We keep coming up with these Double Bill promotions – what about this one for two great adventures stories :- The Flame and the Arrow" is a colorful adventure film with a great closing shot: Lancaster swinging in a series of circular movements on metalwork high above the courtyard of an old castle...

Talvi acts immature sometimes and he is meant to be many years old. He acted like a horny teenager not a century old elf! Beautifully photographed in colour by the great Ernest Haller the movie has all the hallmarks of Warner's high production values. Adding greatly to the picture's proceedings is the wonderful Italianate score by Max Steiner! His ebullient music, like the picture, is a total delight especially his infectious and hum inducing main theme for Dardo scored for mandolins and orchestra and the gorgeous love theme for the scenes with Dardo & the lady Anne. There's a splendid driving battle theme too! Steiner's music was nominated for an Acadamy Award but lost out to Franz Waxman's darker "Sunset Boulevard".The Flame and the Arrow is a sweet romance between Annika and Talvi. Both are from different worlds. One from the human world and the other from the fae world. I think his later "acrobatic" films were better, especially "The Crimson Pirate", which had a far better, more amusing script, and "His Majesty O'Keefe," which provoked some serious sub rosa thought, in people given to serious thought. He kept fit for the rest of his life, even doing some clearly dangerous stunt work as late as "The Professionals" in 1968. Like some other tall, sinewy actors -- Clint Eastwood, for instance -- Lancaster seemed to have such delicate hands and fingers. What one character says of Leopold Bloom in Joyce's "Ulysses" could as easily be said about Lancaster -- "He'd have a soft hand under a hen." If this film gave a boost to his career, and it probably did, he certainly hit the ground running. While visiting a small town, Sofia, Annika noticed a man and three women in their twenties. Intrigued by the way they were dressed, Annika followed them into the bookstore. She only found out that they were from Derbedrossivic, before she escaped when one of the women mistakened her for another person.

And Burt has the charisma going full blast in this film. As well he would have to, otherwise why would the peasants be following him. It's an expansive part and no one could be as expansive as Burt Lancaster when the part called for it.

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Don't do it, Annika," he taunted. His eyes were no longer bright and charming, but dark and intense, yet they still twinkled. He was tempting, but was he harmful? There was one thing that looked very unrealistic, although it may have been accurate: Dardo's love interest Anne (Virginia Mayo) wears pants in some scenes, and even wears shorts in some scenes. I can't imagine that any woman in medieval Europe would have worn pants, let alone shorts. But maybe she really did dress like that. Whatever the deal was, Virginia Mayo is as hot here as she was in "The Secret Life of Walter Mitty". While staying in Derbedrossivic, Annika discovered that she has an ancestor who from from the fae world. Her relationship with Talvi grew closer as he continued to court her. Even though she was warned by her new friends that Talvi is a womanizer and a heartbreaker, it was too late to protect her heart from Talvi. Dardo sends a message to the count, offering an exchange of prisoners, but Ulrich threatens to execute papa Pietro unless Anne is released. Dardo and the others race to the village and rescue Bartoli. Then Dardo learns from his aunt Nonna ( Aline MacMahon) that five more prisoners have been taken to hang in Papa's place. Dardo gives himself up to save the others and is hanged in front of his son. Ulrich takes the rest of the rebels prisoner, including the marchese. The action is colourful if occasionally underpowered, the sets are fine, especially the castle interiors. Lancaster claimed to do all his own stunts but that seems very unlikely given the evidence and editing seen here, nevertheless it's his drive and energy which keeps the action moving. Mayo is fetching in her elaborate robes although her character seems too feisty to suddenly capitulate to Dardo's less than magnetic charms. Robert Douglas as the dashing but double-dealing Marquese and Frank Allenby as the tyrannical count are both very good in support.