Face

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The book is set in a fairly ethnically-diverse area of London and—before his accident—Martin is relatively prejudiced towards the majority of people who are different to him. As a white male, Martin had not really come across any level of adversity in his life until he was scarred, but after he finds life more challenging. His friends begin to drift away from him, his girlfriend leaves him and, generally, people start treating him differently because of the way he looks with the burns.

The other characters are additionally well written - with their portrayals remaining relatable throughout, thanks to Zephaniah's realistic youth dialogue. Fleshing out a very clear world these young characters live in, with the change in dialogue between speaking with their child counterparts and adults conveying an accurate fictional narrative, within a non-fictional setting.

The Sydney Morning Herald

Well, there is a story in Holes (published 1998) by Louis Sachar where someone carries a pig up a mountain. which was a big thing that irked me with tpw. people would make criticisms of rfk's narrative choices and plot points and the response would be ‘well, rin is an unreliable narrator!’ yes, but there is such thing as framing and context which are important things to consider when trying to figure out what an author actually is saying, intentionally or not. but anyways.)

it's now 2023. in short, the ending is less a bang, and more of a whimper. rfk rules out a geoff-style ending for june, someone who disappears quietly from public memory after the scandal and becomes old news. she's too attached to athena's image. this is the right choice--june is too much of a villain-protagonist to get an unearned, 'soft' ending at the end of this. but then the 'crash-and-burn' ending needed to be a lot more to be satisfying for me. we get hallucinations, suicidal ideation, her isolating herself from her support network, all of this building and building and building--and then it goes...I did like his friends from after the accident the Jamaican sisters and Anthony. I thought that they were interesting and unique characters and I would have loved to learn more about them. this may not bother other readers, but i can’t help but side-eye it. she gets around it by having these criticisms be made by mouthpieces—that’s another thing about yellowface, by the way. so many mouthpieces. i don’t think this is a book where readers will get very attached to the characters, not just because the mc is an unreliable narrator, but because yellowface is more of a book where characters are tools that represent different things and perspectives and are meant to be grimly watched, observed and laughed at from above. which is mostly fun, until you start to distinguish between rfk’s mouthpieces a bit: which ones she represents more flatly and more caricatured, and the one she gives more nuanced paragraphs to, from under which i think I can make out the haze of her opinions. and i’m not fond of them all the time.

The main character is a depiction of mild mannered racist individuals who shroud themselves in acceptance as long as it doesn't affect them and balk at the idea of racism until directly faced with equality and the loss of superiority it gives them. Discover creators, small businesses and communities who can help you dive deeper into the things you care about with some personal favourites like ‘the plot,’ ‘a ladder to the sky,’ and ‘kill all your darlings,’ im no stranger to a plot about plagiarism. but what makes this book stand out from the others is its hard hitting commentary about the publishing world. What a choice to have the main narrative voice be the plagiarizer (and in first person at that). Both Athena and June are awful people, and I love that neither of them is a saint, but reading the entire thing from June's pov? Insane. She's a frustrating character, not gonna lie, but she's also deliciously realistic as a two-faced, self-absorbed and dishonest manipulator that always has an excuse ready. She goes out of her way to say to the reader that she wants to do something for poc every chance she gets, but the reality is that she's a bitch trying to profit from it all in an industry that lets her do it. Sometimes it's subtle, sometimes it's not too difficult to miss her slipping into a plain wrong mentality and lol, basic whiteness. You think you're safe as the external reader? Not a chance. I'm not proud to say I fell straight into R.F. Kuang's trap, because was I seriously rooting for such a cheater the entire time? This book brainwashed me into supporting someone who stole a whole manuscript immediately after witnessing the author's death and reaching stardom by publishing it as her own. I got to the point where I was scared she was going to get caught and hoped she would get out of it unscathed. My brain ignored all the red flags and procedeed to scam me until the very end. I mean, of course I ended up wishing she would kill someone to shut them up. Of course I got second-hand anxiety from her messing up with her publishing team and at her events. Of course I cared about her mental health. Am I okay or what? Is it time for me to get theraphy too?

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This book takes Babel and continues to flip the script. June Hayward, a white American woman struggling to become an author, is frenemies with Athena Liu, publishing darling. June continues to state time and time again that Athena is only famous because she is a minority. How many times have we heard this? Do you know what it's like to pitch a book and be told they already have an Asian writer? That they can't put out two minority stories in the same season? That Athena Liu already exists, so you're redundant?’ Kuang unravels layers of our characters’ histories, complicating the narrative and forcing us to ask: “Who can claim literary authorship over our story?” Face was written by Benjamin Zephaniah in 1999, and was his first novel after he gained notoriety as a poet. It follows teenage Martin on his journey of self-discovery after a serious accident leaves him severely burnt across his body, but mostly on his face. The first problem I had was with Martin and his two friends called Matthew and Mark, it took me until the accident to be able to differentiate between the two of them and at that point they became much small characters. While they seemed like they could have been more interesting it also seemed as though they were assigned one character trait and that was the whole basis of who they were. Little depth was given to them.