T TOOYFUL 42cm Porcelain Pierrot Clown Doll Dolls Model Desk Ornament Photo Prop, Gold, as described

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Sansone, Matteo (2017). "Pierrot: a silent witness of changing times". Voyages: Journal of Contemporary Humanism. 6 (winter): unpaginated.

Lithuanian— Lipchitz, Jacques (worked mainly in France and U.S.A.): Pierrot (1909), Detachable Figure (Pierrot) (1915), Pierrot with Clarinet (1919), Seated Pierrot (1922), Pierrot (1925), Pierrot with Clarinet (1926), Pierrot Escapes (1927).

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He appears in forty-nine of the fifty scenarios in Flaminio Scala's Il teatro delle favole rappresentative (1611) and in three of the scenarios in the unpublished "Corsini" collection. Salerno has translated the Scala scenarios; Pandolfi (V, 252–276) has summarized the plots of the "Corsini" pieces. Belgian— Ensor, James: Pierrot and Skeletons (1905), Pierrot and Skeletons (1907), Intrigued Masks (1930); Henrion, Armand: Series of self-portraits as Pierrot (1920s). Nye, Edward (2015-2016): "The romantic myth of Jean-Gaspard Deburau". Nineteenth-century French studies, 44: 1 & 2 (Fall-Winter): 46-64.

Pierrot also appeared in the visual arts and in folksongs (" Au clair de la lune"). [25] The art of Claude Gillot ( Master André's Tomb [c. 1717]), of Gillot's students Watteau ( Italian Actors [c. 1719]) and Nicolas Lancret ( Italian Actors near a Fountain [c. 1719]), of Jean-Baptiste Oudry ( Italian Actors in a Park [c. 1725]), of Philippe Mercier ( Pierrot and Harlequin [n.d.]), and of Jean-Honoré Fragonard ( A Boy as Pierrot [1776–1780]) features him prominently. Nye, Edward (2014): "Jean-Gaspard Deburau: romantic Pierrot". New theatre quarterly, 30:2 (May): 107-119.

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Austrian— Zeisl, Erich: Pierrot in the Bottle: Ballet-Suite (1935; ballet itself [1929] remains unperf.). This section needs additional citations for verification. Please help improve this article by adding citations to reliable sourcesin this section. Unsourced material may be challenged and removed. ( November 2021) ( Learn how and when to remove this template message) Pierrot played a seminal role in the emergence of Modernism in the arts. He was a key figure in every art-form except architecture. Findlater, Richard (1978). Joe Grimaldi, his life and theatre. Cambridge, Eng.: Cambridge University Press. ISBN 0521222214.

Austrian— Eggeler, Stefan: Many works, including "Pierrot's Song of Love and Death" (#1 of Musical Miniatures [1921]), 6 lithographs in 1922 [German] ed. of Arthur Schnitzler's Veil of Pierrette (see above, under Plays, playlets, pantomimes, and revues), The Disappointed Lover (1922), On the Way Home (1922); Geiger, Richard (worked mainly in Hungary): Many works, including Columbine and Pierrot (1920), Duet (c. 1925), Pierrot and Columbine (1937); Kirchner, Raphael: The Loves of Pierrot (c. 1920); Kubin, Alfred: Death of Pierrot (1922); Schiele, Egon: Pierrot (Self-Portrait) (1914). Russian/Soviet— Tolstoy, Aleksey Nicolayevich: The Golden Key, or The Adventures of Buratino (1936; children's book inspired by The Adventures of Pinocchio; basis of several films, including an animated version of 1959 and a live-action version of 1976). Parade (1917)—scenario by Jean Cocteau, music by Eric Satie, choreography by Léonide Massine, set and costumes by Pablo Picasso. Of course, writers from the United States living abroad—especially in Paris or London—were aberrantly susceptible to the charms of the Decadence. Such a figure was Stuart Merrill, who consorted with the French Symbolists and who compiled and translated the pieces in Pastels in Prose. Another was William Theodore Peters, an acquaintance of Ernest Dowson and other members of the Rhymers' Club and a driving force behind the conception and theatrical realization of Dowson's Pierrot of the Minute (1897; see England above). Of the three books that Peters published before his death (of starvation) [76] at the age of forty-two, his Posies out of Rings: And Other Conceits (1896) is most notable here: in it, four poems and an "Epilogue" for the aforementioned Dowson play are devoted to Pierrot. (From the mouth of Pierrot loquitur: "Although this pantomime of life is passing fine,/Who would be happy must not marry Columbine".) [77]Symons, Arthur (1896). "Pierrot in Half-Mourning". Silhouettes; and, London nights (2nded.). London: Leonard Smithers. p.90 . Retrieved 2016-07-01– via Internet Archive. Russian— Blok, Alexander: The Fairground Booth a.k.a. The Puppet Show (1906); Evreinov, Nikolai: A Merry Death (1908), Today's Columbine (1915), The Chief Thing (1921; turned into film, La Comédie du bonheur, in 1940).