Wheels of Light: Chakras, Auras, and the Healing Energy of the Body

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Wheels of Light: Chakras, Auras, and the Healing Energy of the Body

Wheels of Light: Chakras, Auras, and the Healing Energy of the Body

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Excess rewards will be converted into Proof of Light, which can be used to exchange for items in the Expo Store. He learned that we are more than flesh and bone—we are fashioned of Spirit and light, surrounded by a luminous energy field whose source is located in infinity. This energy field envelops every cell of our bodies, acting as a matrix that maintains our physical and spiritual health and vibrancy…it is up to us to recognize and work with this field to change the very nature of our being and heal ourselves.​ Drawing on scientific research, Native American culture, the ancient traditions of the Egyptians and Greeks, the philosophies of the Hindus, and the religions of the East, Rosalyn L. Bruyere presents a unique perspective on the value and healing potential of the chakra system. Once I began to explore things in this way, it followed that if an entire culture's thought process was dominated by a particular chakra color, that culture would process reality through that dominant chakra. In other words, since each chakra has a particular "viewpoint," a culture would tend to "see" reality through the "eyes" of that chakra. Furthermore, because each chakra is directly related to a specific area of the body, certain positions and postures of the body would enhance the dominance of one or two colors while inhibiting others. In Islam, for instance, a Moslem bows on a prayer rug, with his knees on the ground. He then puts his forehead (more specifically, his "third eye") on a point that is usually a design on the rug. This posture directs focus to the area around the navel and around the forehead, making the second (orange) and sixth (purple) chakras dominant.

It is my hope that those who read this book will find, as I have, support and validation for many aspects of themselves. My study of the chakra system has allowed me to develop many elements of my own being, without having to sacrifice one for the other. I have been able to embrace motherhood and the ministry, art and engineering; I have been allowed wholeheartedly and without conflict to live up to my resolution to pursue the spiritual in science and science in the spiritual.

What followed was a flood of information about all manner of other practitioners and companies who were active from the mid 1960s onwards,” Foakes explains. “Scans of old brochures, effects wheels and more filled up the inbox alongside names to follow up, links and witty observations.” It is significant that one of the last two discovered planets, Uranus (called the "erratic revolutionary"), was first sighted not by a scientist viewing the stars from an observatory on high, but by a simple curious stargazer observing the heavens through his own domestic telescope. Esoteric knowledge that was lost in the flames that consumed the great library of Alexandria is being rediscovered within the laboratories of modern science. Things that were mysterious five thousand years ago in Egypt are now being taught to children in their first physics class.

CODED: ART ENTERS THE COMPUTER AGE, 1952–1982 DELMONICO BOOKS/LOS ANGELES COUNTY MUSEUM OF ART ISBN: 9781636810805 As each of the ancient civilizations was conquered -- the Egyptian, the Chinese, the Greek, the Roman -- vast libraries were burned and within the fires were consumed massive volumes of antiquarian and esoteric wisdom. It is no mistake that the period that followed was termed the Dark Ages. By the time the light shone again, science and religion had become enemies, and common knowledge of the chakra system had become an esoteric mystery. The Boyle Family began to create multifaceted public art pieces inspired by Ken Kesey’s LSD-fuelled bus trips in the USA, known colloquially as ‘happenings’. These included 1964’s Suddenly Last Supper, which featured collage films and slides being burned as they were projected onto screens, mannequins and performers, as well as a piece called Bodily Fluids and Functions at the Roundhouse, which cased controversy thanks to its inclusion of live sex. Optikinetics projector with liquid wheel Wheels of Light coverI first remember seeing a full light show at an Ozric Tentacles gig in 1992. Who were the people who kept the spirit alive, as it were. Health is generally defined as the absence of disease, but this is really an unsatisfactory definition. The word "health" means "wholeness." Health implies much more than freedom from disease. A complete definition of health must include vitality, appropriate feelings, clear thinking and reasoning, and a willingness to embrace change. Responsibility and creative self-expression, intuitive understanding and a vital spiritual life are also essential if we are to be whole and healthy. In his sermon on the mount, Jesus tells the multitude "Ye are the light of the world" (Matthew 5:14)and challenges them to let their light shine before men (Matthew 5:16). The light that shines forth from each of us -- the kind and quality of light generated by the chakras and reflected in the colors of our auric fields -- is a reflection of our state of health and our condition of wholeness. Thus, I came to understand that our definition of health needs to become "full of light."

The more I studied Native American culture as well as the ancient traditions of the Egyptians and Greeks, the philosophies of the Hindus, and the religions of the East, the more I realized the potential value of the chakra system as a means of understanding life and energy and the symbolic relationship between them. As a young teacher of this material, I kept trying to find a textbook from which to teach. I found none. The few books available presented their own unique theories and ideas and were generally contradictory of one another. This book in many ways is an attempt to create a source that pulls those ideas together, and that correlates the wisdom of the ages with modern scientific thought, so that others may come to know the energy and light of life. In so doing, I had to face the fact that this material has no beginning and no end; it is evolving, a work in progress, as is the human race. The sum of potential and kinetic aura is always constant. The law of conservation holds that energy can neither be created nor destroyed. Thus, energy cannot be extracted from or added to an electromagnetic field without a corresponding change in the field. A thought then can be referred to as a potential or static electromagnetic field pattern. On the other hand, the thinking process represents a continually changing or dynamic electromagnetic field. As thought changes from a static to a dynamic field, it imparts energy to and receives energy from the thinker during the course of the thinking process. When the process ends, the resultant thought is stored (a memory) as a static electromagnetic field pattern in the auric field. Clearly the mind, the aura, and the electromagnetic chakra system are inseparably interrelated.

