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I was hoping to see more development of the characters as we rarely got to see them encountering any obstacles to further improve themselves, however there's

First of all, many already love him, so most don't talk about it, but Fujimoto's style is pretty scribbly. I love it because of that, but I can see it totally affecting his own self-esteem as an artist when he was young. And so he writes Fujino, the main character of the story. While her friends love her manga because it's clever and fun, she gets discouraged when another Fujimoto next work was Love is Blind ( 恋は盲目, Koi wa Mōmoku), for which he won an Honorable Mention Award at the November 2013 Shueisha's Crown Newcomers' Awards, [16] [17] and was his first published work, being launched in Jump SQ.19 vol. 13 on April 19, 2014. [18] His next one-shot works were Shikaku ( シカク), published in Jump SQ.19 vol. 14 on June 19, 2014; [19] Mermaid Rhapsody ( 人魚ラプソディ, Ningyo Rapusodi ), published in Jump SQ.19 vol. 17 on December 19, 2014; [20] and Nayuta of the Prophecy ( 予言のナユタ, Yogen no Nayuta), published in Jump Square on July 4, 2015. [21] Jump SQ. (in Japanese). Shueisha. Archived from the original on January 9, 2013 . Retrieved January 9, 2021. Hodgkins, Crystalyn (October 14, 2023). "Chainsaw Man Manga Wins Best Manga Harvey Award for 3rd Straight Year". Anime News Network. Archived from the original on October 14, 2023 . Retrieved October 17, 2023. Es un manga precioso y valioso para todos aquellos que estudian o se dedican con pasión y entrega a aquello que les gusta, por mucho que reciban señalamientos, críticas y opiniones indeseables. Una historia que obviamente tiene un público específico al que le toca más el mensaje (no por nada su protagonista es dibujante de tiras de mangas). Sin embargo el público objetivo puede ser cualquiera porque al final las historias que inspiran y tienen mensajes de duelo, superación, crecimiento y la pasión por lo que haces siempre le pega a alguien en algún punto de la vida.After earning money from their one-shot, Fujino treats Kyomoto to a day out in the city, bringing her to places she never had the courage to visit due to her agoraphobia. The montage ends with the two returning home on a train, with Kyomoto thanking Fujino for bringing her out of her room. Saikyō Jump (in Japanese). Shueisha. Archived from the original on December 4, 2021 . Retrieved December 4, 2021. in Japanese). Tohoku University of Art and Design. Archived from the original on January 9, 2021 . Retrieved January 9, 2021. Friendly Rivalry: Fujino and Kyomoto have elements of it, with both being deeply inspired by the other to improve their art. It's tragically used as the reason Fujino blames herself for Kyomoto's death, feeling like her friendship pushed her to go to art school.

Jump SQ. (in Japanese). Shueisha. Archived from the original on January 9, 2021 . Retrieved January 9, 2021. Fujimoto's art is stunning, especially during the quiet scenes where the characters simply exist as themselves. Some of the best examples of this are from when Fujino and Kyomoto are drawing together. This kind of silent companionship can be a difficult thing to convey but, in not relying too heavily on speech, Fujimoto's art speaks loud and clearly. The reader finds themselves also simply existing alongside the characters in these moments. Armor-Piercing Question: The one-shot ends with Fujino admitting her disillusionment with drawing in general, but an unknown voice then asks her why she even bothers, then. Notably, Fujino's answer is never given, setting up the Ambiguous Ending. After realising this was about precocious high schoolers discovering the joy of creating manga together, I was expecting a Bakuman-style comic - and if that was all we got, I wouldn’t have minded because that first volume of Bakuman at least is amazing. But I appreciated that Fujimoto took his story in a wildly different direction in the second half, even if he did so in a very clunky way.

Story - The story is fairly simple, Fujino loves to draw for her school's newspaper, everyone in her class adores her art, then her teacher tells Fujino that another student would also like to submit a comic strip for her school's newspaper. Kyomoto, the new newspaper artist stuns the class as Fujino gets jealous since her arts is barely average compared to Kyomoto's. Soon both of them meet and pair up, writing manga together. The story isn't complicated at all and tells a story of two manga artists coming Woke-Up-as-a-Girl Syndrome ( 目が覚めたら女の子になっていた病, Me ga Sametara Onnanoko ni Natteita Yamai ) (2017) — Published in Shōnen Jump+

We follow the unlikely friendship of Fujino and Kiyomoto as they become successful artists and though it is told through short snippets, it unfurls before our eyes and maps a rather touching and moving tale. history: to be honest I have seen movies and animes with similar stories, you lose a person you loved but his last moments with that person were very bad and the fact of knowing that you could never say goodbye to that precious being can be painful, normally this makes me It would make me sad but apart from the fact that it is What I liked the most about this manga is that both Kyomoto and Fujino were both working together and apart from each other yet striving for their personal goals at their own pace.it is about regret and it is about dealing with these feelings of regret and coming to accept that the past can not be changed, no matter how hard one tries. Hodgkins, Crystalyn (January 17, 2022). "15th Manga Taisho Awards Nominate 10 Titles". Anime News Network. Archived from the original on January 17, 2022 . Retrieved January 17, 2022. in Japanese). Shueisha. Archived from the original on December 23, 2019 . Retrieved September 14, 2019.

Hodgkins, Crystalyn (October 8, 2022). "Tatsuki Fujimoto's Chainsaw Man Manga Wins Harvey Award for Best Manga for 2nd Straight Year". Anime News Network. Archived from the original on October 8, 2022 . Retrieved October 10, 2022.unlike most of his works this one took place in the real world ,where no super powers or mythical stuff exist. The tankōbon volume sold 73,912 copies in its first week of release and 80,186 copies in the second, which placed it fourth and third, respectively, on Oricon's weekly manga chart. [12] [13]