He also expressed concern about the digitalization of modern generations whose musical perception lacks the attitude for making the record listening a specific enjoyable experience. A real delight for those that have a fascination for all genres of the blues and for those that appreciate Chris Rea's guitar playing. Being quite obsessive by temperament, Rea had to get to the bottom of this phenomenon so he went out and bought almost every book on the subject extant. He's okay, he was on Mortimer and Whitehouse's Gone Christmas Fishing program at the end of last year. I'm very impressed with the build quality, all the details are flawless - it's a very fine guitar, and value for money is great.

Personally, I think he excelled at the early styles of country and slide stuff, so I never really listened to the whole thing, it was an ambitious project, and I am happy to see him still around, on the fishing programme. I was in Scarsdale in October and stopped into Rudy's with my buddy Matt who went with me to Scott's a couple of times, including the blue guitar party. The Blues went in yet another direction, when it started to mingle with Celtic and Scottish/Irish influences, forming still another hybrid. I first came across the track on a 1988 Album "New light through old windows" and on the subsequent short tour he did in December 1988.The result of a unique collaboration between Sir Brian May, his long-standing guitar tech Pete Malandrone, and House Music, the best-selling BMG Special combines the distinctive aesthetics and sound of the legendary Red Special with a wealth of modern appointments and superb quality, production-line craftsmanship. The collection is a tribute to the masterful archtop luthier Jimmy D'Aquisto whose Blue Centura had been the inspiration behind the concept of a group of guitars from the finest builders alive at the time - given free creative reign - aside from some universal specifications - they just had to be blue. Another favourite tone of Brian's combines the neck and middle pickups for a warmer option than bridge and middle; listen to the solo on "Roger's Rocket" (from "Queen 2"). In total, Blue Guitars collects no less than 137 songs which themselves are extracted from all the songs Rea wrote for the project.

Those follow on the subsequent pages, with every CD getting its own introduction followed by complete lyrics.He and his mrs apparently sang the chorus together as they drove home and he thought "This'll fucking show 'em" and recorded it when he got home. Read more Being a long time Chris Rea fan I eagerly awaited the release of the much talked about piece of work. The natural appearance of the Blue Series is further accentuated by the combination of our semi-matte Open-Pore Finish and fine adornments featuring a walnut rosette and faux tortoise binding and pickguard. audio albums and a DVD comes with a 72-page hardback book including more than 30 paintings, photos, lyrics and an interview with Chris Rea. For each of the albums were studied their history and characteristics, and for the recording process and sessions in the studio were procured and used equipments which was used at the specific time, and the studio itself was set up in the way to best-possibly convey the sound of rooms of the previous times.

From "Bohemian Rhapsody" and "Fat Bottom Girls" through to "One Vision" and "I Want It All", this guitar undoubtedly gets you much closer to Brian's tone than any typical Strat or Les Paul. After the interview, an introduction of the first CD explains more about the instruments used and the lyrics. From the undeniably classic pastel tones, to the deep blues that mimic the ocean as the natural wood grain peaks through, blue guitars just look great. Credit is provided by a panel of lenders with whom we have a commercial relationship (so we cannot provide independent advice). Used for various solos (check out his lead licks on "Brighton Rock"), it's a thick sound with a specific bite that's great for soloing (eg.

If you can hear something resembling a finger-piano tone in a Motown song, why not use the instrument for real? The original, primitive influences are no longer recognizable, replaced by a calmer, smoother, more polished, yet nonetheless still recognizable, style of Blues.