The Dark

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He was very afraid of the dark as a small child, known to cower under the covers at the shadows that moved around his room. As he grew older he lost this fear and then only became afraid of spiders. Bit like myself, not with the little ones, but those big monsters give me the shivers! Our protagonist Childes has fled to this island "from the terrors of his past" , fighting his demons (don't they all!!!) while trying to maintain his relationship his Amy! Oh, did I tell you that he also get visions of horrible murders and mutilations. Then people in his vicinity start dying, bodies keep pilling up and finally get to the climax -- which was very abrupt in my opinion. Terminé anoche de leerlo y quedé media catatónica porque por un lado, durante todo el bendito libro no hay forma de que te hagas a la idea de quién corno es el asesino y eso me gustó. Por otro lado, el asesino .... por favorrrrrrrrrrr que mentalidad tan trastornada... los últimos asesinatos fueron los que más sentí porque aunque no eran personajes que conocían profundamente, cada uno por distintas razones te llegaban al kokoro.

The Dark by James Herbert | Waterstones

Francis, Clare; Upton, Ondine, eds. (1996). A Feast of Stories. London: Macmillan Publishers. ISBN 978-0-333-65340-1. Our main character John is simply so unlikeable to hold this book together. He's flawed, an everyman, thrown into a situation he actively tries to repel before giving in and with the help of those around him, learning to "grow" and accept what's happening to him. But his flaws never seem to go away. He's a quiet type, a recluse and I can see how the idea of having a character like this would be good but the execution here is not great. In fact, a lot of the characters we meet are just unlikable. The island in which the story takes place seems to be inhabited strictly of upper class pompous gossips who you can imagine all love whipping out the colourful language at Christmas.A tad boring' is not a good thing to say about a horror book. It wasn't bad, but the writing was so eighties' thriller that it was slightly annoying. The characters were about as empty as empty can be. The plot itself, however, was not too bad. I mean, nothing really surprising, but still kept me reading one more chapter way more often than I'd care to admit. So it wasn't all bad. Just... you know, mostly bad.

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It's not as bad as I'm writing it to be, as I said. It's okay... Well, kinda. I'd be lying if I said that the ending isnt a mess. In fact the entire final third of this book just really lost me. I don't know if the publisher had a word count in mind or not but the ending chapters feel like an eternity. The pacing entirely goes off a cliff. For those who have read the book, I'm mainly talking about "The Fire". From "The Fire" until the end felt incredibly dull and drawn out. I just wanted it to end. Sadly, it did then end and I was left relieved that I could put the book down but also pretty disappointed at how the ideas here were left squandered. I liked the fact that bad things happened in this book that the hero was not able to prevent. I liked the fact that good people did the wrong things for the right reasons. I wasn't sure about the ending, it felt rushed and anti-climatic but I am beginning to think that actually, horror books are just generally difficult to conclude. Beginning in a small suburban street where an empty house is haunted by a malevolent, sentient darkness, the scope of the story expands as the darkness escapes and begins to engulf the city. The main character is Chris Bishop, a paranormal investigator called in initially to investigate claims that the house is haunted. There he discovers that those engulfed by the darkness are driven to savage and murderous frenzies, in connection with a mysterious cult leader whose spirit inhabits the darkness. He released his final book ‘ Ash‘ in 2012 which is a sequel of ‘Haunted’ and ‘the Ghosts of Sleath’. It seems he took quite a lot of time over this book as it is decidedly more indepth than any other book he has written. Cabell, Craig (2003). James Herbert: Devil in the Dark. United Kingdom: John Blake Publishing. ISBN 978-1-84358-059-1.It wouldn’t be a James Herbert story without a woman who is hard on the outside but vulnerable on the inside. His lead female characters always seem to just be waiting for the hero to come along & ‘fix’ them, it’s cringe-worthy. I read some James Herbert books as a teenager, and quite liked them. I mean, of course I did: the library had only a limited collection of horror, and his were one of the most gory ones there. I was absolutely loving this until around three quarters of the way through. It started off as a classic horror story with paranormal and mystery elements which I enjoy reading but it soon became a slog to get through. I think that Herbert was trying to make this more complex than it needed to be and it did not pay off. We watch as he comes to terms with that, working alongside the police to try to get to the bottom of things. Now, I’ve always found that crime and mysticism don’t go together too well, which is one of the reasons why I found Stephen King’s Bill Hodges books so underwhelming after a solid start. Here, though, Herbert gets the balance just right, and I don’t have any complaints about the story. a b Weber, Bruce (24 March 2013). "James Herbert, British Horror Novelist, Dies at 69". The New York Times.

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a b Schudel, Matt (22 March 2013). "James Herbert, Britain's Stephen King, dies at 69". The Washington Post . Retrieved 24 March 2013.

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Williamson, J.N., ed. (1988). The Best of Masques. New York City: Berkley Books. ISBN 978-0-425-10693-8. This was MY first novel by James Herbert. Having seen his books mentioned quite often, I thought to give it a go with Moon. First impression, Herbert is a brilliant writer. I genuinely couldn’t put this book down. Not because I was overly gripped by the story, per se. However, the plot and characters were interesting. But because I was ensnared with the way Herbert wrote and unfolded the tale as a perfectly paced thriller and for the most part, kept the overindulgence to a minimum. territories of evil, evoking a sense of brooding menace and rising tension. He relentlessly draws the reader through the story's ultimate revelation - one that will stay to chill the mind long after but how do you fight the dark? Bishop, because of his findings is dragged into the middle of everything desperate to stop the chaos but hiding his own dark past. He was the subject of a This is Your Life programme in 1995, when he was surprised by Michael Aspel at the London Dungeon. [ citation needed] Reception [ edit ]

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But it’s not. Once again, the psychic visions are occurring. Once again, he’s made a connection with the mind of a vicious murderer. When this happened before, Childes was able to convince a police detective that he was for real, and together they caught the killer. The visions and the stress they caused were the cause of his marriage collapsing. This time, not only is he seeing what the murderer is doing, but the killer is aware of Childes, too. And he wants to hurt him. He is making his way closer and closer to Childes, hurting the people he cares about.a b Plint, Alec (21 March 2013). "20 things you didn't know about James Herbert". The Daily Telegraph. London . Retrieved 21 March 2013.