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Against All Gods: the epic conclusion to the WHO LET THE GODS OUT series: Who Let the Gods Out? 4

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You have got to be kidding me.’ Elliot Hooper let out a deep sigh. Another way to die horribly. It must be Friday. Special note: I thoroughly enjoyed reading about the loving, polygamous lifestyle of the Harkans, and about the inscrutable “Dry One” who the human crew encounters. The Dry Ones are feared and hated monsters, but the one the protagonists encounter seems to indicate potential for otherwise.

The Age of Bronze Series by Miles Cameron - Goodreads

A conspiracy to reach the heavens, and take down the corrupt and aging gods . . . who are already facing troubles of their own . . .But most of Enkul-Anu’s headaches are about to come of the human variety, in largely the form of the following players: So Enkul-Anu is cagey, suspicious of everyone, fearing of being toppled in turn. He keeps the humans harshly in line, through pure fear of his retribution. He does the same with his entire court of gods, including his offspring and consorts. He watches for any signs of insurrection amongst the gods and goddesses, ready to crush it. He also keeps an eye on some of the survivors from the Old Gods, whom he considers “The Enemy.” Chief among them, Temis and Tyka. Enkul-Anu is also concerned that his senior gods have gotten distracted, old and useless, and the younger ones are plotting, incompetent, and flighty. Zos, a veteran mercenary, who is also a daring bull-leaper, is given a suicide mission by his masters, and the cynical warrior might be becoming tired enough of life to not care.

Against All Gods • Christian Cameron

Utterly, utterly brilliant. A masterclass in how to write modern fantasy - world building, characters, plot and pacing, all perfectly blended. Miles Cameron is at the top of his game' John Gwynne, author of The Faithful and the Fallen series A vibrant and powerful epic set against an alternate Bronze Age, this tale of gods, men and monsters, conspiracy and war, is a rich, compelling and original read from a master of the historical and fantasy genres. The people caught up in toils of the gods are merely trying to survive. Victims of vicious whims, trapped by their circumstances or pushed beyond what the mortal frame can bear, a handful of god-touched mortals – a scribe, a warlord, a dancer and a child – are about to be brought together in a conspiracy of their own. For me, every book begins with the characters, and the characters in this book were absolutely fabulous. While this book is sometimes zany, often irreverant, the themes Cameron explores are very dire, including canibalism, ritual human sacrifice, slavery, betrayal, unmitigated greed, torture, sexual assault and murder, to name a few, so reader be warned. As expected with a writing master such as Cameron, these themes are handled with aplomb, dark humour, and a glimmer of real hope. I fear a “here’s the new boss, same as the old boss” outcome, if any of the humans manage to remain alive by the end of the series. Because, as we have learned throughout history, absolute power can corrupt absolutely (or “eternally” as the cover of the book notes), as the saying goes.The world-building was incredible, inspired by ancient Greek mythology, filled with magic, mythical creatures and diverse races, lofty temples, and sword and sandal heroes. Bronze age technology, marauding cannibalistic tribes, horrifying monsters, half-god / half-human offspring of the gods, indiscriminate liaisons with mortals running rampant, and hey – A REALLY DANGEROUS DRAGON, what more could you want? Literate, intelligent, and well-throughout . . . a pleasingly complex and greatly satisfying novel' SFF World on The Red Knight

Against All Gods by Miles Cameron | Waterstones

The humans, who Cameron clearly identifies as the protagonists, are also really humorous. But they also have heart, complex motivations, and most are at least somewhat morally grey, save for the Harkans, who I found to be very noble overall. Era was my favourite: uncompromisingly proud of and comfortable with her sexuality, resourceful, tough, full of life, lust, and the kind of friend you want in your corner. Zos’ combination of charisma, world-weary skepticism, and bravado, made for a really dynamic character as well. The odd little boy Daos, and his relationship with his foster mother, Era, will melt your heart, and Cameron will also force you to care, a lot, about the donkey!There’s a real feel of the classic fantasy ensemble story, but with a fresh and engaging perspective on the genre which blends mythology, historical accuracy and a modern tone of voice. Mortals curse the gods, gods curse the ineptitude of other gods, and it’s all very mythological except it’s delivered in deadpan modern vernacular which somehow feels totally appropriate and often drily funny. Cameron’s deep love and knowledge of Bronze Age Greece comes through in incredibly detailed and utterly absorbing world building (everything from writing and cooking to sailing and fighting just feels so believable, a clear sign of a writer who genuinely understands this time period), tied together in a fascinating blend of historical fiction and fantasy. Cameron doesn’t pull any punches either, portraying the hardships of life in this sort of period in blunt, often gruesome detail – violence, slavery, death, human sacrifice, it’s all here, but balanced out by compassion and understanding too.

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