Ocr tesseract 5.0.0-1-g862e Ocr_detected_lang en Ocr_detected_lang_conf 1.0000 Ocr_detected_script Latin Ocr_detected_script_conf 0.9371 Ocr_module_version 0.0.15 Ocr_parameters -l eng Old_pallet IA-WL-1300142 Openlibrary_edition Vincent van Gogh; Sunflowers; NG3863". National Gallery, London. Archived from the original on 12 August 2016 . Retrieved 1 August 2016.

Channing & Bradley (2007), 67; Van Gogh (2009), Letter 879. Vincent to Willemien van Gogh. Auvers-sur-Oise, Thursday, 5 June 1890. IMDb for Vincent Van Gogh". IMDb. Archived from the original on 27 May 2019 . Retrieved 9 May 2019. In May 1890, Van Gogh left the clinic in Saint-Rémy to move nearer to both Dr Paul Gachet in the Paris suburb of Auvers-sur-Oise and to Theo. Gachet was an amateur painter and had treated several other artists – Camille Pissarro had recommended him. Van Gogh's first impression was that Gachet was "iller than I am, it seemed to me, or let's say just as much." [192] Van Gogh (2009), Letter 640. Vincent to Theo van Gogh, Arles, Sunday, 15 July 1888. Letter 695. Vincent to Paul Gauguin, Arles, Wednesday, 3 October 1888.

Bezoekersrecords voor Van Gogh Museum en NEMO"[Record breaking number of visitors to the Van Gogh Museum and the NEMO Science Museum]. AT5 (in Dutch). 15 December 2015. Archived from the original on 21 July 2016 . Retrieved 4 August 2016. Fishing Boats on the Beach at Saintes-Maries-de-la-Mer, 1888". Permanent Collection. Van Gogh Museum. Retrieved 23 February 2016. Cain, Abigail (26 July 2016). "How One Art History Teacher Solved Two of the Biggest Mysteries about Van Gogh". artsy.net. Archived from the original on 21 February 2019 . Retrieved 21 February 2019. The most comprehensive primary source on Van Gogh is his correspondence with younger brother, Theo. Their lifelong friendship, and most of what is known of Vincent's thoughts and theories of art, are recorded in the hundreds of letters they exchanged from 1872 until 1890. [8] Theo van Gogh was an art dealer and provided his brother with financial and emotional support as well as access to influential people on the contemporary art scene. [9]

UK: Climate protesters throw soup on Van Gogh's 'Sunflowers' ". AP NEWS. 14 October 2022 . Retrieved 15 October 2022. See also: Sunflowers (Van Gogh series) Paul Gauguin, The Painter of Sunflowers: Portrait of Vincent van Gogh, 1888. Van Gogh Museum, Amsterdam Wamberg, Jacob (2010). "Wounded Working Heroes: Seeing Millet and van Gogh through the Cleft Lens of Totalitarianism". In Rasmussen, Mikkel Bolt; Wamberg, Jacob (eds.). Totalitarian Art and Modernity. Aarhus University Press. pp.36–104. Cluskey, Peter (12 July 2016). "Gun used by Vincent van Gogh to kill himself goes on display". The Irish Times. Archived from the original on 23 October 2016 . Retrieved 22 October 2016.Perry, Isabella H. (1947). "Vincent van Gogh's illness: a case record". Bulletin of the History of Medicine. 21 (2): 146–172. PMID 20242549. van Gogh". Dictionary of Minor Planet Names. Springer. 2003. p.383. doi: 10.1007/978-3-540-29925-7_4402. ISBN 978-3-540-29925-7. Dorn, Roland; Leeman, Fred (1990). "(exh. cat.)". In Költzsch, Georg-Wilhelm (ed.). Vincent van Gogh and the Modern Movement, 1890–1914. ISBN 978-3-923641-33-8. Other editions: ISBN 978-3-923641-31-4 (German); ISBN 978-90-6630-247-1(Dutch)

See also: Portraits by Vincent van Gogh, Paintings of Children (Van Gogh series), and Van Gogh's family in his art van Uitert, Evert; van Tilborgh, Louis; van Heugten, Sjraar, eds. (1990). "(exh. cat)". Vincent van Gogh. Arnoldo Mondadori Arte de Luca. ISBN 978-88-242-0022-6. Fifteen canvases depict cypresses, a tree he became fascinated with in Arles. [262] He brought life to the trees, which were traditionally seen as emblematic of death. [228] The series of cypresses he began in Arles featured the trees in the distance, as windbreaks in fields; when he was at Saint-Rémy he brought them to the foreground. [263] Vincent wrote to Theo in May 1889: "Cypresses still preoccupy me, I should like to do something with them like my canvases of sunflowers"; he went on to say, "They are beautiful in line and proportion like an Egyptian obelisk." [264]Main articles: Death of Vincent van Gogh, Auberge Ravoux, and Vincent van Gogh's health Article on Van Gogh's death from L'Écho Pontoisien, 7 August 1890 Hayden, Deborah (2003). Pox: Genius, Madness and the Mysteries of Syphilis. Basic Books. ISBN 978-0-465-02881-8. When Gauguin agreed to visit Arles in 1888, Van Gogh hoped for friendship and to realize his idea of an artists' collective. Van Gogh prepared for Gauguin's arrival by painting four versions of Sunflowers in one week. [135] "In the hope of living in a studio of our own with Gauguin," he wrote in a letter to Theo, "I'd like to do a decoration for the studio. Nothing but large Sunflowers." [136] Le Moulin de la Galette (Van Gogh series): Montmartre, windmill paintings named Le Moulin de la Galette