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The beginning of the novel, when Bond is captured and Mr Big’s henchman, Teehee, breaks Bond’s finger, makes me sweat when I read it. There are, however, parts of the book which I would not write myself, which we would feel uncomfortable reading.” Horowitz says he sees no need to prune out the uncomfortable bits from the legacy sequel as it is not the way he thinks. Alex Rider is now in its second season based on Eagle Strike adapted by Guy Burt with Otto Farrant returning to play the titular character. There is also Toby Stevens playing the chief antagonist. “I know the first season was popular in India.” Forever Bond
The snippets of life in the publishing world, even if the meeting at the “surprisingly shabby and unattractive” offices of Penguin Random House didn’t have the glamour of the meeting with Spielberg in an earlier novel! I did love Horowitz’ own puzzlement – which mirrored my own – at the possibility of coming up with a series of titles combining grammar and death! What might be next? The Verb Is Finite? The Modifier Is Dangling? The novel brings together a small cast of writers with their own secrets and histories, including a blind psychic, an unhealthy chef, a children’s author, a local war historian and a French performance poet. A somewhat eclectic mix and Horowitz places this motley crew in an isolated location which is itself riven with political tension as a plan to run an electrical power line through the island to connect France and England. The sponsor of the festival – spinthewheel.com, an online casino – is owned by Charles le Mesurier one of whose employees is one Derek Abbott, the alleged paedophile who Hawthorne allegedly threw down a flight of stairs, an action which led to his leaving the police. The sequence at the end of Live and Let Die (1954) when Bond is dragged over the coral reef is brilliant, says Horowitz. With a Mind to Kill , Horowitz’s new James Bond novel, is expected in May 2022. “I cannot give anything away because they will be unhappy with me ( laughs ). I will say I was thrilled to be asked to return for the third time. This book is part of a trilogy following Trigger Mortis (2015) and Forever and a Day (2018). It is a quieter book compared to the other two.”Insisting he loves all his writing, Horowitz admits a partiality for the Alex Rider books, which has helped a whole generation find literature, books and reading.
This is a worthy addition to this highly addictive series, and I can't wait to begin the next installment.' There is a running joke about titles in the novels with Hawthorne suggesting ‘Hawthorne Investigates’, and dismissing The Word is Murder as “too poncy”. “I am trying for a literary twist to the titles. The first was The Word is Murder and the second The Sentence is Death . I have painted myself into a corner because you run out of grammatical phrases for a murder story, so perhaps it was a mistake to keep trying to make some kind of allusion to writing.”
A Line to Kill
I’ve really enjoyed Horowitz’ crime capers in the past as he has played with the form: the Susan Ryeland series ( Magpie Murders and Moonflower Murders) which interpose Atticus Pund’s fiction-within-a-fiction detective story within Ryeland’s own investigations; and the Hawthorne and Horowitz Mysteries ( The Word is Murderand The Sentence is Death) where our author guest stars as himself tagging along with the erstwhile Detective Daniel Hawthorne. Let’s be honest, these are not series which are going to win literary prizes, but they are well crafted and fun who-dunnits which also offer a sneak into the literary and publishing world. Writing is never difficult for me. James Bond is perhaps the biggest challenge to write because I’m working in the shadow of Ian Fleming and there is so much research to do to get it right and to get the correct tone of voice. I find the process of writing one of immersion and absorption.” A Line to Kill was a very clever, suspenseful and compelling murder mystery that I thoroughly enjoyed ' A Line to Kill,” Anthony Horowitz’s third murder mystery pairing a stand-in for himself (a veteran English novelist and screenwriter) with ex-police detective Daniel Hawthorne, takes place mostly at a literary festival on tiny Alderney, one of the Channel Islands. “There’s never been a murder on Alderney,” more than one resident tells Hawthorne and Horowitz. But that’s about to change. And A Line to Kill– the third installment of the Hawthorne and Horowitz series – is just that: all the joy and entertainment of a Sunday night cosy detective show.
A Line to Kill is set just before the publication of The Word is Murder (the first in the series) and opens with Hawthorne and Horowitz being invited to speak at a literary festival on the tiny Channel Island of Alderney. Alderney is only three square miles in size, home to about 2,000 people, and has never had a murder… until the detective duo arrives. The novel is very much an homage to Agatha Christie, particularly the later Poirot novels, and she is mentioned both explicitly and implicitly, for example in a chapter title. Following Christie, Horowitz spends nearly a third of the narrative setting the scene for the murder: a small literary festival on a tiny island establishes a limited pool of suspects in a convincing manner; tensions concerning the construction of a Normandy-Alderney-Britain power line disturb the peace of an otherwise idyllic community; and a suitably obnoxious murder victim is presented in the form of Charles le Mesurier.Very soon they discover that not all is as it should be. Alderney is in turmoil over a planned power line that will cut through it, desecrating a war cemetery and turning neighbour against neighbour.
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