Robert Hunter must now catch the most disciplined and systematic murderer that he has ever encountered. A killer who thrives on the victims' fear and to whom, death is a lesson that needs to be taught. World Goth Day: Throbbing Gristle's Cosey Fanni Tutti on Performance Art, Discomfort, and Her New Book Art Sex Music". www.kexp.org . Retrieved 11 August 2023.

Later, Robert comes to know that all the victims were killed in ways that they most feared. Also, it turned out that the worst nightmares of all the victims had come true. The most important question that bothers Robert Hunter is that how did the killer each of the victims and what was the link between all those random victims?The band released several subsequent studio and live albums—including D.o.A: The Third and Final Report of Throbbing Gristle (1978), 20 Jazz Funk Greats (1979), and Heathen Earth (1980)—on their own record label Industrial Records, building a reputation with their transgressive and confrontational aesthetics; they included the extensive use of disturbing visual imagery, such as ironic fascist and Nazi symbolism and pornography, as well as that of noise and sound manipulation influenced by the works of Burroughs and Brion Gysin. Die zunächst scheinbar völlig zusammenhangslosen Morde ließen mich bis zuletzt über das Motiv des Täters, der sich selbst ‚Mentor’ nennt, grübeln und die Auflösung am Ende war wie immer grandios durchdacht und unvorhersehbar.

Industrial Records – Releasing 'Industrial Music for Industrial People' Since 1977". throbbing-gristle.com. Archived from the original on 8 July 2013 . Retrieved 27 May 2013. The mysterious caller however doesn't want Hunter to just watch, but rather participate in an act where refusing is not an option. Do you believe the Devil exists, Detective?’ the officer at the end of the line asks. ‘Because if you don’t . . . I’m sure you will once you get here.’** It was also released by the Simon and Schuster publishers in the year 2010. The main plot of this book features the lead characters in the form of Robert Hunter, Claire Anderson, Ian Hopkins, Barbara Blake, Carlos Garcia, Jonathan Winston, and Mike Brindle, etc. Throbbing Gristle – The Desertshore Installation 12 CD Wallet:: Industrial Records Store". Greedbag. Archived from the original on 1 June 2013 . Retrieved 27 May 2013.Detective Robert Hunter und sein Partner Carlos Garcia jagen einen perfiden Serienkiller. Die blutige Art des Tötens ist nicht das Einzige, was diesen Killer antreibt. Für ihn sind Angst, Schmerz und der Tod Teil einer Lektion. Und er ist der Lehrmeister. Als eine zweite Frau grausam umgebracht wird, fragen Hunter und Garcia sich, wie viele Gedichte dieser Serienkiller noch schreiben wird. Ihnen bleibt nicht viel Zeit…

Instead, he knows he is dealing with a killer who is tremendously disciplined, systematic, creative, and patient. A killer whose MO was too complex to be copied and too complex for freaky coincidences. Becu, Didier (18 June 2011). "Chris & Cosey • Interview • Music Can Be Regarded as Art. | Art Can Be Regarded as Music. • Peek-a-Boo Music Magazine". Peek-a-Boo Music Magazine . Retrieved 27 May 2013.Duboys, Éric (2007). Industrial Music for Industrial People (in French). Rosières-en-Haye: Camion Blanc. ISBN 9782910196493. OCLC 213489927. News:: Throbbing Gristle Store Shop". Greedbag. Archived from the original on 18 June 2007 . Retrieved 27 May 2013. Singh, Anita (2 February 2017). "Full-frontal nudes, pornographic videos and bondage equipment: The X-rated exhibition to celebrate Hull's City of Culture status". The Telegraph. Archived from the original on 12 January 2022 . Retrieved 29 May 2017.