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How did you get into this more antiquated form of light show; and what was the attraction to you, over a more digital solution? These auric field colors are very specifically related to the chakras. My experience indicates that each chakra has four discernible characteristics that functionally affect the aura: color, size and shape, rotation or spin, and intensity (which is a function of the "openness" and thus the amount of energy that is produced by the chakra; although a chakra in actuality cannot be "open" or "closed," these terms are frequently used in discussions about the chakras in reference to the amount of energy actually being produced by any given chakra at any given time). It is out of these characteristics that the aura is generated. As a chakra spins, it produces its own electromagnetic field, which combines with the fields generated by the other chakras to produce what we call the auric field. The amount of energy produced by a particular chakra (or group of chakras) determines the color that dominates the auric field. Thus, in a person in a highly emotional state when the second chakra is dominant, the auric field is predominantly orange, while one who is in a state of high creativity (utilizing the fifth chakra) will generally have an auric field that is predominantly blue. Our research at UCLA was significant on more than one level. It was perhaps the first attempt made in our country to examine an electrical manifestation, a magnetic field phenomenon, as connected to the healing process. Prior to that time, laying-on-of-hands healing had been viewed as a psychological, not an energetic process. Our research was important in that it was a meaningful attempt to correlate the body's natural frequency ranges with the spiritual world.

The shamans of old knew that we come from light, and we return to the light after we die. We are light, condensed into matter. This means that we can work at the level of light – or energy- to heal ourselves and the world. There is lots to enjoy this Christmas - including the big Christmas lights switch-on next Wednesday, November 22. I am writing this text primarily for Americans, mainly for students of healing. If it serves its purpose, it will become obsolete. Those who study the chakra system will acquire an understanding of it and will then be able in their own individual ways to add to it the knowledge they accumulate through their own experience. This book is merely a foundation from which a greater structure is certain to arise. As a result of being involved with this research, I realized that in reading the aura I was looking at an aspect of mind, not in the intellectual sense but in terms of a definition that embraces all of consciousness -- the physical, the emotional, and the spiritual, as well as the intellectual. If the aura is an indication of a person's entire well-being, then the overall health of an individual is influenced by the way in which he or she lives his or her life. Thus, physical exercise, diet, meditation, and other spiritual practices, what and how we think as well as what we feel or don't feel, are all influential factors in determining how healthy -- or ill -- we are. I began to compare different cultures with different religious traditions as a way of finding other similarities in their teachings and sacred mysteries. The more I studied, the more I found varied cultural references to the chakra system. Shortly after my meeting with Grandfather David, I made a journey to the Holy Land. There I found that the chakra system as I knew and understood it meant something different once I was removed from my own culture and cultural heritage. I discovered that the light -- the aura -- and the meaning of the auric colors often differed from culture to culture. In Western society, people tend to think in yellow, daydream in blue, change in green, and get angry in red. While this tendency is not absolute, it is generally consistent. In traveling six hundred miles up the Egyptian Nile I never saw blue or yellow in the auras of Islamic people; I also noticed that aurically their thought process seemed to closely resemble that of the Native American people whom I had observed. Once in Israel, I again saw yellow auric fields, an observation that led me to believe that Israelis tend to "think" more like Europeans and Americans. From these experiences I began to comprehend why, in the Middle East, Israelis and Arabs do not seem to understand each other's way of thinking and why, on our own continent, the Native Americans and nonindigenous peoples fail to understand each other's ways. These observations led me to question whether or not the practices of different religions and particularly prayer positions change the auric colors. I especially began to wonder whether thought was something other than logic as we know it in the West.The latest volume in Four Corners’ Irregulars series on forgotten and fascinating subcultures of British visual history, Wheels of Light charts the history of light-show art in Britain from the 1970s on. Emerging from avant-garde art performances of the 1960s, light shows became an ultra-hip accompaniment at gigs and clubs in the 1970s. Swirling colored oils and kaleidoscopic patterns were projected across bands and venues, while 360-degree painted "panorama wheels" would slowly rotate in projectors, showing only a section of the image at any one time. This book brings together images and the panorama wheels made by key projection companies that sprang up in the UK during this time, including Optikinetics, Pluto and Orion, and tells their story. Possibly the most well-known hub of all things psychedelic in the 1960s was the UFO club in Tottenham Court Road, central London. Here, the Boyle Family created improvised AV performances for bands like Canterbury’s iconic Soft Machine. But what this book shows is that outside of the most famous images of psychedelic counterculture of the 1960s, there were numerous innovative, talented craftspeople and artists pushing the boundaries of technology.



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