The Dead Fathers Club: Matt Haig

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In theory, yes, the author has that ultimate power but with this novel the ending was the only one that fitted, and it dictated itself. It is bleak in some ways, but there is optimism there too. I hope. A beguiling read, filled with warmth and humour, and a vibrant celebration of the power of books to change lives."

In Haig’s magnificent updating of Hamlet, Philip, an English schoolboy, must decide whether to listen to the ghost of his father and to murder the uncle who is making the moves on his mother. . . . Haig’s prose is light and humorous and sprinkled with allusions to the Bard, even as his topic turns dark and menacing. Arsen Kashkashian of The Boulder Book Store, Colorado store (Book Sense) in the Seattle Post The main character walks in on his mother and his uncle doing the jim jam (if you catch my drift) and it is described in horrific unsettling detail. Nothing I would want my kids to read. It’s compelling, ambiguous, and more surprising than you might think. Liz’s favourite, Mystery-Bookstore Philip observes, “If you speak to yourself people think you are mad but if you write the same things they think you are clever.” Discuss examples from life or literature that bear out this observation on the nature of madness and intelligence.PDF / EPUB File Name: The_Dead_Fathers_Club_-_Matt_Haig.pdf, The_Dead_Fathers_Club_-_Matt_Haig.epub This is the story of Phillip, an eleven-year-old boy whose father has just died in a car crash. Soon after, his Uncle Allan starts getting too close to Phillip's mother, just when Phillip's father's ghost starts appearing before him, telling him he must kill his uncle, as he was the one who killed him. His dad, who was killed in a car accident, appears as a bloodstained ghost at his own funeral and introduces Philip to the Dead Fathers Club. The club, whose members were all murdered, gathers outside the Castle and Falcon, the local pub that Philip’s family owns and lives above. Philip learns that the person responsible for his father’s death is his Uncle Alan. When Philip realizes that Uncle Alan has designs on his mom and the family pub, Philip decides that something must be done. But avenging his father’s death is a much bigger job than he anticipated, especially when he is caught up by the usual distractions of childhood—a pretty girl, wayward friends, school bullies, and his own self-doubt. A ghost story with a twist—a suspenseful and poignantly funny update of the Hamlet story. Eleven-year-old Philip Noble has a big problem: His dad, who was killed in a car accident, appears as a bloodstained ghost at his own funeral and introduces Philip to the Dead Fathers Club. The club, whose members were all murdered, gathers outside the Castle and Falcon, the local pub that Philip’s family owns and lives above. Philip’s father tells him that Uncle Alan killed him and he must avenge his death. When Philip realizes that Uncle Alan has designs on his mom and the family pub, Philip decides that something must be done. But it’s a much bigger job than he anticipated, especially when he is caught up by the usual distractions of childhood—a pretty girl, wayward friends, school bullies, and his own self-doubt. The Dead Fathers Club is a riveting, imaginative, and quirky update of Shakespeare’s great tragedy that will establish Matt Haig as a young writer of great talent and imagination. The Dead Fathers Club by Matt Haig – eBook Details It’s a playful manhandling of Hamlet, and it works: The more you read, the more captivating it becomes. Philip is funny, vulnerable and resolute as he tries to shake off his grief and save his beloved dad from the Terrors and his mom from Uncle Alan. We suspect the Bard would be pleased. Anne Stephensen, The Arizona Republic

In Haig’s imaginative, quirky update of “Hamlet,” 11-year-old Philip Noble is asked by his dad’s ghost to avenge his murder by Uncle Alan; but the boy realizes it’s a bigger job than he anticipated, especially when he is caught up by the usual distractions of childhood—girls, bullies, and his own self-doubt. Kay L. Grismer and Angie Tally for The Country Bookshop, Southern Pines, NC Leah confides to Philip that she hates God. By contrast, her father, Mr. Fairview, has turned enthusiastically toward religion after the death of his wife. What commentary does The Dead Fathers Club offer regarding religion, and how does religion influence events and relationships in the novel?What a very unique premise for a book this was. A young boy of eleven loses his father, only to be confronted by his ghost. Ghost Dad tells him that he must get revenge for his father's death, and haunts the boy until he starts getting himself into trouble. Of course, nobody else knows his dad is still around. It's hard to review this without giving the whole story away, but I don't want to start telling the whole story as I don't want to ruin it for anyone else! Dad’s ghost” appears to Philip Noble, not on the battlements at Elsinore, but at the family-operated Castle and Falcon Pub, where mourners gather following his funeral. The spirit explains that his apparently accidental death in a car crash was in fact engineered by Philip’s paternal Uncle Alan, an auto-dealer who has designs on Philip’s now conveniently widowed Mum. Dad’s ghost also explains the unhappy fellowship of the title group, whose members hover, unavenged and restless, between the dead and the living—while spurring the reluctant Philip to action, evoking from the boy reactions that astound his family, teachers and schoolmates, and even the forthright older girl (Leah), who matter-of-factly declares him her boyfriend. An act of violence (though not the one intended) ensues, and the embattled Philip—whose unpunctuated, edgy narration is an utter delight—even does some hasty growing up. Haig rather overworks the pattern of carefully spaced allusions to Hamlet (e.g., mischief-making tins Ross and Gary; pronouncing the wonderfully slimy Uncle Alan a “smiling damned villain”). But there are nice characterizations of Philip’s Mum (so needing to be loved that she’s blind to her brother-in-law’s stratagems) and his sympathetic teacher Mrs. Fell, whose practiced niceness does not cloud her keen understanding of boyish bravado and secrecy. The author also makes effective use of the image of Hadrian’s Wall (which occasions a class trip and essay subject) and to its reputation as a barrier between civilization and savagery. As such, it also embodies Philip’s quite credible vacillations between obedience and moral choice.