Acting in Film: An Actor's Take on Moviemaking (The Applause Acting Series)

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Acting in Film: An Actor's Take on Moviemaking (The Applause Acting Series)

Acting in Film: An Actor's Take on Moviemaking (The Applause Acting Series)

RRP: £99
Price: £9.9
£9.9 FREE Shipping

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Please, if you are thinking about starting an acting career or are simply looking for a book to expand your knowledge about the business, then DO consider adding this one to your list. Then word spread that I was quite amenable, so I became “that easy-to-work-with working-class actor who wears glasses and smokes a cigar. He discusses how as an actor you have to steal personality traits and behaviours from other people around you, or even characters from films you have seen, to create a more three-dimensional construction of the character you are playing. If the leading actor is talented and has great presence, if he can immerse himself into the skin of the character and use his unique acting skills and methods to engage you, you will believe in the character he plays.

The film world allows the viewer to feel a heightened sense of excitement and participation with the fictional characters. I was reading Sidney Lumet's Making Movies but wanted some more detail on actors and acting, which led me to finally open Acting in Film, which I'd learned about last September.This book is particularly helpful to actors who are crossing over from theater acting to film acting. He was insolent, good-humoured and wore thick dark glasses, which was unusual for male leads of the day. If anyone is interested in a recommendation, Bobbie O'Steen's The Invisible Cut: How Editors Make Movie Magic seems like a good start, although I'm still reading the first chapter. When sitting around set, waiting for the lighting professionals to make it just right, I'll turn to my fellow actors and say: "We're paid to wait. Rather than try explaining everything with endless details, Michael Caine just gives it to the reader plain and simple, which is the reason why i truly appreciate this book.

The beautiful partnership he had with Connery in Man Who Would Be King, and how they supported each other, made each other better, and made a better film. Caine, because his book is so honestly and efficiently helpful you can tell his intention is to educate and improve the art, not blow smoke. Biometric tests on cinema audiences, such as pulse rates, are used to advise the film companies on just how much viewers are immersed in the experience.

He talks about entering sets where he only had one line to speak, waiting for hours to say that one line and that many stars on the film sets could be very arrogant and refused to talk to anyone below them. I bought this book a few years ago when I was cast in my first film role, to prepare me for working on set, to understand how movie making works and what my role would be, what working with other actors and film crew would be like. Caine always loves to talk about his rough-and-tumble cockney upbringing; I guess I can't blame him. A master actor who's appeared in an enormous number of films, starring with everyone from Nicholson to Kermit the Frog, Michael Caine is uniquely qualified to provide his view of making movies. Nevertheless, the spectator will still react to what is on the screen emotionally, though, for films like this, it is less of an escape from reality, more a learning experience.



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