Magic of the Movies

Product Information

Méliès wrote, directed, produced, distributed, built the sets for and performed in his films himself. Despite this artisanal mode of production, his was for a time France's leading film studio. Only on the eve of the first world war was he driven out of business by better capitalised corporations like Pathé – an economic lesson fudged in Hugo, which ascribes Méliès's business failure to the war itself. He was rediscovered in the 1930s operating a candy store in the Montparnasse railway station – belatedly decorated by the French government and lionised by cinephiles and Surrealists.

And with the technologies of today, movies have a wider reach than ever. We can watch movies from countries around the globe. Today I’d like to invite you to immerse yourself in the movies you want to watch—not by just passively consuming the story, but by fully living and experiencing it. Joanna Lumley and her husband Stephen Barlow invite you into their home for a fascinating, funny journey into their shared love of music.Joanna is the enthusiastic amateur - asking the questions she’s always wanted to ask - and Stephen is The Maestro, providing the answers. Who was better: Mozart or Beethoven? Why do certain pieces of music make us feel a certain way? What do conductors actually do? They also discuss the great composers and symphonies, and the often-remarkable stories behind them, all delivered in Joanna and Stephen’s unique, engaging and affectionate way.

I come from that generation for whom ‘movies’ was a guilty pleasure. You had to hide your love for it, you couldn’t celebrate it; you had to pretend along with the others that it was silly: at best, a way to kill time, at worst, a waste of time. It wasn’t art, it wasn’t a career, (not even a Vis Com course in sight) it wasn’t respected or even respectable. It also had to do with the state of the art of our movies which, frankly, wasn’t state of the art ‘anything’. (Yes, there were some charming, poetic, sepia-toned Guru Dutt-type movies, and some artsy cinema — the parallel cinema — but right there was the problem: it stayed parallel, didn’t connect, didn’t touch, didn’t go anywhere). No one in their right mind could look at our mainstream cinema then and say: that’s the most vital art form of the 20th century.Read My Lips", a 1993 episode of Batman: The Animated Series, features a villain called the Ventriloquist, who leads a group of criminals through the persona of his dummy Scarface. We build strong memories and associations with movies that we watched as kids and adults. They are part of our journey. Like The Incredible Burt Wonderstone, the film is a comedy that looks at magic from a slightly different angle. Unlike The Prestige which portrays magicians as very cool characters, the magicians in The Magicians are portrayed as geeks or nerds (which is probably close to the truth in most cases). Often, to be a magician you need to enjoy sitting on your own and practising for hours on end, so stands to reason that it attracts a certain sort of person. Stories have been weaved into the fabric of our existence—they are as old as humanity. And storytelling as an art form (or perhaps a necessity) remains at the heart of the human experience.

I list below some of the things I’ve done to enjoy the experience and engage with the story and the team behind such a magical creation.Most of the exterior shots were shot at Le Trianon resort on the Blue Lake in Upper Lake, California. For a long time now, that venerable storytelling art form — literature — hasn’t been able to do much for me. I had once written, in this very newspaper, that books had given me my longest standing identity: that of a reader. Now I’ll have to say I know myself more (and better) as a multiplex movie-goer and a home theatre DVD watcher.