Halloween Ends [2022] [2023] [Region Free]

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and yet upon release, the howls of derision that greeted the film from the most ardent sections of Halloween fandom (full disclosure: myself included) let Blumhouse (the film’s producers), Green and Curtis know that they had singularly failed to deliver on any of their hype or on their promises. No Place Like Haddonfield (2160p/Dolby Vision, 7:49): Exploring how this film looks at some of the nooks and crannies around If there’s been one constant with this new trilogy it's each film has scored an excellent 4K transfer, and that trend continues with this 2160p Dolby Vision presentation of Halloween Ends. The film was shot digitally and finished with a 4K digital intermediate. Appropriately dreary and cold, the image is impeccably detailed with facial features, clothing, masks, and gore getting all of the care and attention they deserve. Michael’s cobwebbed burnt mask is a standout for all of the close-up action we see with the short amount of screen time he gets.

concurrently released Blu-ray. The image here enjoys noticeable gains at the 2160p resolution, offering Halloween Ends ends up looking very good on Blu-ray. The 1080p transfer is solid top to bottom, with the only eyesore some source noise that No Place Like Haddonfield (1080p, 7:49): Exploring how this film looks at some of the nooks and crannies around Haddonfield and how Writers: Paul Brad Logan , Chris Bernier , Danny McBride , David Gordon Green , John Carpenter , Debra Hill unlikely ally in Laurie Strode's (Jamie Lee Curtis) granddaughter Allyson (Andi Matichak). As the bodies mount, Haddonfield finds itself once again in

Halloween Ends 4K Audio

There is good depth and balance on display, superior on the companion and concurrently released UHD, but more than sufficient here. Blood is likewise deep, though again much of The Visions of Terror (2160p/Dolby Vision, 5:47): Michael Myers costumes and continuity, the iconic mask, the cave set, the radio

Deleted and Extended Scenes (1080p, 7:06 total runtime): Included are Michael Shakes Things Up, Joan's Bunny Slam, Corey It is Halloween once again in Haddonfield, Illinois. Michael is still out there, and he's primed to strike. Unless someone beats him to the punch. Fair Warning - this review contains spoilers because well, there just isn't any way to really discuss this movie without going into details. Halloween Ends is typical of most studio horror films shot in the 21 st century – shot digitally on Arri Alexa cameras, with the anamorphic process used to mimic the original look and feel of the original films, resulting in a 4K digital intermediate. And this is the basis of the native 3840 x 2160p resolution image presented here, with a 2.39:1 aspect ratio that uses 10-bit video depth, has a WCG and both HDR10/Dolby Vision passes applied and is encoded using the HEVC (H.265) codec. revealing, and well capable of delivering an image as expected of this style in 2022. Even in lower light viewers will see the wear on Myers' mask and

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And like the previous 4K releases of Halloween (2018) and Halloween Kills, this disc presents a decent if not quite outstanding image. To be fair - I didn’t hate Halloween Ends. I do not think this is the worst film of the franchise. I actually thought the character of Corey was a genuinely brilliant addition to the franchise. I thought that Laurie Strode masking her pain by trying to be “tits-out” domestic grandma was a smart avenue for her character as she and Allyson cope with their loss. I loved all of this stuff because it felt real and emotionally raw and was actually a smart path to take for a franchise riddled with stupidity. My problem with Halloween Ends is this was the exact wrong time to pull this particular story card. predecessor, either, if that matters, though the climax and the dénouement certainly don't shy away from some pretty intense blood and guts. The Halloween Kills does not revolutionize the UHD format or push the format even close to its limits, but the film certainly puts its best foot