Midnight Cowboy: Music From The Motion Picture

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Scoring Bond was the turning point for Barry. He went on to become one of the most celebrated film composers, winning five Academy Awards and four Grammys, with scores for, among others, The Lion in Winter - pictured, Midnight Cowboy, Born Free, and Somewhere in Time. Awards Winners". Writers Guild of America. Archived from the original on 2012-12-05 . Retrieved 2010-06-06. Barry composed the theme for the 1971 TV series, The Persuaders! in which Tony Curtis and Roger Moore were paired as wealthy playboys investigating crimes that the police can't solve. Barry's theme which featured Moog synthesizers became a hit single in some European countries. John Barry, the compose was my cousin.. I am Boston born. Sure would have liked to have met the musical genius Barry.

Heylin, Clinton (1991). Dylan: Behind The Shades: The Biography. New York: Viking Books. p.193. ISBN 978-0-6708-36024.The first song, “Everybody’s Talkin’,” almost didn't make it into the movie, had Bob Dylan's "Lay Lady Lay" been available. But Dylan was unable to write his tune in time therefore "Everybody's Talkin'" made the cut, and I think the movie is all the better for it. It was written by Fred Neil and sung by Harry Nilsson, at the time an up-and-coming performer—this song would make him a star. The song has a slow, relaxed feel about it but buried underneath lies a restlessness that can only be soothed by a change of scenery. Johnny Mathis' rendition, one of only two known recordings containing lyrics (the other being the Ray Conniff Singers), reached #20 on the U.S. Adult Contemporary chart in the fall of 1969. One month earlier on November 1st, 1969 it entered Billboard's Hot Top 100 chart; eventually it peaked at #10 and spent 15 weeks on the Top 100...

Upon initial review by the Motion Picture Association of America, Midnight Cowboy received a "Restricted" ("R") rating. However, after consulting with a psychologist, executives at United Artists were told to accept an "X" rating, due to the "homosexual frame of reference" and its "possible influence upon youngsters". The film was released with an X rating. [1] The MPAA later broadened the requirements for the "R" rating to allow more content and raised the age restriction from fourteen to seventeen and above. The film was later rated "R" for a reissue in 1971. [1] [22] Monaco, Paul (2001). History of the American Cinema: 1960–1969. The Sixties. Vol.8. New York: Charles Scribner's Sons. p.166. ISBN 9780520238046. Midnight Cowboy (1969)". IMDb. 25 May 1969. Archived from the original on March 16, 2014 . Retrieved March 14, 2014.

John Barry was one of the all-time great masters of movie music. His career spanned some 50 years - from Midnight Cowboy and Born Free to Dances with Wolves and Out of Africa - taking in 11 James Bond films along the way. The five-times Oscar winner was born in York on 3 November 1933. The musical score of Midnight Cowboy presented a new concept, widely used in the last decades, but not in the late sixties—a combination of songs and original music wisely developed into a perfect underscore. Renowned British composer John Barry, who had already won three Oscars in 1969, appeared under the credit of "Music Supervisor," but also composed a series of original cues and supervised the entire musical concept of the film, along with legendary American producer Phil Ramone. Blake Gopnik, Warhol: A Life as Art London: Allen Lane. March 5, 2020. ISBN 978-0-241-00338-1 p. 629 At the 42nd Academy Awards, the film won three awards: Best Picture, Best Director and Best Adapted Screenplay. Midnight Cowboy is the only X-rated film ever to win Best Picture. [3] [4] It has since been placed 36th on the American Film Institute's list of the 100 greatest American films of all time, and 43rd on its 2007 updated version. Quartet Records, in collaboration with Metro-Goldwyn-Mayer, Capitol Records, Universal Music Enterprises and the Phil Ramone estate, present an expanded 2-CD edition of the iconic score for the landmark film MIDNIGHT COWBOY, directed by John Schlesinger in 1969, starring Dustin Hoffman and Jon Voight, and winner of three Academy Awards, including Best Picture.