Korg - Nu:Tekt NTS-1 Digital Synth Kit

Product Information

What’s so fantastic about the NTS-1 is that its compact hardware and ability to program give you such a high degree of freedom. How this works is that “xn” contains input data, and this is processed so that the data overwritten at the end point of the function becomes the output data.

void DELFX_INIT(uint32_t platform, uint32_t api) { buf_clr_f32(s_delay_ram, BUFFER_LEN); z = 0; z2 = 0; prev = 0; next = 0; p = 0.f; slope = 0.f; isStop = 0; } So in this “for” statement, the value of the variable named “i” increases by one with each loop, as long as the value is less than “frames”. Using the button and the three knobs it's possible to access a number of parameters and modes, some of which are obvious and others that are somewhat hidden away. The buttons let you select either Oscillator, Filter, Envelope, Modulation effect, Delay or Reverb for editing. The left-hand knob always selects the 'Type' of whatever button you've selected, so oscillator type, filter type, etc, and the other two knobs change the parameters. Holding the button reveals some modulation possibilities for that part of the synth. The license created by this agreement is personal to you and you may not assign or otherwise transfer your rights or obligations under this agreement without the prior written consent of Korg.This article series is part of a proposal that we made to KORG. The reason for doing this was that we wanted to talk about how the NTS-1 is such a massively appealing platform for programming.

Finally, as with last time we’ll type the name of the effect we created into the “name” parameter in “manifest.json” and in the “PROJECT” parameter of “project.mk”. The first “ld” folder contains the definition file for the effects we will create. Without going into too much detail, let’s just remember that the effects we are making are “Mod,”“Delay” and “Reverb,” and that their folder contents are different from this one. If any part of this Agreement is found by a court of competent jurisdiction or other competent authority to be invalid, unlawful or unenforceable then such part shall be severed from the remainder of this Agreement which will continue to be valid and enforceable to the fullest extent permitted by law. This is where we use the data previously received from the knobs. At last, here it is! The data we received is from 0–1, so if we want to get a value of 64 from the maximum number (1), we need to multiply it by 64. Korg, in no event, will be liable for the direct, derivative, collateral or consequential damage caused by the use of or the inability of using the Licensed Program (including but not limited to damage of data, lost commercial profit, interruption of work, lost commercial information), regardless of the degree of damages, and even if Korg was aware of the possibility of such damages or the possibility of a claim for damage from a third party in advance.You agree that the express obligations and warranties made by Korg in this Agreement are (so far as is permitted by law) in lieu of and to the exclusion of any other warranty, condition, term, undertaking or representation of any kind, express or implied, statutory or otherwise, relating to anything supplied or services provided under or in connection with this Agreement including (without limitation) any warranty as to the condition, quality, performance, merchantability or fitness for purpose of the Licensed Program and the Services or any part of them. To begin, let’s talk about what an “SDK” is. SDK stands for “Software Development Kit,” which is a set of tools necessary to develop specific software.

for(uint32_t i = 0; i < frames * 2; i++){ s_delay_ram[z++] = xn[i]; if(z > BUFFER_LEN - 1) z = 0; } For Linux, which is basically Unix, or macOS, which is based on Unix, you’ll be able to install using a bare minimum of tools. However, for Windows you’ll need an additional environment that can execute Unix commands. Simply put, MSYS2 is a platform for executing Unix commands on Windows. Because of this, if you’re developing with Windows and MSYS2, you’ll run your commands within the “MSYS2” window. Always halving the value gets to be a pain, and the code gets harder to make out with the added formulas. That’s why “0” becomes “1”. With this method, we can also write “i++” for the “for” statement, so that “i” gets incremented by one with each pass. Another way to write this is “count = count + 1”.

As for the array, ah, it starts from zero, right? For that reason, this is reset to zero, to avoid an unwanted crash in case we get to the number represented by BUFFER_LEN. As I wrote last time, this condition can be written in different ways. We’ve standardized it this time so that the conditions are met when reaching or exceeding the value. You should note that the NTS-1 won’t break if the software crashes, so don’t worry about making mistakes! Further, as audio programming pros we’re so excited about how the NTS-1 has an audio input and can be used as a synthesizer or as an effects unit. It’s really interesting how the NTS-1 offers all this, while still being eminently affordable. That’s why we proposed this article series—we wanted to tell as many people as possible about the fascination of this product. The part about multiplying by two and making a pair is the same as what we explained before, but since LR is input alternately into the buffer, we need to extract the L sound from even-numbered locations in the array, and the R sound from odd-numbered locations in the array.

A buffer is a place where data for temporary processing is stored or kept. This time, we’ll use the buffer for the array we created last time. We want to store a lot of sound data in this buffer, so we need to make a large array.Korg furthermore disclaims all responsibilities for direct, derivative, collateral or consequential damages caused by the use of or the inability of using the Third Party Software (including but not limited to damage of data, lost commercial profit, interruption of work, lost commercial information), regardless of the degree of damages, and even if Korg was aware of the possibility of such damages in advance. What happens is that with larger “skip” values, the very same data is output without regard to the input, and thus we get a drop in refresh rate for the sampling data. Nothing in this agreement shall affect the statutory rights of any person dealing with Korg as a consumer.