Stranger Things: The Ultimate Pop-Up Book

Product Information

It was an amazing experience. I traveled a long distance by road & glad the experience was worth it. I’ve already recommended it to friends & family, a must experience for any stranger things fan. While working with the Sabuda Brand I helped design and engineer a limited edition interactive pop-up phone box for Google-Motorola. Working with illustrator Jon Klassen, we created a one of a kind user experience.

This highly collectible, limited-edition pop-up book is a work of art in itself, rendering Daniel Gordon’s sculptural forms into a new layer of materiality and animating them in Simon Arizpe’s pop-up performance. The book consists of six works in pop-up form, some featuring simple plants, others unfolding more elaborate tableaux.” Funko Texas Chainsaw Massacre: Slaughterhouse Board Game Brings Leatherface And The Sawyer Cannibals To The Tabletop The venue is extremely well-done! Everything — from the music, to the lighting and acting of the characters — ensures a deep dive into the Stranger Things series, and you feel like you’re a part of it. Sadly, you won’t able to get your fix within the coming days, as the book won’t actually be hitting shelves until August 30. In the meantime, the fourth season is still fresh enough that you can probably rewatch it in a couple of weeks and still be entertained while you wait. That… or you can try to find something else to watch with that Netflix subscription, which would probably be a good idea. Simon Arizpe, Author: Simon Arizpe is an award winning pop-up book paper engineer and illustrator based in Brooklyn, NY. His work has received the 2018-2019 Meggendorfer Prize, the highest honor in pop-up book design, as well as the Award of Excellence from the Society of Illustrators. The Smithsonian’s Cooper-Hewitt Design Museum and the Columbia University’s Rare Book Library have acquired his work for their permanent collections.Embark on an explosive 3D journey through the world of Netflix’s hit series Stranger Things with the only officially licensed Stranger Things pop-up book. Matthew Reinhart, Creative Director: Matthew Reinhart studied industrial design at the Pratt Institute in Brooklyn, New York, before finding his calling as a paper engineer. His books include the best-selling Star Wars: A Pop-Up Guide to the Galaxy, Game of Thrones: A Pop-Up Guide to Westeros, and DC Super Heroes: The Ultimate Pop-Up Book, among many other award-winning titles. He lives in San Francisco. Note: We do not tolerate Touching / Fighting / Taunting / Threatening Remarks or Gestures towards cast members. This book is an all-in-one kit for a complete origami metropolis: 75 realistic pieces to fold with step-by-step instructions; an illustrated paper play mat; and over 200 sheets of preprinted origami paper with numbers and lines for folding. The models—houses, office buildings, cars, emergency and construction vehicles, an airport, even dogs and squirrels to run in the parks—are meticulously detailed in this unique book.

This experience is recommended for ages 13+. All minors must be accompanied by a parent or legal guardian. Due to the nature of the experience and special effects, children under 5 will not be admitted.Absolutely amazing! So we weren’t sure the actual experience part would be our cup of tea but it was really good! And just got better & better! The ending was awesome & the mixtape was amazing! IMMERSIVE FORMAT:Dynamic 360-format allows participation from all sides, while interactive flaps and pull tabs reveal hidden surprises throughout the book. If it's in a word or it's in a book, you can't escape the Babadook" Is the first line of the chilling pop-up book at the center of the critcally aclamied 2014 Australian horror film. An inside look at the organizers and artists on the front lines of political mobilization and social change Paper engineer Simon Arizpe has produced magnificent creations that extend the boundaries of what a pop-up book can be expected to contain. He has shaped Rahmanian’s images into objects, sharp to the touch and vividly fragile. The result draws attention to the book as object. In a culture of mass-produced reading, Zahhak demands care, attention, and protection." -The New York Journal of Books