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Thelma & Louise - Germany

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Sawyers, June (July 7, 1991). "Callie Khouri Answers Critics of 'Thelma and Louise' ". Features. Chicago Tribune. Archived from the original on July 9, 2012 . Retrieved July 7, 2018.

Obviously, I was thrilled when Geena and Susan were cast. From the first conversation that Geena and I had, I knew she was just gonna nail it. She just saw a really clear picture, she really knew the movie we were making. I had been wanting Michael Madsen, who I thought he would be so great for the boyfriend, and I was very happy that that happened. Brad (Pitt, in an early breakout role) was the very last person to be cast. We’d had a really hard time finding anybody, and then he just walked in out of the rain and, you know, stole the show. He’s gone on to do OK for himself.” Valentine, Genevieve (July 2, 2017). "How Thelma & Louise Drove Hollywood 'Off The Cliff' ". NPR. Archived from the original on August 26, 2018 . Retrieved August 25, 2018. Carlson, Margaret (June 24, 1991). "Is This What Feminism Is All About?". Time. Archived from the original on July 7, 2018 . Retrieved July 7, 2018. Sturken, Marita (2000). Thelma and Louise. London: British Film Institute. p.11. ISBN 0-85170-809-9.Rich, B. Ruby (February 18, 2003). "Two for the Road". The Advocate. pp.48–49. Archived from the original on August 19, 2020 . Retrieved July 7, 2018.

Dunne, Michael (2001). Intertextual Encounters in American Fiction, Film, and Popular Culture. Bowling Green State University Popular Press. p.89. ISBN 0-87972-848-5. Fournier, Gina (2007). Thelma & Louise and Women in Hollywood. McFarland & Company. ISBN 9780786423132. Archived from the original on August 19, 2020 . Retrieved July 7, 2018. Awards Winners". wga.org. Writers Guild of America. Archived from the original on December 5, 2012 . Retrieved June 6, 2010.

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Meyer, Dan (January 23, 2021). "Thelma and Louise Musical in the Works From Screenwriter Callie Khouri". Playbill . Retrieved October 22, 2023. The film also received harsh criticism from those who thought it was biased against men and that its depictions of men were unfairly negative. [31] [32] The following morning, they discover J.D. has stolen Louise's savings and fled. Louise is distraught, so a guilty Thelma takes charge and later robs a nearby convenience store using tactics she learned from J.D. Meanwhile, the FBI closes in on them after witnesses at the bar identify Louise's 1966 Ford Thunderbird convertible. Their whereabouts are also questioned by the owner of the fishing cabin after they fail to arrive. Thelma & Louise is a 1991 American film directed by Ridley Scott and written by Callie Khouri. The film has elements of multiple genres and has been described as a drama, adventure or road movie [1] with elements of a romantic comedy. [3]

Writers Guild of America West. "101 Greatest Screenplays". Writers Guild of America West. Archived from the original on November 22, 2016 . Retrieved July 7, 2018. Benson, Sheila (May 31, 1991). "True or False: Thelma & Louise Just Good Ol' Boys?: For all its craftsmanship, the Ridley Scott film is just a high-toned 'Smokey and the Bandit' with a downbeat ending and a woman at the wheel". Los Angeles Times . Retrieved July 29, 2022. Documentary featuring Davis; Khouri; Sarandon; Scott; actors Michael Madsen, Christopher McDonald, and Brad Pitt; and other members of the cast and crew Hutchinson, Pamela (May 24, 2021). "Thelma & Louise: The film that gave women firepower, desire and complex inner lives". The Independent . Retrieved January 29, 2023. Perry, Kevin (October 22, 2022). " 'I was screwing up his audition': Geena Davis on the moment she knew Brad Pitt was perfect for Thelma & Louise". The Independent . Retrieved October 22, 2022.

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Callie Khouri: “ Thelma & Louise was a movie I was making because, one, I had never seen a movie that made me feel good about the way the women were represented, and two, it was speaking to issues that were important to me. Not that I was really thinking of it in terms of issues, it was more about (asking myself), ‘Well, let’s just see what the reality would be if these things were to happen. If two women were to do what they did, how would it be perceived?’ I don’t think I realised (how the film would resonate with people), I just knew it was the film I knew I really wanted to see.” Thelma & Louise premiered in the Cannes Film Festival on May 20, 1991, before being released theatrically in the United States on May 24. It later became a critical and commercial success, receiving six Academy Award nominations and winning for Best Original Screenplay. Scott was nominated for Best Director, and both Sarandon and Davis were nominated for Best Actress. To date, this is the most recent film to have two actors nominated in the same category for either Best Actor or Best Actress. It influenced other films and artistic works and became a landmark of feminist film.

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