The New York Trilogy

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Chenetier, Marc. 1995. Paul Auster’s pseudonymous world. In Beyond the red notebook: Essays on Paul Auster, ed. Dennis Barone, 34–43. Philadelphia: University of Pennsylvania.

The next Friday, when it was still light, I was surprised to see Sophie Fanshawe visit the man, who by now I inferred was a writer, despite how little writing he seemed to be doing, even compared with the amount entailed in the reports I had committed to. To the Lighthouse by Virginia Woolf. One of the most beautiful and shattering novels I’ve read in my life. Qué lectura tan amena, tan rápida (estoy sacando los días en que tuve que dejarlo por los estudios) y tan conflictiva. Estas tres novelas me parecieron más una forma de problematizar la identidad y la literatura antes que un homenaje a New York a través de la escritura. Si la ciudad puede considerarse como un espacio inquietante y en movimiento, entonces New York es un claro ejemplo. Y Paul Auster aprovecha esa vorágine para mostrar también cómo allí nadie es quien dice ser: las personas roban identidades ajenas, las absorben, las transforman, las viven. Haré un breve comentario sin spoilers de las tres novelas. This statement is part of an almost Nabokovian game, because we readers know and understand that the whole novel is make-believe.Canjuers, Pierre, and Guy Debord. 2006. Preliminaries Toward Defining a Unitary Revolutionary Program. In Situationist International Anthology, ed. Ken Knabb, 387–393. Berkeley: Bureau of Public Secrets. Original edition, 1981. This book is a particular kind of great. It's unique in my view, but that's not saying much because my basis for comparison is rather small, so let me elaborate.

Marcus, Laura. 2003. Detection and Literary Fiction. In The Cambridge Companion to Crime Fiction, ed. Martin Priestman, 245–267. Cambridge: Cambridge University Press.IBS: More so than The Invention of Solitude, I think, even if it also invites a great deal of reflection. Bilton, Alan. 2002. An Introduction to Contemporary American Fiction. Edinburgh: Edinburgh University Press. In a weird way and it’s a system I developed over many years. The books are scattered all over the house. So in the downstairs guest room I have all my books about sports, all my crime novels and all my film books and also Judaica. I thought all these books would be really interesting to anyone staying the night here. Upstairs in the big room we call the library, we have only literature. Art books are along one wall. But I did the literature chronologically. It starts with Gilgamesh and then on through the ancient Greeks, the Romans, the middle ages, and then each of these is divided by country. Then upstairs we have another library and that is Siri’s room and it’s all the philosophy and psychology books. We are overwhelmed with books. We keep giving away hundreds of them and it never makes a dent. Leuenberger, Susanne. "Kosmonaut der Mikrotöne". bka.ch (in Swiss High German) . Retrieved September 1, 2022. It was a wrong number that started it, the telephone ringing three times in the dead of night, and the voice on the other end asking for someone he was not....