DOD Rubberneck Electric Guitar Analog Delay Pedal DOD0015

Product Information

The result is the ability to create a tape delay effect that can be of studio quality, or studio apartment quality. A lot of people opt for a stand-alone looper, but if you’re trying to save space on your pedal board and you’re already eyeing a more expensive multi-mode unit, getting one with a looper built in can be a no-brainer. For example, dual delay allows you to mix together a second set of repeats, giving your delay sound a spacious, almost reverb like sound (what you might consider a wash). The Boss DD 500 allows you to save a massive 297 patches, and with the granularity of control you have over the delays in this unit, you might just use them all.

The quietness of the pedal is outstanding. It produces a bit of noise on the longer delay times, but that’s kind of a part of the sound with these types of delays. It does require a 150 mA power supply (a fact which, although not pointed out in the product specs, can be seen in the gallery picture which shows the input/output connections), so that"s something to keep in mind if you don"t already have one of those in your personal box o" stuff. The second is how much delay you need. If you’re trying to spice up some solos with a little delay, you do not need the huge array of options in a Strymon Timeline. If you want to make vast audio soundscapes, an Echobrain is going to be too limiting. DigiTech’s latter sister brand DOD has delivered a number of pedal greats over the years, and since its foundation in 1973 by David Oreste Di Francesco. A lot of people focus on the early editions / 200 Series - while I’ve taken a slightly broader overview here - with the one concession really being the original 250 Overdrive/Preamp. Elsewhere I’ve gone for pretty much the latest viable editions - including the Blue reissue of the 201 Phasor - which also had Grey and Yellow predecessors. The interesting point here is that while all of the original 70's grey editions contain the typically more desirable 741 chip, a lot of the early 80's Yellow versions had that same chip too - with the 351 chip though gradually taking over later on. So you have the Grey 70's editions as the most sough-after, then the early 80's Yellow editions, and finally the 90's Yellow reissues. All are discontinued now - while some Reverbers are wrongly calling the late 90's versions vintage now - which I would dispute. (Vintage > 40 years).Now that we have covered the main controls we can now discuss the footswitches. There are two footswitches labelled EFFECT ON, and TEMPO/REGEN: As well as being able to be used as a tap tempo for syncing your delay time with your music, holding your foot down on the Tempo/Regen switch will Tape echo pedals and analog pedals typically give you one type of delay, but when you get into the realm of the multi-mode delay pedal, you will find the pedals will do a wide range of different delays. One of the things that makes buying a delay pedal both difficult and easy is that there is a huge variety of delay pedals available – but once you work out what kind of delay you want or need, it’s quite possible to hone in on one model that does exactly what you need (and honestly, it’s probably the Strymon Timeline because that thing does everything). Major Considerations This can be vital for certain guitarists because, for many, a delay pedal isn’t “set it and forget it.” Depending on the effect you’re going for or even the tempo of the song, you’ll want to have a number of different delay settings throughout a gig.

This Delay pedal isn’t your ordinary everyday Analog Delay Pedal. This pedal features over one second of natural sounding Analog repeats with some extra features and tone shaping controls all within a very easy to manipulate on the fly box. Sam Bell PROS: All you have to remember is that tape echo is going to sound vintage, analog delay will be warm, and digital delay can be whatever you want. The gain control allows you to dial in your desired amount of breakup on your delay tails, giving you a level of control not normally found on analog pedals.The first consideration with a delay pedal is whether you want to go for an analog or digital delay. Typically digital delays will be cleaner and give you more out-there effects, whereas analog will be richer and darker. These features are controlled by individual, clear mini knobs that also double up as multi-colour LED status indicators. The Nemesis from Source Audio fills a particular niche in the market by catering more toward producer guitarists than pure players. The functionality that it comes with is second to none, making it one of the best pedals for that market, but those looking for something simple may find themselves overwhelmed. There are also two concentric control knobs located underneath these control knobs for RATE/DEPTH, and GAIN/TONE: Latter versions seem to be calibrated somewhat differently with slightly different core EQ, and compression. For me the differences are rather subtle - but I prefer the slightly more articulate Grey Box editions overall including that somewhat more open-pored texture - while many favour the first Yellow versions. Each to their own really!

If money is no object, the undisputed best of the best, and our Editor’s Choice, is the Strymon Timeline. This is the king of pro pedal boards, boasting 12 different delay types, a 30-second stereo looper, and can hold up to 200 rewritable presets. Money can buy no better delay. For this reason it’s important, if you are one of the guys from Explosions In The Sky, to have a clear idea of what types of delay you want in your unit, and then make sure the delays you’re looking at cover all those bases. While I personally don't particularly like the aesthetics of the 'FX' designation DOD pedals - a large number of them still sounded great, and in fact some fetch some quite silly prices nowadays! This slightly fuzz-edged BAT Mark Wentz collaboration has often been disparaged in much the same way as the Boss Metal Zone attracts unwarranted criticism. In both cases this is mostly down to user issues - where certain individuals just don't have the wherewithal or patience to approach these pedals in the correct manner. Filter delays allow you to add oscillation or resonance adjustments to the delayed signal, allowing you to stretch your guitar into synth-like sounds.You could say the FX96 and Memory Man were starting points, but the final design doesn't resemble either. They’ve even thrown in a DMM setting, giving you access to the classic Electro Harmonic Deluxe Memory Man sound – just in case you forgot why you were interested in Electro Harmonix digital delay pedals in the first place. There is incredible range to be found here - as long as you have the patience to dial those knobs in diligently. Of course with that much range, you can also get all kinds of odd tones too - which tends to be the focus of the detractors. There's bags of control here with individualknobsfor Modulation Rate and Depth as well as Gain and Tone of the delay. Double concentric knobs allow for independent control of the Modulation Rate and Depth, as well as Gain and Tone of the delay.

Finally, the third consideration is power draw. Some of these delay pedals draw a ton of power, and you may find you’ll need to upgrade your pedal board power supply to accommodate.The Tap Ratio switch makes it easy to get repeats that are perfectly in time, create triplets and achieve a doubled up feel Gain and Tone knobs allow you to shape the overall sound of the delay by increasing brightness, darkening the sound and adding more gain. The Level knob controls the output level of the delay signal. The D-Seed has buffered bypass and does include tap tempo functionality on top of its four digital delay effects. By the way, if you don’t have a looper, get one. They’re a killer practice tool as you can record a riff and then solo over it to your heart’s content. Simple. Range Of Delays TAP RATIO: Allows you to toggle between three different tempo ratios (quarter, eighth, and dotted eighth sub-divisions). Coming a close second to the Strymon Timeline, the DD500 is a powerful delay unit from the maker of some of the most popular pedals in history.