Stay With Me Till Dawn - Judie Tzuke 7" 45

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Stay With Me Till Dawn - Judie Tzuke 7" 45

Stay With Me Till Dawn - Judie Tzuke 7" 45

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It’s called Judie Tzuke – Songs and Stories, which is me singing songs acoustically and then talking about the songs. Find sources: "Judie Tzuke"– news · newspapers · books · scholar · JSTOR ( August 2015) ( Learn how and when to remove this template message) In 1990, she switched to Columbia Records (CBS). In August, she released a new single, a cover version of the Beach Boys song " God Only Knows". [2] However, the song failed to gain chart success. The song featured in an ITV documentary series about recording techniques, where Tzuke and her producers Mike Paxman and Paul Muggleton showed how the song had been constructed using samples of her voice which were transposed into a synthesizer range. Her eighth album, Left Hand Talking, was released by Columbia in May 1991. [2] "Outlaws" was released as a single by Columbia in June 1991, but neither the album nor single made an impact upon the charts. Her tenure with Columbia ended after only one album.

Following the muted reception of The Cat Is Out, Tzuke signed with another major label, Polydor Records, in 1987. She began working on her seventh album, though took some time off in June 1987 when she gave birth to her first daughter, Bailey. The album, Turning Stones, was released in April 1989, peaking at No. 57 on the UK Albums Chart. It was preceded by the single " We'll Go Dreaming", which had peaked at No. 96 several weeks earlier. Judie says she had decided to lose some weight – “I’ve always had a little bit of a weight problem” – and lost three and a half stone. At the end of the show I wanted to run away and hide. But my band were great and my daughters were singing with me.

Road Noise (Media notes). Judie Tzuke. Chrysalis Records. {{ cite AV media notes}}: CS1 maint: others in cite AV media (notes) ( link) I didn’t keep the cancer a secret. I never put out a press release or anything like that but I think some people knew. They’ve always been great,” says Judie of her fans. “It’s just me. I’ve always been so self-conscious and fearful that they might not like me any more.” Tzuke's family relocated from Poland to England in the 1920s, and changed their surname from Tzuke to Myers, like other Jewish families from Eastern Europe. Her mother, Jean Silverside, was a television actress, and her father, Sefton Myers, was a successful property developer who also managed artists and singers—most notably Andrew Lloyd Webber and Tim Rice during the writing of Jesus Christ Superstar. Tzuke preferred the original family name, started using it at school and so, when Tzuke embarked on her singing career, she used it as her stage name. [1] Judie Tzuke ( / z uː k/ ZOOK; born Judie Myers, 3 April 1956) is an English singer-songwriter. She is best known for her 1979 hit " Stay with Me till Dawn", which reached number 16 on the UK Singles Chart.

Stay with Me till Dawn" is a 1979 single by Judie Tzuke from her debut album Welcome to the Cruise. [3] Written by Tzuke and Mike Paxman and produced by John Punter, the song was Tzuke's only Australian and UK top 40 single, charting at number 8 and 16 respectively. Having said that, the warmth and support emanating from the audience – who, points out Judie, can’t usually be seen because of the lights – had a positive effect. I had the most terrible experience in that I lost my voice on stage. I felt very ill and I didn’t look great and it seemed that everything I’d been fearful of happening happened. I’ve always been quite a depressive person and putting my feelings into songs makes me feel better.” I was a young girl who used to write little poems each day, usually poems which had a regularity and rhythm to them. I started writing songs when I was 14 and I still do it.

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While she may have been looking fit and healthy, the weight loss had affected her, prompting her to seek the help which eventually led to a diagnosis and a hysterectomy. Singer Judie Tzuke, you might imagine, wafts around on the rolling waves of affection generated by her audiences.



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