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The photos from the daylight venture to the market were not as successful.While a couple were ok, the white in the sky is quite awful.This film does not handle overexposure very well.Where it was a bit darker though, it had a nice neutral look to it. Olympus OM-1 with F-Zuiko Auto-S 50mm f/1.8 and Fujifilm Superia 400. Over-exposed by about 1 stop. Inverted by hand with no adjustments. Where to buy Fujifilm Superia X-Tra and how much does it cost.
Fujifilm X100V Film Simulation Recipe: Fujicolor Superia 1600 Fujifilm X100V Film Simulation Recipe: Fujicolor Superia 1600
It might be hard to see, but with Portra 400 on the left, the overexposed areas aren’t as ‘blown out’ as they are with the Fuji on the right. Also, the Portra retains a bit more of the shadows than the Fuji does. No processing means the elimination of processing chemicals and the associated costs, saving the customer significant time and money – all without compromise in quality. Compatible with most thermal platesetters, Fujifilm’s SUPERIA Ecomaxx-T is a non-ablative plate that carries a latent image with distinct contrast, allowing for simple inspection after imaging. As much as Fujifilm is not liked by a number of film shooters, they are respected for their sound business modelling and ability to make decisions that benefit their shareholders. I’ve tweaked this recipe to my liking, I’ve explained the changes and the reasons behind them here: https://nicolas.petton.fr/blog/superia-like-recipe.htmlKodak Portra 400 is undeniably better but Fuji Superia is really good for what it is. What Are They Best For? The Superia line was introduced in 1998 , long before the Fujifilm axe began to swing for all but the most popular films the brand was making. It was a successor to the Fujicolor Super G “Plus” line that used Fuji’s branded Real-Tone and Emulsion Layer Stabilizing tech ( source ). All of that was aimed at improving colour reproduction, sharpness, and dynamic range. Superia does the same things but in a different way: The results when I scanned the film on return from the lab were quite interesting.Firstly, the film being expired and having been left in the camera for an extended period didn’t seem to have impacted the quality. Konica Big Mini BM-302 and Fujifilm Superia 400. Inverted by hand with no adjustments. A brief history of the Fujifilm Superia film line and the technology behind it.
Fujifilm Superia X-Tra - 35mm Film - Analogue Wonderland Fujifilm Superia X-Tra - 35mm Film - Analogue Wonderland
OK skin color, but do not hesitate to use it for portrait. I tried indoors, outdoors, dawn, dusk time and the result are all good. Learn or discover a new technique, build on your skills, or be inspired to have a go at a bit of DIY. Read more... Their precision beats and the serious demeanor with which they drummed was mesmerizing, and the crowd’s attention was firmly fixed on the line of drummers instead of the fact that we were getting scored on. The floodlights of the stadium served to illuminate them perfectly. I pushed my way to the front of the crowd and snapped only one picture of the scene, trusting my FG’s program mode to pull through. I followed that up with using it in daylight, albeit cloudy, with a visit to a local Sunday market a few days later.It was a bit of challenge in the brighter light, but it gave me a chance to try it out.
Superia is more worth it because at the time of writing it is a good bit cheaper. Is it worth using it on holiday? Probably. Is it worth using it for some semi-important portraits? Probably also. Perhaps you can see in the bottom right-hand corner, there is some browny/yellow brush which seems more saturated in the Superia image than in the Portra image. Fujifilm Superia is very much like many other negative films out there. Especially in the case of the case of the 1600 film, you’re best off giving it more light than it’s rated for. In some cases, I’d rate Fujifilm Superia 200 at ISO 100 and then develop it at ISO 200. Fujifilm Superia is available only in 35mm emulsions now unfortunately, so you’re not going to get the incredibly awesome quality that you typically get with 120. However, the images you get with 35mm will perhaps be more personal and meaningful as the small format lends itself to ease of use in terms of exposures.
Plates - Thermal | Fujifilm [United States] Plates - Thermal | Fujifilm [United States]
For some reason, I never liked Fujifilm. Hence, in general I don’t care much about their product range, except when Fuji also decided to discontinue polaroid film.For this wonderful series of portraits, photographer Alessandro Scepi used the Petzval 80.5 f/1.9 MKII Art Lens for the first time combined with a Color Negative 400 film. 1 5 Share Tweet Next you’ll do the same with contrast straight off a scan. For me, I actually prefer not very much contrast as I only scan, never enlarge, so I like fine tuning contrast in LR after I’ve scanned. Every time I do these comparisons I get traditionalists who are upset that I focus so much attention on scanning. To you folks, I would remind you that the same things that make a negative good for printmaking are also good things for scanning and just because I don’t go through the full enlarging process here doesn’t make this study less valid, even for folks who do. Physical robustness is not the only strength of Superia ZD, it also has excellent solvent resistance so can be used with conventional and new generation UV inks. This film controls noise very well and is perhaps the smoothest of the films we’ve been comparing. It retains a lots of details in the shadows. Ektar has less exposure latitude than other color negative films, and when shot indoors it is better to shoot it as 32 ISO film. Fujifilm Superia X-TRA 400, as the name suggests has a medium speed of 400, meaning it is suitable for fast shutter speeds and has a wide exposure latitude, which allows for some flexibility in lower light conditions.
Why Fujifilm Superia 400 Should be Every Shooters First Film Why Fujifilm Superia 400 Should be Every Shooters First Film
So, will I use this film again? Of course, as I bought two more rolls of it. Joking aside, Fuji Superia gave me pleasing results, so I will probably use it again from time to time. Fujifilm Superia is fantastic for candid, everyday photography. However, I wouldn’t necessarily put it past someone to create great portraits with it. Though for what it’s worth, with the right lighting anything can work just swimmingly. But if I had to pool my network of photographers available to me at any moment of any day, I’d honestly say that the majority of people who use Fujifilm Superia are street photographers. Why? Well, it’s got a pretty nice look to it and it’s a very affordable film. In fact, I wonder why Fujifilm hasn’t tried to emulate the look in it’s X series cameras. I figure that it’s only a matter of time until we get it and perhaps the look of Instax since their cameras can wirelessly connect to the Fujifilm Instax printer. Fujifilm Superia would be an incredibly accurate film to replicate given that it is available in so many different ISO speeds. I wonder if you think the new Classic Neg FujiFilm Simulation to be an even better (to life) choice. Not that there is any need for true renditions in photography. Hi Ritchie! Thank you for your beautiful and useful receipes. I just bought a x100V and I love this Superia 100! Chinatown from the Manhattan Bridge in New York. Shot using Fujifilm Superia X-TRA 400 on a Canon EOS 5 (Image credit: Gareth Bevan) Fujifilm Superia X-TRA 400 Sample images
Olympus OM-1 with F-Zuiko Auto-S 50mm f/1.8 and Fujifilm Superia 400. I used Sunny 16 to meter for this shot. Over-exposing Superia X-Tra. Since 1976, we have developed literally millions of rolls of film with experienced lab professionals and film enthusiasts. Driving across Iceland's volcanic landscape. Fujifilm Superia X-TRA 400 on Canon EOS 5. (Image credit: Gareth Bevan) You might also like The film has a medium contrast and saturation, although in many shots the colors came out to be quite muted when scanned. Superia X-TRA 400 has generally cooler tones than Kodak, with more of a focus on blue highlights. If you’re still reading, I’ll assume you’ve gone through and rated the photos. And if that’s the case, it’s now time for the big reveal. Here are the names of the emulsions assigned to each letter:
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