (which he owned) to pay his legal fees.

Read This If You Like . . .

Joe is going to be volunteering at the Bainbridge Public Library. Mary Kay DiMarco, (MK for short) is the library’s branch manager. It’s only been a short time but Joe already feels like he knows Mary Kay so well. However, this time he is trying something new. He’s not going to be obsessive. He‘s not even going to Google Mary Kay. He’s determined to be Mr. Good Guy. The daughter, who is in love with a school shooter from Columbine (ODD AS SHIT), is actually also in love with Joe and tries to seduce him. I think she's 18 and she's bizarre. That was a bit out of left field, didn't see it coming, but here's when the story goes from worse to trash. The mother and daughter have the worst relationship in the history of books. The daughter pushes MK down the stairs when she doesn't believe that Joe was about to rape her daughter, and she inevitably dies from her injuries. To be honest, there are no words I can put in this review since 'Will You Love Me?' left me sobbing and wailing over the book. Reading this book was like reading a love letter from a dear one. It's very heart-warming yet a heart-wrenching one too, and that's the one thing that I always love and adore when it comes to Norhafsah Hamid's writing style. I've been in tears for hours, and my bestie Yasmin is living proof of it. Thus, she never fails to amaze me and make me swoon over the storyline and the characters she created.

Even worse: I think there's a series of novels with a corresponding TV show in which the TV show has made substantial changes, and not only are the changes for the better, but TV in general is a better medium for the story than a book. After reading the whole book, I can safely say that the writing style is like high school level? I feel so mean for saying this but I think I’m just used to reading American/British author’s writings. Sorry if I come off as snobby, its just my honest opinion. The trio in this book were adults and based on the timeline of Sarah to Amy, they’re already in their 30s. So why are their conversations very childish and very much like they’re high schoolers? Trying to leave the past behind him, Joe Goldberg moves from New York City to a small island town, hoping that a quaint and quiet life will be just what he needs to start over. Joe buys a house and even volunteers at the library, and then he meets HER; his boss at the library, Mary Kaye DiMarco. Joe knows at first sight that he and Mary Kaye are meant to be and he finally sees a positive and fruitful future for himself, with Mary Kaye as his partner. Mary Kaye, however, has a teenage daughter and a famous husband, and she doesn’t seem willing to leave either of them behind to start over with Joe. Joe knows that it is his responsibility to help Mary Kaye see how much better her life would be with Joe in it, and he will stop at nothing to make that happen.After reading this book, i'm disappointed. The plot is flat and nothing complicated happened to the main characters, apart from one thing or two. The ending is cliché. While i'm fully aware that this author usually instills Islamic teaching in her novels, however in some parts of this book it became too preachy, which makes the dialogues sound unnatural. One night, Love reaches out wanting Joe to come to Los Angeles to see her and their son. Joe is hesitant, but Love knows about his new life and threatens to tell Mary Kay and Noni the truth about his past. Joe knows he has no choice. He’s forced to blow off a weekend away that Mary Kay had planned to go see Love. Caroline Kepnes must be some kind of storytelling sorcerer. How else can Joe Goldberg — stalker, creep, multiple-murderer, blamer of everyone else but himself, a “long overdue book, the one you never thought was coming” — be such an entertaining narrator? Even Tom Ripley, Patricia Highsmith’s famously amoral character (a clear inspiration for Kepnes), could be enjoyed at a third-person remove, unlike the in-your-face immediacy of Joe’s blinkered perspective . . . brilliant’ New York Times It was very sad to see him so desperately lost. It was as if all the loneliness was the widening of a river between us – I could see him, but I didn’t know how to get to him.” He gets a job at the local library –he does know a thing or two about books –and that’s where he meets her: Mary Kay DiMarco. Librarian. Joe won’t meddle, he will not obsess. He’ll win her the old fashioned way . . . by providing a shoulder to cry on, a helping hand. Over time, they’ll both heal their wounds and begin their happily ever afterin this sleepy town.

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